Towards the Conservation and Restoration of Historic Organs PDF Download
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Author: Jim Berrow
Publisher: Church House Publishing
ISBN: 9780715175866
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
A collection of papers from a conference on organs, held in Liverpool in 1999. Areas covered include conservation related to musical performance and surviving historic instruments, concert organs and their repertoire, advisers, training, archaeology, and conservation plans.
Author: Jim Berrow
Publisher: Church House Publishing
ISBN: 9780715175866
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
A collection of papers from a conference on organs, held in Liverpool in 1999. Areas covered include conservation related to musical performance and surviving historic instruments, concert organs and their repertoire, advisers, training, archaeology, and conservation plans.
Author: Douglas Bush
Publisher: Routledge
ISBN: 1135947961
Category : Art
Languages : en
Pages : 694
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Book Description
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Author: Voichita Bucur
Publisher: Springer Nature
ISBN: 3030191753
Category : Science
Languages : en
Pages : 827
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Book Description
This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
Author:
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 930
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Book Description
Author:
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 838
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Book Description
Author: Douglas Earl Bush
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
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Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Author: Warren Arthur Bebbington
Publisher: Melbourne : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 696
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Book Description
The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.
Author:
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 386
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Book Description
Author: Simon Purtell
Publisher: Lyrebird Press Australia lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037856
Category : Music
Languages : en
Pages : 230
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Book Description
Examining the many controversies associated with pitch standards in Melbourne over more than a hundred years, Simon Purtell discovers their impact on the tuning of the city’s orchestras and organs, as well as its defence, municipal and Salvation Army bands. This fascinating history involves famous local and touring singers, conductors and organists, including Nellie Melba, Malcolm Sargent and William McKie, revealing just how complex a problem it was to ensure that Melbourne’s music-makers remained in tune. “Harry Potter and the Cursed Child has nothing on the saga of ‘Pitch, pitch, that cursed pitch’: the seemingly endless and frequently caustic attempts to establish a uniform performing pitch for music in the Antipodes. It is a typically Melburnian drama of mixed deference to Britain and stubborn upholding of local interests that the author so eloquently and patiently chronicles, and it ranges from the almost theocratic intervention of Dame Nellie Melba at the beginning of the twentieth century to the Stanthorpe Apple and Grape Harvest Festival of 1972. At the same time, it will have been a battle taking place comparably in all the major cities of the British Empire and beyond, though each with its peculiar twists and turns. What Simon Purtell has done is show us, in immaculate detail, just how pervasive and intricate, not to mention costly, this tectonic realignment of a fundamental element of musical infrastructure must have been in all places over a very long period of time” (Emeritus Professor Stephen Banfield, Centre for the History of Music in Britain, the Empire and the Commonwealth, University of Bristol).
Author: Eric Myers
Publisher: Sydney : Australia Music Centre
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
