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Author: Miguel de Unamuno
Publisher: Courier Corporation
ISBN: 0486445062
Category : Foreign Language Study
Languages : en
Pages : 194
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Book Description
A provocative nonconformist, Unamuno (1864-1936) excelled in the creation of essays, fiction, poetry, and plays. In La tía Tula, he paints a memorable portrait of the indomitable Aunt Tula, who fulfills her maternal desires on her own terms. This dual-language edition features an informative introduction and ample footnotes.
Author: Miguel de Unamuno
Publisher: Courier Corporation
ISBN: 0486445062
Category : Foreign Language Study
Languages : en
Pages : 194
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Book Description
A provocative nonconformist, Unamuno (1864-1936) excelled in the creation of essays, fiction, poetry, and plays. In La tía Tula, he paints a memorable portrait of the indomitable Aunt Tula, who fulfills her maternal desires on her own terms. This dual-language edition features an informative introduction and ample footnotes.
Author: Miguel de Unamuno
Publisher: Aris and Phillips Hispanic Cla
ISBN: 1908343230
Category : Literary Collections
Languages : en
Pages : 251
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Book Description
Aunt Tula (La tia Tula), published in 1921, is one of the few novels written by Miguel de Unamuno to centre on a female protagonist. It is a vivid, nuanced portrait of the intelligent, wilful and yet vulnerable Tula. Despite having no biological children of her own, the unmarried Tula becomes the primary maternal figure for successive generations of children; some related to her, others not. Her chaste maternity is presented as a complex response to her long-held, self-sacrificing romantic love for her brother-in-law, her antipathy for the submissive role expected of bourgeois married women, and Tula's fear of her own physicality. Julia Biggane's translation captures the accessibility of style and richness of literary substance in the original, and the introduction equips the reader with an understanding of the text's wider material contexts and historical significance. Of special interest is the novel's representation of womanhood and maternity, itself inflected by wider social changes in countries across Western Europe and Russia during the first two decades of the 20th century.
Author:
Publisher: Liverpool University Press
ISBN: 1800345119
Category : Fiction
Languages : en
Pages : 251
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Book Description
Aunt Tula (La tia Tula), published in 1921, is one of the few novels written by Miguel de Unamuno to centre on a female protagonist. It is a vivid, nuanced portrait of the intelligent, wilful and yet vulnerable Tula.
Author: Andrea O'Reilly
Publisher: Rowman & Littlefield
ISBN: 9780847694877
Category : Family & Relationships
Languages : en
Pages : 326
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Book Description
In 1976, Adrienne Rich wrote in Of Woman Born: Motherhood as Experience and Institution that Othe cathexis between mother and daughter_essential, distorted, misused_is the great unwritten story.O In the quarter century since Rich wrote those words, the topic of mothers and daughters has emerged as a salient issue in feminist scholarship. Using womenOs writing, film, feminist theory, and personal experience, contributors to Mothers and Daughters explore how the mother/daughter relationship is represented and experienced as a site of empowerment. This volume will offer readers an important and welcome chapter in the story of the complex relationship that is a part of nearly every womanOs life.
Author: Jo Labanyi
Publisher: John Wiley & Sons
ISBN: 1119170133
Category : Performing Arts
Languages : en
Pages : 677
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Book Description
A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research
Author: Marvin D'Lugo
Publisher: Bloomsbury Publishing USA
ISBN: 0313370176
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
This guide to Spanish film documents the film industry's interpretation of the isolating effects of the cultural traditionalism of the early twentieth century to the expanding international popularity of such films as Trueba's Belle Epoque, Aranda's Amantes, and Bigas Luna's Jamón, Jamón, and such actors as Victoria Abril, Carmen Maura, and Antonio Banderas. This is the first volume in a new Greenwood series that discusses, historically and critically, films, directors, and actors in film industries throughout the world. Each volume will include a detailed historical introduction and will provide an in-depth treatment of the most important films and individuals involved in the industry. End-of-entry bibliographies provide sources for further reading and appendixes provide additional useful information. The Guides will be valuable to scholars, students, and film buffs. Spanish cinema is in many ways a microcosm of the tensions and conflicts that have shaped the evolution of the nation over the course of this century. Spanish film as a cultural institution is rarely divorced from the political and social currents that have shaped the larger Spanish culture torn as it was between tendencies of localism and internationalism. It languished in industrial and artistic underdevelopment for many years under Franco; it is now, however, experiencing international recognition while remaining rooted in the specificity of its own popular cultural styles.
Author: Ronald Schwartz
Publisher: Scarecrow Press
ISBN: 1461696615
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
When it began, modern Spanish cinema was under strict censorship, forced to conform to the ideological demands of the Nationalist regime. In 1950, the New Spanish Cinema was born as a protest over General Francisco Franco's policies: a new series of directors and films began to move away from the conformist line to offer a bold brand of Spanish realism. In the 1950s and early 1960s, filmmakers such as Juan Antonio Bardem, Luis García Berlanga, and Luis Buñuel expressed a liberal image of Spain to the world in such films as Muerte de un ciclista (Death of a Cyclist), Bienvenido Señor Marshall (Welcome Mr. Marshall), and Viridiana. The emergence of new directors continued into the sixties and seventies with Carlos Saura, José Luis Borau, Víctor Erice, and others. After Franco's death in 1975, censorship was abolished and films openly explored such formerly taboo subjects as sexuality, drugs, the church, the army, and the Civil War. The Spanish cinema was no longer escapist and entertaining but, at long last, mirrored the society it depicted. While established directors like Saura, Bardem, and Berlanga continued to produce distinguished work, the "new wave" of Spanish cinema included brilliant films by the likes of Montxo Armendáriz (Tasio), Fernando Trueba (First Work), Imanol Uribe (The Death of Mikel), and Pedro Almodóvar (Women on the Verge of a Nervous Breakdown). In the last couple of decades, exciting works by established filmmakers and newcomers alike continue to be produced, including Alejandro Amenábar's Thesis, José Luis Garcí's The Grandfather, and Almodóvar's Talk to Her and Volver. In Great Spanish Films Since 1950, Ronald Schwartz presents a compendium of outstanding Spanish films from the pre-Francoist era through the Spanish New Wave of the 80's and 90's and into the present day. Schwartz provides background, plot, and commentaries of key films from six decades of Spanish cinema. In addition to identifying
Author: Luis M. González
Publisher: Springer Nature
ISBN: 3031193253
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death.
Author: Julia Biggane
Publisher: Boydell & Brewer
ISBN: 1855663007
Category : Spanish literature
Languages : en
Pages : 261
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Book Description
Surveys the thought and literary work of a towering figure in twentieth-century Spanish cultural and political life.
Author: Sally Faulkner
Publisher: Edinburgh University Press
ISBN: 0748626514
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
A key decade in world cinema, the 1960s was also a crucial era of change in Spain. A Cinema of Contradiction, the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations. The coexistence of traditional and modern values and the timid acceptance of limited change by Franco's authoritarian regime are symptoms of the uneven modernity that characterises the period. Contradiction--the unavoidable effect of that unevenness--is the conceptual terrain explored by these six filmmakers. One of the most significant movements of Spanish film history, the 'New Spanish Cinema' art films explore contradictions in their subject matter, yet are themselves the contradictory products of the state's protection and promotion of films that were ideologically opposed to it. A Cinema of Contradiction argues for a new reading of the movement as a compromised yet nonetheless effective cinema of critique. It also demonstrates the possible contestatory value of popular films of the era, suggesting that they may similarly explore contradictions. This book therefore reveals the overlaps between art and popular film in the period, and argues that we should see these as complementary rather than opposing areas of cinematic activity in Spain.
