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Author: Peter Kivy
Publisher: Cornell University Press
ISBN: 1501731637
Category : Music
Languages : en
Pages : 316
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Book Description
"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."—Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."—Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."—Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."—British Journal of Aesthetics
Author: Peter Kivy
Publisher: Cornell University Press
ISBN: 1501731637
Category : Music
Languages : en
Pages : 316
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Book Description
"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."—Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."—Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."—Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."—British Journal of Aesthetics
Author: Laura Tate
Publisher: Routledge
ISBN: 1351202855
Category : Architecture
Languages : en
Pages : 574
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Book Description
Authenticity resonates throughout the urbanizing world. As cities’ commercial corridors and downtowns start to look increasingly the same, and gentrification displaces many original neighborhood residents, we are left with a sense that our cities are becoming "hollowed out," bereft of the multi-faceted connections that once rooted us to our communities. And yet, in a world where change is unrelenting, people long for authentic places. This book examines the reasons for and responses to this longing, considering the role of community development in addressing community and neighbourhood authenticity. A key concept underscoring planning’s inherent challenges is the notion of authentic community, ranging from more holistic, and yet highly market-sensitive conceptions of authentic community to appreciating how authenticity helps form and reinforce individual identity. Typically, developers emphasize spaces’ monetary exchange value, while residents emphasize neighbourhoods’ use value—including how those spaces enrich local community tradition and life. Where exchange value predominates, authenticity is increasingly implicated in gentrification, taking us further from what initially made communities authentic. The hunger for authenticity grows, in spite and because of its ambiguities. This edited collection seeks to explore such dynamics, asking alternately, "How does the definition of ‘authenticity’ shift in different social, political, and economic contexts?" And, "Can planning promote authenticity? If so, how and under what conditions?" It includes healthy scepticism regarding the concept, along with proposals for promoting its democratic, inclusive expression in neighbourhoods and communities.
Author: Alexander Geurds
Publisher: Sidestone Press
ISBN: 9088902054
Category : Social Science
Languages : en
Pages : 182
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Book Description
‘Authenticity’ and authentication is at the heart of museums’ concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in de (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent. This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations? The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient.
Author: James Courtney Federle
Publisher:
ISBN:
Category :
Languages : en
Pages : 380
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Book Description
Author: Marie Heřmanová
Publisher: Emerald Group Publishing
ISBN: 1801179360
Category : Social Science
Languages : en
Pages : 361
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Book Description
This volume contains an Open Access Chapter. This collection explores the complex and controversial idea of authenticity. Addressing the concept from an interdisciplinary perspective and offering a diverse range of topical cases.
Author: Patrick Finney
Publisher: Routledge
ISBN: 0429803451
Category : Computers
Languages : en
Pages : 192
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Book Description
The pursuit of authenticity is a contemporary obsession. From hipster fixations on artisan coffee and vintage clothing through to the electoral success of supposedly unspun populist politicians like Donald Trump, a yearning for the real pervades our culture. Yet while highly prized and desired, authenticity is also profoundly elusive and contested. This volume stages a wide-ranging interdisciplinary interrogation of the concept, with case studies ranging from collective memory of the Second World War, through the historical fiction of Sarah Waters to the confessional art of Tracey Emin. With contributors drawn from memory studies, cultural history, English literature, theatre studies, and art criticism, it explores how authenticity is in play in diverse practices of reading, remembering, and performing. The chapters demonstrate that authenticity has no single stable definition, but is rather invoked in very diverse ways – both descriptively and prescriptively – in many diverse contexts. They also make clear that it is not an inherent quality but the product of orchestration, performance, and inter-subjective negotiation. This book was originally published as a special issue of Rethinking History.
Author: Véronique Lacoste
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110384604
Category : Language Arts & Disciplines
Languages : en
Pages : 303
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Book Description
The concept of authenticity has received some attention in recent academic discourse, yet it has often been left under-defined from a sociolinguistic perspective. This volume presents the contributions of a wide range of scholars who exchanged their views on the topic at a conference in Freiburg, Germany, in November 2011. The authors address three leading questions: What are the local meanings of authenticity embedded in large cultural and social structures? What is the meaning of linguistic authenticity in delocalised and/or deterritorialised settings? How is authenticity indexed in other contexts of language expression (e.g. in writing or in political discourse)? These questions are tackled by recognised experts in the fields of sociolinguistics, linguistic anthropology, and contact linguistics. While by no means exhaustive, the volume offers a large array of case studies that contribute significantly to our understanding of the meaning of authenticity in language production and perception.
Author: Thomas Claviez
Publisher: Vernon Press
ISBN: 1622738640
Category : Philosophy
Languages : en
Pages : 329
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Book Description
The volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus acknowledge the enormous significance of this politically, morally, philosophically and economically-charged concept that at the same time harbors dangerous implications and has been critically deconstructed. The volume shows that the alleged need or desire for authenticity is alive and kicking but oftentimes comes at a high price, connected to a culture of experts, authority and exclusionary strategies.
Author: E. Hermens (ed.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
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Book Description
"The papers presented in this volume focus on a series of conservation 'flashpoints'-- painted works, drawings, sculpture, installations, new media, performance, interiors and historic houses, cultural objects-- and revolve around three key areas considered vital in establishing or vouchsafing an artwork's 'authenticity': material, concept and context. A wide range of approaches, some object-based, some more conceptual and philosophical, demonstrate that although the term authenticity is generally employed in the singular, the values associated with it are multiple, multilayered and often competing. The papers, each in their own way, evaluate the critical potential of the pluralised form, 'authenticities', creating a platform for a continuous discussion on this important and fascinating theme"--P. [4] of cover.
Author: Jesse Owen Hearns-Branaman
Publisher: Taylor & Francis
ISBN: 1000998452
Category : Business & Economics
Languages : en
Pages : 136
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Book Description
This book explores the concept of authenticity in tourism through the analysis of six tourist sites in Guangdong Province and Macau, China. Through a review of tourism literature, it develops the concept of pseudo-authenticity in which tourist sites and cultural products function to give signs of authenticity for tourists. This is achieved through the influence of media, authentic fakery, and façadism. Readers will gain greater insight into tourist sites in China that operate through cultural preservation, the miniaturization of cultural assets, and the replication of foreign signs through reproductions of foreign cities. The authors outline the tourist sites, an aesthetic analysis, on-site interviews with tourists, and an examination of online reviews of the sites. This is a useful work for scholars and students of tourism studies in China and around the world, especially those concerned with issues of authenticity and the effects of commodification on cultural assets.
