Author: Marden Fitzpatrick Nichols
Publisher: Cambridge University Press
ISBN: 1108547869
Category : History
Languages : en
Pages : 266
Book Description
Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.
Author and Audience in Vitruvius' De architectura
Author: Marden Fitzpatrick Nichols
Publisher: Cambridge University Press
ISBN: 1108546765
Category : History
Languages : en
Pages : 265
Book Description
Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.
Publisher: Cambridge University Press
ISBN: 1108546765
Category : History
Languages : en
Pages : 265
Book Description
Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.
Author and Audience in Vitruvius' De architectura
Author: Marden Fitzpatrick Nichols
Publisher: Cambridge University Press
ISBN: 1108547869
Category : History
Languages : en
Pages : 266
Book Description
Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.
Publisher: Cambridge University Press
ISBN: 1108547869
Category : History
Languages : en
Pages : 266
Book Description
Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.
Rome, Empire of Plunder
Author: Matthew Loar
Publisher: Cambridge University Press
ISBN: 1108418422
Category : History
Languages : en
Pages : 339
Book Description
An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.
Publisher: Cambridge University Press
ISBN: 1108418422
Category : History
Languages : en
Pages : 339
Book Description
An interdisciplinary exploration of Roman cultural appropriation, offering new insights into the processes through which Rome made and remade itself.
Pliny the Elder and the Emergence of Renaissance Architecture
Author: Peter Fane-Saunders
Publisher: Cambridge University Press
ISBN: 1316419096
Category : Art
Languages : en
Pages : 525
Book Description
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
Publisher: Cambridge University Press
ISBN: 1316419096
Category : Art
Languages : en
Pages : 525
Book Description
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
Vitruvian Man
Author: John Oksanish
Publisher: Oxford University Press
ISBN: 0190697008
Category : Art
Languages : en
Pages : 265
Book Description
Professionalism is political. This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture, dedicated to Augustus in the 20s BCE. Once reviled by scholars, Vitruvius emerges as an imperial expert par excellence when read alongside literary coevals through an intertextual lens. No building of Vitruvius' name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome's vibrant textual culture. The book explores Vitruvius' portrait of the ideal architect as an imposing "Vitruvian man" at the dawn of Augustus' empire. In direct dialogue with his republican model, Cicero's ideal orator, the architect embodies a distinctly imperial civic ethos in which technically skilled partisans supersede old elites as guarantors of Augustan authority. Vitruvius promises to shape not only the emperor's legacy with architecture, but also the notion of a Roman citizen through his ideal architect.
Publisher: Oxford University Press
ISBN: 0190697008
Category : Art
Languages : en
Pages : 265
Book Description
Professionalism is political. This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture, dedicated to Augustus in the 20s BCE. Once reviled by scholars, Vitruvius emerges as an imperial expert par excellence when read alongside literary coevals through an intertextual lens. No building of Vitruvius' name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome's vibrant textual culture. The book explores Vitruvius' portrait of the ideal architect as an imposing "Vitruvian man" at the dawn of Augustus' empire. In direct dialogue with his republican model, Cicero's ideal orator, the architect embodies a distinctly imperial civic ethos in which technically skilled partisans supersede old elites as guarantors of Augustan authority. Vitruvius promises to shape not only the emperor's legacy with architecture, but also the notion of a Roman citizen through his ideal architect.
Painting, Ethics, and Aesthetics in Rome
Author: Nathaniel B. Jones
Publisher: Cambridge University Press
ISBN: 1108349706
Category : Art
Languages : en
Pages : 311
Book Description
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Publisher: Cambridge University Press
ISBN: 1108349706
Category : Art
Languages : en
Pages : 311
Book Description
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Roman Ionia
Author: Martin Hallmannsecker
Publisher: Cambridge University Press
ISBN: 1009150189
Category : History
Languages : en
Pages : 325
Book Description
First full-length study of the cultural identity of the Ionian Greeks in Western Asia Minor under Roman rule.
Publisher: Cambridge University Press
ISBN: 1009150189
Category : History
Languages : en
Pages : 325
Book Description
First full-length study of the cultural identity of the Ionian Greeks in Western Asia Minor under Roman rule.
Synagonism: Theory and Practice in Early Modern Art
Author:
Publisher: BRILL
ISBN: 9004693149
Category : Art
Languages : en
Pages : 511
Book Description
The present volume explores for the first time the concept of synagonism (from “σύν”, “together” and “ἀγών”, "struggle”) for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body.
Publisher: BRILL
ISBN: 9004693149
Category : Art
Languages : en
Pages : 511
Book Description
The present volume explores for the first time the concept of synagonism (from “σύν”, “together” and “ἀγών”, "struggle”) for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body.
Comparing Roman Hellenisms in Italy
Author: Basil Dufallo
Publisher: University of Michigan Press
ISBN: 0472133403
Category : History
Languages : en
Pages : 394
Book Description
Examines in detail the local, historical, and material circumstances that distinguish different types of Roman Hellenism
Publisher: University of Michigan Press
ISBN: 0472133403
Category : History
Languages : en
Pages : 394
Book Description
Examines in detail the local, historical, and material circumstances that distinguish different types of Roman Hellenism
The Christian Invention of Time
Author: Simon Goldhill
Publisher: Cambridge University Press
ISBN: 1009080830
Category : Literary Criticism
Languages : en
Pages : 517
Book Description
Time is integral to human culture. Over the last two centuries people's relationship with time has been transformed through industrialisation, trade and technology. But the first such life-changing transformation – under Christianity's influence – happened in late antiquity. It was then that time began to be conceptualised in new ways, with discussion of eternity, life after death and the end of days. Individuals also began to experience time differently: from the seven-day week to the order of daily prayer and the festal calendar of Christmas and Easter. With trademark flair and versatility, world-renowned classicist Simon Goldhill uncovers this change in thinking. He explores how it took shape in the literary writing of late antiquity and how it resonates even today. His bold new cultural history will appeal to scholars and students of classics, cultural history, literary studies, and early Christianity alike.
Publisher: Cambridge University Press
ISBN: 1009080830
Category : Literary Criticism
Languages : en
Pages : 517
Book Description
Time is integral to human culture. Over the last two centuries people's relationship with time has been transformed through industrialisation, trade and technology. But the first such life-changing transformation – under Christianity's influence – happened in late antiquity. It was then that time began to be conceptualised in new ways, with discussion of eternity, life after death and the end of days. Individuals also began to experience time differently: from the seven-day week to the order of daily prayer and the festal calendar of Christmas and Easter. With trademark flair and versatility, world-renowned classicist Simon Goldhill uncovers this change in thinking. He explores how it took shape in the literary writing of late antiquity and how it resonates even today. His bold new cultural history will appeal to scholars and students of classics, cultural history, literary studies, and early Christianity alike.