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Author:
Publisher:
ISBN:
Category : Galliards
Languages : en
Pages : 60
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Book Description
Author:
Publisher:
ISBN:
Category : Galliards
Languages : en
Pages : 60
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Book Description
Author: John H. Baron
Publisher: Pendragon Press
ISBN: 9781576471005
Category : Juvenile Nonfiction
Languages : en
Pages : 506
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Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 930
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Book Description
Author: Julie Anne Sadie
Publisher: OUP Oxford
ISBN: 0198167040
Category : Music
Languages : en
Pages : 586
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Book Description
Not just Bach and Handel, but Vivaldi and Monteverdi, Couperin and Rameau, Purcell and Schutz are familiar and loved figures of the baroque era. This survey offers perspectives on these men, and the times in which they lived. to all those who are attracted by the music of that crucial century and a half, 1600-1750, which we call the Baroque era.
Author: SusanLewis Hammond
Publisher: Routledge
ISBN: 1351568841
Category : Music
Languages : en
Pages : 286
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Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Author: Robert Thompson
Publisher: Routledge
ISBN: 1351144839
Category : Music
Languages : en
Pages : 439
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Book Description
Volume II of The Viola da Gamba Society Index of Manuscripts Containing Consort Music includes manuscripts associated with John Browne (Clerk of the Parliaments), Philip Falle (prebendary at Durham), Sir Gabriel Roberts, John St Barbe of Broadlands, the Withy family of Worcester and Oxford and an anonymous late-seventeenth century scribe. As well as a detailed inventory of every manuscript (with anonymous works identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands.
Author: Congress of the international musical society
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
Author: Jeffrey Pulver
Publisher: London : K. Paul, Trench, Trubner & Company, Limited, J. Curwen & sons, Limited ; New York : E. P. Dutton & Company
ISBN:
Category : Music
Languages : en
Pages : 566
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Book Description
Author: K. Dawn Grapes
Publisher: Routledge
ISBN: 1351580515
Category : Music
Languages : en
Pages : 237
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Book Description
John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.
Author: Associate Professor School of Music Theatre and Dance K Dawn Grapes
Publisher: Oxford University Press
ISBN: 0197558852
Category : Biography & Autobiography
Languages : en
Pages : 281
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Book Description
Dowland recounts the story of one of the most important composers to emerge from early modern England. More than a biography, this book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). The narrative follows the master lutenist on his journeys to France, through the German and Italian lands, and to the Danish and English courts of Christian IV and James I, as he developed a musical style that was at once personal and cosmopolitan.
