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Author: John Belton
Publisher:
ISBN: 9780231084635
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.
Author: John Belton
Publisher:
ISBN: 9780231084635
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.
Author: Andrea Cornell Sarvady
Publisher: Chronicle Books
ISBN: 9780811852487
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Contains photographs and profiles that examine the lives and careers of fifty actresses of the studio era who empowered women, each with an annotated list of films, style notes, behind-the-scene facts, trivia, and a list of awards and nominations.
Author: Elizabeth Cody Kimmel
Publisher: Penguin
ISBN: 1101552360
Category : Juvenile Fiction
Languages : en
Pages : 155
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Book Description
In the second installment of Elizabeth Cody Kimmel's funny new middle grade series, the magazine is up and running and while the girls may have won the competition to get school funding, now they face new and unexpected challenges. Tally is out for the lead in the school play. Miko has left the magazine to focus on her schoolwork and spend time with her real friends. Ivy is hiding a secret that is distancing her from her new friends. And Paulina is left to juggle the magazine on her own. Will she crack under the pressure?
Author: Gary D. Rhodes
Publisher: Rowman & Littlefield
ISBN: 9780739125687
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Edgar G. Ulmer: Detour on Poverty Row examines the full scope of the career of this often overlooked film auteur, with essays exploring individual films, groups of films (such as his important work in film noir), repetitive themes appearing across the spectrum of his work, and a case study of three essays analyzing The Black Cat (1934).
Author: John David Slocum
Publisher: Psychology Press
ISBN: 9780415928106
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Harry M. Benshoff
Publisher: Manchester University Press
ISBN: 9780719044731
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.
Author: Chera Kee
Publisher: University of Texas Press
ISBN: 1477313303
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
The zombie apocalypse hasn't happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don't conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how "extra-ordinary" zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, "extra-ordinary" zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.
Author: Reynold Humphries
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
By addressing these elements, The Hollywood Horror Film, 1931-1941 will be of interest not only to scholars of film but also to those of political and cultural studies, as well as psychoanalysts and philosophers."--BOOK JACKET.
Author: Gary D. Rhodes
Publisher: McFarland
ISBN: 1476610517
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
Drive-in movie theaters and the horror films shown at them during the 1950s, 60s, and early 70s may be somewhat outdated, but they continue to enthrall movie buffs today. More than just fodder for the satirical cannons of Joe Bob Briggs and Mystery Science Theatre 3000, they appeal to knowledgeable fans and film scholars who understand their influence on American popular culture. This book is a collection of eighteen essays by various scholars on the classic drive-in horror film experience. Those in Section One emphasize the roles of the drive-in theater in the United States--and its cultural cousin, Australia. Section Two examines how horror operated at the drive-in, the rhetoric used in coming attraction trailers, horror film premieres at drive-ins, double features, and the preproduction, production, and marketing of Last House on the Left. Section Three addresses the effects of the Vietnam War and counter-culture on The Texas Chainsaw Massacre, and the Cold War on Cat Women of the Moon. Section Four explores gender issues and sexuality, two of the most common and most important subjects of horror film analysis. Section Five covers drive-in culture via Hush...Hush, Sweet Charlotte, 2000 Maniacs, and the films of Mario Bava. Section Six investigates a variety of issues, such as the drive-in horror film's embrace of DNA, the use of cinematic form to create a non-Hollywood look in Wizard of Gore, and the many different prints and running times of I Drink Your Blood.
Author: Eric Lane
Publisher: Vintage
ISBN: 0307487342
Category : Drama
Languages : en
Pages : 642
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Book Description
Gather any group of actresses, from students to stars, and someone will inevitably ask, "Where are all the great roles for women?" The roles are right here, in this magnificently diverse collection of plays–full-lenghts, one-acts, and monologues--with mainly female casts, which represent the answer to any actress's prayer. The editors of the groundbreaking anthology Plays for Actresses have once again gathered an abundance of strong female roles in a selection of works by award-winning authors and cutting-edge newer voices, from Wendy Wasserstein and Christopher Durang to Claudia Shear, Eve Ensler, and Margaret Edson. The characters who populate these seven full-length plays, four ten-minute plays, and eleven monologues include a vivid cross-section of female experience: girl gang members, Southern debutantes, pilots, teachers, traffic reporters, and rebel teenagers. From a hilarious take on Medea to a taboo-breaking excerpt from The Vagina Monologues to a moving scene from the Pulitzer Prize-winning Wit, the plays in Leading Women are complex, funny, tragic, and always original--and a boon for talented actresses everywhere. From the Trade Paperback edition.
