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Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501308432
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
An historically informed reappraisal of the work of Hal Ashby, one of New Hollywood cinemas pioneering yet neglected film-makers.
Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501308432
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
An historically informed reappraisal of the work of Hal Ashby, one of New Hollywood cinemas pioneering yet neglected film-makers.
Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501340190
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Casting fresh light on New Hollywood – one of American cinema's most fertile eras – Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators. Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers.
Author: Barbara Tepa Lupack
Publisher: Rowman & Littlefield
ISBN: 1793607192
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Jerzy Kosinski’s Being There (published in 1970 and adapted to film in 1979) was prescient in its vision of a simple man without discernible talent or political experience whose knowledge of the world comes almost exclusively from television. Yet his very shallowness establishes him as a TV celebrity and propels him to the pinnacle of American government. Both an incisive satire and a clarion call to resist the collectivizing force of the media that influences American life and shapes, distorts, and ultimately corrupts politics and culture, Being There offered a trenchant comment on the nature of “being” in the modern world of power. And it critiqued the tendency of Americans to seek mindless distraction rather than engagement and to find profundity in banal slogans and slick visuals. Issued a half century ago, Kosinski’s warning not to let hollow imagery trump our good sense and become our new reality is even more urgent today. The first book-length examination of Kosinski in more than a decade, Being There in the Age of Trump goes beyond conventional literary and film analysis to a larger interdisciplinary and cultural study of a work still timely and popular.
Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1501372378
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.
Author: Yannis Tzioumakis
Publisher: Bloomsbury Publishing USA
ISBN: 1501337890
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Author: Nassim W. Balestrini
Publisher: Rowman & Littlefield
ISBN: 1666914754
Category : Social Science
Languages : en
Pages : 243
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Book Description
Aging Studies and Ecocriticism: Interdisciplinary Encounters argues that both aging studies and ecocriticism address the complex dynamics of individual and collective agency, oppression and dependency, care and conviviality, vulnerability and resistance as well as intergenerationality and responsibility. Yet, even though both fields employ overlapping methodologies and theoretical frameworks and scrutinize “boundary texts” in different literary genres, which have been analyzed from ecocritical perspectives as well as from the vantage point of critical aging studies, there has been little scholarly interaction between ecocritical literary studies and aging studies to date. The contributors in this volume demonstrate the potential of specific genres to narrate relationality and age, and the aesthetic and ethical challenges of imagining changes, endings, and survival in the Anthropocene. As the first step towards putting both fields in conversation, this collection offers new pathways into understanding human and nonhuman ecological relations.
Author: Aaron Hunter
Publisher: Rutgers University Press
ISBN: 1978821816
Category : Performing Arts
Languages : en
Pages : 179
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Book Description
The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade’s film theory and criticism, this collection showcases the rich and varied cinematic products of women’s creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film.
Author: Nick Dawson
Publisher: University Press of Kentucky
ISBN: 0813139198
Category : Performing Arts
Languages : en
Pages : 665
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Book Description
The story of the director behind Harold and Maude, Being There, and other quirky classics: “A superb biography of this troubled, talented man.” —Tucson Citizen Hal Ashby set the standard for subsequent independent filmmakers by crafting unique, thoughtful, and challenging films that continue to influence new generations of directors. Initially finding success as an editor, Ashby won an Academy Award for editing 1967’s In the Heat of the Night, and translated his skills into a career as one of the quintessential directors of 1970s. Perhaps best remembered for the enduring cult classic Harold and Maude, Ashby quickly became known for melding quirky comedy and intense drama with performances from A-list actors such as Jack Nicholson in The Last Detail, Warren Beatty and Goldie Hawn in Shampoo, Jon Voight and Jane Fonda in Coming Home, and Peter Sellers and Shirley MacLaine in Being There. But Ashby’s personal life was difficult. After enduring his parents’ divorce, his father’s suicide, and his own failed marriage all before the age of nineteen, he became notorious for his drug abuse, which contributed to the decline of his career near the end of his life. Ashby always operated outside Hollywood’s conventions, and though his output was tragically limited, the quality of his films continues to inspire modern directors as varied and talented as Judd Apatow and Wes Anderson, both of whom acknowledge Ashby as a primary influence. In Being Hal Ashby: Life of a Hollywood Rebel, the first full-length biography of the maverick filmmaker, Nick Dawson masterfully tells the turbulent story of Ashby’s life and career.
Author: Jay Dyer
Publisher: TrineDay
ISBN: 1634241940
Category : Social Science
Languages : en
Pages : 539
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Book Description
Like no other book before it, this work delves into the deep, dark, and mysterious undertones hidden in Tinsel town's biggest films. Esoteric Hollywood is a game-changer in an arena of tabloid-populated titles. After years of scholarly research, Jay Dyer has compiled his most read essays, combining philosophy, comparative religion, symbolism, and geopolitics and their connections to film. Readers will watch movies with new eyes, able to decipher on their own, as the secret meanings of cinema are unveiled.
Author: Aaron Hunter
Publisher:
ISBN: 9783030821227
Category :
Languages : en
Pages : 0
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Book Description
This book examines the career and creative labour of production designer Polly Platt. It focuses mainly on her contributions to 1970s Hollywood, but also considers her later work. Considering films such as The Last Picture Show, Paper Moon, The Bad News Bears, and The Witches of Eastwick, it argues that Platt's construction of their visual palette and mise-en-scène was so creative and so comprehensive that it can be considered authorial. Chapters discuss Platt's life and its influence on her work, her attention to detail, her role in location decisions and costume design, and her use of colour. An epilogue discusses her later career as a producer and her mentorship to young filmmakers like Cameron Crowe and Wes Anderson. This is the first full-length examination of the career of one of the women practitioners whose work was so important to 1970s cinema, and provides an alternative methodology to the auteur-driven framing that so regularly defines the era. Aaron Hunter lectures in the department of film at Trinity College Dublin, Ireland. His monograph Authoring Hal Ashby: The Myth of the New Hollywood Auteur (2016) constructs an alternative, multiple-authorship framework for understanding New Hollywood, an approach he continues in this work on Polly Platt. His collection Women and New Hollywood, co-edited with Martha Shearer, will be published in 2022.
