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Author: Deane Williams
Publisher: Intellect Books
ISBN: 9781841502106
Category : Documentary films
Languages : en
Pages : 0
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Book Description
Covers topical subjects of World cinema, film remakes, and documentary film studies. This book charts the rise of a progressive film culture. It is suitable for those interested in international cinema.
Author: Deane Williams
Publisher: Intellect Books
ISBN: 9781841502106
Category : Documentary films
Languages : en
Pages : 0
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Book Description
Covers topical subjects of World cinema, film remakes, and documentary film studies. This book charts the rise of a progressive film culture. It is suitable for those interested in international cinema.
Author:
Publisher: Cambria Press
ISBN: 1621968758
Category :
Languages : en
Pages : 328
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Book Description
Author: Deane Williams
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 494
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Book Description
Author: Zoë Druick
Publisher: Bloomsbury Publishing
ISBN: 183871894X
Category : Art
Languages : en
Pages : 425
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Book Description
This landmark collection of essays considers the global legacy of John Grierson, the father of British documentary. Featuring the work of leading scholars from around the world, The Grierson Effect explores the impact of Grierson's ideas about documentary and educational film in a wide range of cultural and national contexts – from Russia and Scandinavia, to Latin America, South Africa and New Zealand. In reconsidering Grierson's international infl uence, this major new study emphasises the material conditions of the production and circulation of documentary cinema, foregrounds core issues in documentary studies, and opens up expanded perspectives on transnational cinema cultures and histories.
Author: Camille Deprez
Publisher: Edinburgh University Press
ISBN: 1474403875
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
This book questions the meanings of 'independence' for documentaries made in the post-1990 context, a period of unrivalled disruption and creativity in the field. Based upon a reasoned selection of contributions, it is the first collection of in-depth case studies cutting across formats, media, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, the contributors shed new light on historical, theoretical and empirical issues pertaining to the independent documentary, in order to better comprehend the radical transformations of the form over the past twenty-five years. Compared to existing studies, this volume focuses on works and practitioners existing at the margins of the traditional media, the mainstream film industry and the prevailing economic and socio-political systems; yet greatly contributing to changing our perception of documentaries. And in doing so, it addresses an important gap in the global understanding of documentary practices and styles.
Author: Paul Ham
Publisher: HarperCollins Australia
ISBN: 0730450244
Category : Political Science
Languages : en
Pages : 91
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Book Description
The inspiration for a major two-part ABC documentary, KOKODA is set to win over a whole new audience 'Never in my life ... had I seen soldiers who looked so shocked and so tired and so utterly weary as those men' Brigadier John Rogers, Australia's Director of Military Intelligence, 1942Now a major two-part ABC documentary series produced with Screen Australia's Making History, Paul Ham's KOKODA is the bestselling history of the crucial battles in Papua New Guinea that saved Australia from the threat of Japanese attack.In this acclaimed account, Ham describes both sides of the appalling struggle along the Kokoda track in 1942 when a few badly trained Australian troops confronted the Imperial Japanese Army in the worst terrain imaginable.Few of us know the true story behind that legend; few know the guts inside the myth. Kokoda was a war without mercy; a predatory war, where men hunted down men like wild animals. No army had fought in such conditions; no Allied general believed it possible.Yet Kokoda was a vital struggle; undoubtedly a turning point in the Pacific War. Had the Japanese captured Port Moresby, Australia would surely have been bombed and cut off as the only base in the South West Pacific for the Allied counter-offensive.the diggers were fighting for their very country's survival as the last free nation in Asia.Paul Ham is the author of VIEtNAM: tHE AUStRALIAN WAR and the Australia correspondent for the LONDON SUNDAY tIMES. He co-wrote, co-produced and appears in the ABC's two-part documentary based on this book, which, for the first time, took a camera crew along the full length of the KOKODA tRACK.
Author: Mark David Ryan
Publisher: Springer
ISBN: 3319482998
Category : Performing Arts
Languages : en
Pages : 373
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Book Description
This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.
Author: Brian Winston
Publisher: Bloomsbury Publishing
ISBN: 1838718753
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
Author: Ian Christie
Publisher: Bloomsbury Publishing
ISBN: 1350142093
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Over the decades since he was first hailed by critics and filmmakers around the world, Sergei Eisenstein has assumed many identities. Originally cast as a prophet of revolution and the maestro of montage, and later seen as both a victim of and apologist for Stalin's tyranny, the scale and impact of Eisenstein's legacy has continued to grow. If early research on Eisenstein focused on his directorial work – from the legendary Battleship Potemkin and October to the still-controversial Ivan the Terrible – with time scholars have discovered many other aspects of his multifarious output. In recent years, multimedia exhibitions, access to his vast archive of drawings, and publication of his previously censored theoretical writings have cast Eisenstein in a new light. Deeply engaged with some of the leading thinkers and artists of his own time, Eisenstein remains a focus for many of their successors, contested as well as revered. Over half a century since his death in 1948, an ambitious treatise that he hoped would be his major legacy, Method, has finally been published. Eisenstein's lifelong search for an underlying unity that would link archaic art with film's modernity, individuals with their historic communities, and humans as a species with the universe, may have more appeal than ever today. And among his many thwarted film projects, those set in Mexico and what were once the Soviet Central Asian republics reveal complex and still-intriguing realms of speculation. In this ground-breaking collection, sixteen international scholars explore Eisenstein's prescient engagement with aesthetics, anthropology and psychology, his roots in diverse philosophical traditions, and his gender politics. What emerges has surprising relevance to contemporary media archaeology, intermediality, cognitive science, eco-criticism and queer studies, as well as confirming Eisenstein's prestige within present-day film and audiovisual media.
Author: Deane Williams
Publisher: Intellect Books
ISBN: 1783203242
Category : Art
Languages : en
Pages : 248
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Book Description
The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies, Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, personnel, and institutions across this formative period, Noel King, Constantine Verevis, and Deane Williams examine a multitude of books and journal articles published in Australia and distributed internationally though such processes as publication in overseas journals, translation, and reprinting. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, and cultural studies. Ultimately, Australian Film Theory and Criticism, Volume 1 delineates the historical implications—and reveals the future possibilities—of establishing new directions of inquiry for film studies in Australia and internationally.
