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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0300151888
Category : Metropolitan Museum of Art (New York, N.Y.)
Languages : en
Pages : 82
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Book Description
"The Metropolitan Museum of Art has some forty-five sculptures by Augustus Saint-Gaudens (1848–1907), the American Beaux-Arts sculptor who worked in New York, Paris, and Cornish, New Hampshire. The Museum’s collection fully represents the range of his oeuvre—from early cameos to innovative painterly bas-reliefs to reductions after public monuments for East Coast cities. Through the lens of the Museum's unparalleled holdings as well as some related loans, this exhibition offers a reappraisal of Saint-Gaudens's groundbreaking role in the history of late nineteenth-century American sculpture and the Aesthetic Movement."--The Metropolitan Museum of Art web site
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0300151888
Category : Metropolitan Museum of Art (New York, N.Y.)
Languages : en
Pages : 82
Get Book Here
Book Description
"The Metropolitan Museum of Art has some forty-five sculptures by Augustus Saint-Gaudens (1848–1907), the American Beaux-Arts sculptor who worked in New York, Paris, and Cornish, New Hampshire. The Museum’s collection fully represents the range of his oeuvre—from early cameos to innovative painterly bas-reliefs to reductions after public monuments for East Coast cities. Through the lens of the Museum's unparalleled holdings as well as some related loans, this exhibition offers a reappraisal of Saint-Gaudens's groundbreaking role in the history of late nineteenth-century American sculpture and the Aesthetic Movement."--The Metropolitan Museum of Art web site
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art New York
ISBN: 9781588393203
Category : Metropolitan Museum of Art (New York, N.Y.)
Languages : en
Pages : 80
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Book Description
"The Metropolitan Museum of Art has some forty-five sculptures by Augustus Saint-Gaudens (18481907), the American Beaux-Arts sculptor who worked in New York, Paris, and Cornish, New Hampshire. The Museums collection fully represents the range of his oeuvrefrom early cameos to innovative painterly bas-reliefs to reductions after public monuments for East Coast cities. Through the lens of the Museum's unparalleled holdings as well as some related loans, this exhibition offers a reappraisal of Saint-Gaudens's groundbreaking role in the history of late nineteenth-century American sculpture and the Aesthetic Movement."--The Metropolitan Museum of Art web site.
Author: Charles Lewis Hind
Publisher: Legare Street Press
ISBN: 9781016937030
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Henry J. Duffy
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
The sculpture of Augustus Saint-Gaudens (1848-1907), called the American Michelangelo, has often been compared to the magnificent works of the Renaissance. As an advocate of new ideas and a new approach to sculpture, Saint-Gaudens played a preeminent role in developing America's cultural life and revitalizing the art of sculpture in the modern age. (1861-65), when numerous monuments were commissioned to commemorate the national crisis and subsequent unification. In addition, the amassing of private fortunes during the country's unprecedented economic and financial growth led to an interest in sculpture for personal collections. Saint-Gaudens contributed works of both types. His Shaw Memorial (1897), commemorating the Massachusetts Fifty-fourth Regiment, the first U.S. Army unit of African Americans, and his Lincoln Monument (1887) are among the most moving of the nation's Civil War monuments, while his Adams Memorial (1891) is one of the most evocative of his privately commissioned works. France and spent eight years in Europe, where he found a freer and bolder form of artistic expression. On his return to the United States in 1875, he used his European training to create a new American style incorporating simplicity of subject, realism of form, and strength of emotion. In addition to his monuments, his works also included interior decoration for some of the great houses of the Gilded Age, portrait reliefs, and medals and U.S. coinage. his and the subsequent generation of American sculptors through his teaching and his lead in establishing organizations for the support and training of American artists, including the Society of American Artists. His legacy, as both artist and educator, is nothing less than the shaping of American culture.
Author: Kathryn Greenthal
Publisher: Metropolitan Museum of Art
ISBN: 0870994379
Category : Sculptors
Languages : en
Pages : 178
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Book Description
Bibliography: p. 171.
Author: Cynthia Mills
Publisher: Smithsonian Institution
ISBN: 1935623389
Category : Art
Languages : en
Pages : 419
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Book Description
Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588397092
Category : Art
Languages : en
Pages : 291
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Book Description
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Metropolitan Museum of Art (New York, N.Y.). American Wing
Publisher: Metropolitan Museum of Art
ISBN: 1588390136
Category : Art
Languages : en
Pages : 223
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Book Description
The Metropolitan’s renowned American Wing is where the Museum’s unsurpassed collection of American fine and decorative art is on permanent public display, from masterpieces of painting, sculpture, and drawing to exquisite examples of the finest American furniture, silver, glass, ceramics, and textiles. This handsome volume presents an overview of the collection and provides an informative walk through the American Wing’s richly furnished period rooms and stunning architectural displays. These include the magnificent marble façade of the Branch Bank of the United States—the entrance to the original American Wing when it opened in 1924—and the restored living room of a Frank Lloyd Wright prairie-style house. The comprehensive survey of paintings and sculpture begins with early colonial portraiture and from there follows the emergence and development of a national fine-arts tradition, including significant movements and genres such as the Hudson River School, neoclassical sculpture, and American Impressionism. -- Metropolitan Museum of Art website.
