Author: Tim Nikolsky
Publisher:
ISBN: 9780648431503
Category : Jazz
Languages : en
Pages : 662
Book Description
The Australian Jazz Real Book is dedicated to the preservation and distribution of Australian Jazz in both digital and print.Edited by Tim Nikolsky.Music / Genres & Styles / JazzJazzJazz / Fake BooksJazz / Australia / Fake BooksPopular music / Australia / Fake BooksInstrumental MusicMusic / Genres & Styles / Jazz781.650994ISMN 979-0-9009613-0-3
Australian jazz real book
Author: Tim Nikolsky
Publisher:
ISBN: 9780648431503
Category : Jazz
Languages : en
Pages : 662
Book Description
The Australian Jazz Real Book is dedicated to the preservation and distribution of Australian Jazz in both digital and print.Edited by Tim Nikolsky.Music / Genres & Styles / JazzJazzJazz / Fake BooksJazz / Australia / Fake BooksPopular music / Australia / Fake BooksInstrumental MusicMusic / Genres & Styles / Jazz781.650994ISMN 979-0-9009613-0-3
Publisher:
ISBN: 9780648431503
Category : Jazz
Languages : en
Pages : 662
Book Description
The Australian Jazz Real Book is dedicated to the preservation and distribution of Australian Jazz in both digital and print.Edited by Tim Nikolsky.Music / Genres & Styles / JazzJazzJazz / Fake BooksJazz / Australia / Fake BooksPopular music / Australia / Fake BooksInstrumental MusicMusic / Genres & Styles / Jazz781.650994ISMN 979-0-9009613-0-3
The Song Remains the Same
Author: Andrew Ford
Publisher: La Trobe University Press
ISBN: 1743821069
Category : Music
Languages : en
Pages : 315
Book Description
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
Publisher: La Trobe University Press
ISBN: 1743821069
Category : Music
Languages : en
Pages : 315
Book Description
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
Austral Jazz
Author: Andrew Robson
Publisher: Routledge
ISBN: 0429850212
Category : Music
Languages : en
Pages : 233
Book Description
Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion of ‘Austral Jazz,’ coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the ‘Austral’ theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia’s increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The ‘birth and belonging’ narrative; the ‘spread and adaptation’ narrative; the ‘pluralization by localization’ narrative; and the ‘self-fashioning of the already local’ narrative.
Publisher: Routledge
ISBN: 0429850212
Category : Music
Languages : en
Pages : 233
Book Description
Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion of ‘Austral Jazz,’ coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the ‘Austral’ theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia’s increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The ‘birth and belonging’ narrative; the ‘spread and adaptation’ narrative; the ‘pluralization by localization’ narrative; and the ‘self-fashioning of the already local’ narrative.
The AB Real Book
Author:
Publisher:
ISBN: 9781860963162
Category : Jazz
Languages : en
Pages : 215
Book Description
An impressive range of jazz styles, from New Orleans to contemporary. All tunes suitable for less experienced players, with pitch range, chords and technical level carefully considered. Tunes in their most commonly played keys, with reliable melodies and chord changes. Comes in B flat, E flat, C Treble-clef and C Bass-clef editions.
Publisher:
ISBN: 9781860963162
Category : Jazz
Languages : en
Pages : 215
Book Description
An impressive range of jazz styles, from New Orleans to contemporary. All tunes suitable for less experienced players, with pitch range, chords and technical level carefully considered. Tunes in their most commonly played keys, with reliable melodies and chord changes. Comes in B flat, E flat, C Treble-clef and C Bass-clef editions.
The New Real Book
Author: Chuck Sher
Publisher:
ISBN: 9781883217259
Category : Music
Languages : en
Pages : 366
Book Description
The new standard in jazz fake books since 1988. Endorsed by McCoy Tyner, Ron Carter, Dave Liebman, and many more. Evenly divided between standards, jazz classics and pop-fusion hits, this is the all-purpose book for jazz gigs, weddings, jam sessions, etc. Like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (sample bass lines, chord voicings, drum appendix, etc.) not found in conventional fake books.
Publisher:
ISBN: 9781883217259
Category : Music
Languages : en
Pages : 366
Book Description
The new standard in jazz fake books since 1988. Endorsed by McCoy Tyner, Ron Carter, Dave Liebman, and many more. Evenly divided between standards, jazz classics and pop-fusion hits, this is the all-purpose book for jazz gigs, weddings, jam sessions, etc. Like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (sample bass lines, chord voicings, drum appendix, etc.) not found in conventional fake books.
How to Make a Basket
Author: Jazz Money
Publisher:
ISBN: 9780702263385
Category :
Languages : en
Pages : 136
Book Description
Publisher:
ISBN: 9780702263385
Category :
Languages : en
Pages : 136
Book Description
A Coveted Possession
Author: Michael Atherton
Publisher: Black Inc.
ISBN: 1743820526
Category : Music
Languages : en
Pages : 297
Book Description
The intriguing cultural history of the piano in Australia From the instruments that floated ashore at Sydney Cove in the late eighteenth century to the resurrection of derelict heirlooms in the streets of twenty-first-century Melbourne, A Coveted Possession tells the curious story of Australia’s intimate and intrepid relationship with the piano. It charts the piano’s fascinating adventures across Australia – on the goldfields, at the frontlines of war, in the manufacturing hubs of the Federation era, and in the hands of the makers, entrepreneurs, teachers and virtuosos of the twentieth history – to illuminate the many worlds in which the ivories were tinkled. Before electricity brought us the gramophone, the radio and eventually the TV, the piano was central to family and community life. With its iron frame, polished surfaces and ivory keys, an upright piano in the home was a modern industrial machine, a musical instrument and a treasured member of the household, conveying powerful messages about class, education, leisure, national identity and intergenerational history. ‘Michael Atherton cleverly weaves visual, sensual and sonic elements into the piano’s sociocultural history, adding a rich layer to our knowledge of the piano in Australia.’ —Professor Julia Horne, historian
Publisher: Black Inc.
ISBN: 1743820526
Category : Music
Languages : en
Pages : 297
Book Description
The intriguing cultural history of the piano in Australia From the instruments that floated ashore at Sydney Cove in the late eighteenth century to the resurrection of derelict heirlooms in the streets of twenty-first-century Melbourne, A Coveted Possession tells the curious story of Australia’s intimate and intrepid relationship with the piano. It charts the piano’s fascinating adventures across Australia – on the goldfields, at the frontlines of war, in the manufacturing hubs of the Federation era, and in the hands of the makers, entrepreneurs, teachers and virtuosos of the twentieth history – to illuminate the many worlds in which the ivories were tinkled. Before electricity brought us the gramophone, the radio and eventually the TV, the piano was central to family and community life. With its iron frame, polished surfaces and ivory keys, an upright piano in the home was a modern industrial machine, a musical instrument and a treasured member of the household, conveying powerful messages about class, education, leisure, national identity and intergenerational history. ‘Michael Atherton cleverly weaves visual, sensual and sonic elements into the piano’s sociocultural history, adding a rich layer to our knowledge of the piano in Australia.’ —Professor Julia Horne, historian
Seeing the Rafters
Author: John Sangster
Publisher:
ISBN: 9780140109283
Category : Jazz musicians
Languages : en
Pages : 271
Book Description
Publisher:
ISBN: 9780140109283
Category : Jazz musicians
Languages : en
Pages : 271
Book Description
Whole Notes
Author: Ed Ayres
Publisher: HarperCollins Australia
ISBN: 146071279X
Category : Music
Languages : en
Pages : 187
Book Description
Life Lessons through Music Shortlisted for The Age Non-fiction Book of the Year; People's Choice, Queensland Books of the Year; Booksellers' Choice Non-fiction Book of the Year. How can we pause long enough to repair ourselves? How can we make space and time in our lives to know ourselves? One way is through music - learning music, listening to music, being open to music. Because music consoles and restores us. Through music, whether we are listening or playing, we know ourselves more intimately, more honestly, and more clearly with every note. And with every note, music offers us a hand to the beyond. Through music, we can say what we didn't even know we felt. This book is an ode to music, and a celebration of humanity's greatest creation. It is not a call to arms, but a call to instruments. In music, Ed Ayres finds answers to the big questions life throws at us. Using personal anecdotes - including those relating to his transition from Emma to Ed - and observations from teaching and learning music, Ed finds hope in our desire to become whole, with some simple music lessons along the way. PRAISE 'Whole Notes may appear to be about music, but really, it's simply about how to be kind and how to listen without judgement. Which is the best definition of love, no?' Jessie Tu, Sydney Morning Herald 'A truly beguiling account' Geraldine Doogue 'An almost divine presence' Rick Morton 'This is a gorgeous read. It is entertaining and educating in equal measure, and will leave its readers inspired' Celia Cobb, The Strad 'Don't miss this book - it is an ode to music, by a truly inspirational teacher' Inge Southcott, Loud Mouth, Music Trust e-zine 'Ayres communicates with joy, and clarity, inviting us to walk the journey of life with openness to others' Bishop Ian Palmer, The Melbourne Anglican 'With his collection of essayistic reflections on the beauty of music and what the process of learning it can teach us about life, Ayres has gifted his reader with something truly generous and utterly joyful' Stella Charls, Readings
Publisher: HarperCollins Australia
ISBN: 146071279X
Category : Music
Languages : en
Pages : 187
Book Description
Life Lessons through Music Shortlisted for The Age Non-fiction Book of the Year; People's Choice, Queensland Books of the Year; Booksellers' Choice Non-fiction Book of the Year. How can we pause long enough to repair ourselves? How can we make space and time in our lives to know ourselves? One way is through music - learning music, listening to music, being open to music. Because music consoles and restores us. Through music, whether we are listening or playing, we know ourselves more intimately, more honestly, and more clearly with every note. And with every note, music offers us a hand to the beyond. Through music, we can say what we didn't even know we felt. This book is an ode to music, and a celebration of humanity's greatest creation. It is not a call to arms, but a call to instruments. In music, Ed Ayres finds answers to the big questions life throws at us. Using personal anecdotes - including those relating to his transition from Emma to Ed - and observations from teaching and learning music, Ed finds hope in our desire to become whole, with some simple music lessons along the way. PRAISE 'Whole Notes may appear to be about music, but really, it's simply about how to be kind and how to listen without judgement. Which is the best definition of love, no?' Jessie Tu, Sydney Morning Herald 'A truly beguiling account' Geraldine Doogue 'An almost divine presence' Rick Morton 'This is a gorgeous read. It is entertaining and educating in equal measure, and will leave its readers inspired' Celia Cobb, The Strad 'Don't miss this book - it is an ode to music, by a truly inspirational teacher' Inge Southcott, Loud Mouth, Music Trust e-zine 'Ayres communicates with joy, and clarity, inviting us to walk the journey of life with openness to others' Bishop Ian Palmer, The Melbourne Anglican 'With his collection of essayistic reflections on the beauty of music and what the process of learning it can teach us about life, Ayres has gifted his reader with something truly generous and utterly joyful' Stella Charls, Readings
Funky Boogaloo Hard Bop Real Book
Author: Tim Nikolsky
Publisher:
ISBN: 9780648431510
Category :
Languages : en
Pages :
Book Description
The Funky Boogaloo Hard Bop Real Book (FBHBRB) is a collection of 10 classic tunes presented in leadsheet format to enable horn players and rhythm sections play in small format combo bands.There's Concert, Bb, Eb and Bass clef charts; so nobody misses out.There's also supplementary material available with some sample piano voicings, guitar chord shapes, further explanations about grooves and rhythmic patterns, as well as some groovy basslines.
Publisher:
ISBN: 9780648431510
Category :
Languages : en
Pages :
Book Description
The Funky Boogaloo Hard Bop Real Book (FBHBRB) is a collection of 10 classic tunes presented in leadsheet format to enable horn players and rhythm sections play in small format combo bands.There's Concert, Bb, Eb and Bass clef charts; so nobody misses out.There's also supplementary material available with some sample piano voicings, guitar chord shapes, further explanations about grooves and rhythmic patterns, as well as some groovy basslines.