Author: Andy Lee White
Publisher: Arcadia Publishing
ISBN: 1439666539
Category : Music
Languages : en
Pages : 188
Book Description
Discover the people and places that made Atlanta the pop music capital of the United States in the second half of the twentieth century. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene. “Insight and memories from major behind the scenes figures like engineer, producer and Georgia Music Hall of Fame member, Rodney Mills (Lynyrd Skynyrd, Atlanta Rhythm Section, Gregg Almond, Joe South) along with Bob “Tub” Langford (engineer for Joe South’s biggest hits and Lynyrd Skynyrd’s “Freebird”) help tell previously untold memories from a special time for Atlanta music like none before or since.” —East Cobber
Atlanta Pop in the '50s, '60s & '70s
Author: Andy Lee White
Publisher: Arcadia Publishing
ISBN: 1439666539
Category : Music
Languages : en
Pages : 188
Book Description
Discover the people and places that made Atlanta the pop music capital of the United States in the second half of the twentieth century. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene. “Insight and memories from major behind the scenes figures like engineer, producer and Georgia Music Hall of Fame member, Rodney Mills (Lynyrd Skynyrd, Atlanta Rhythm Section, Gregg Almond, Joe South) along with Bob “Tub” Langford (engineer for Joe South’s biggest hits and Lynyrd Skynyrd’s “Freebird”) help tell previously untold memories from a special time for Atlanta music like none before or since.” —East Cobber
Publisher: Arcadia Publishing
ISBN: 1439666539
Category : Music
Languages : en
Pages : 188
Book Description
Discover the people and places that made Atlanta the pop music capital of the United States in the second half of the twentieth century. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene. “Insight and memories from major behind the scenes figures like engineer, producer and Georgia Music Hall of Fame member, Rodney Mills (Lynyrd Skynyrd, Atlanta Rhythm Section, Gregg Almond, Joe South) along with Bob “Tub” Langford (engineer for Joe South’s biggest hits and Lynyrd Skynyrd’s “Freebird”) help tell previously untold memories from a special time for Atlanta music like none before or since.” —East Cobber
Monroeville and the Stage Production of To Kill a Mockingbird
Author: John Williams
Publisher: Arcadia Publishing
ISBN: 1439677085
Category : History
Languages : en
Pages : 192
Book Description
Tread the boards with Mockingbird Players as they present Harper Lee's Pulitzer Prize-winning novel. To Kill a Mockingbird burst into the world in 1960, followed by the Academy Award-winning film in 1962. Since then, the story of Scout, Atticus, Tom Robinson and Boo Radley has been an indelible part of American culture. Playwright Christopher Sergel secured Harper Lee's blessing in 1970 for the stage adaptation of her novel, and in 1991, the Mockingbird Players began the annual ritual of staging the show on its home turf and beyond. Author John Williams chronicles the production's extraordinary journey along with a wealth of side stories from the deep and colorful histories of Monroeville and Monroe County.
Publisher: Arcadia Publishing
ISBN: 1439677085
Category : History
Languages : en
Pages : 192
Book Description
Tread the boards with Mockingbird Players as they present Harper Lee's Pulitzer Prize-winning novel. To Kill a Mockingbird burst into the world in 1960, followed by the Academy Award-winning film in 1962. Since then, the story of Scout, Atticus, Tom Robinson and Boo Radley has been an indelible part of American culture. Playwright Christopher Sergel secured Harper Lee's blessing in 1970 for the stage adaptation of her novel, and in 1991, the Mockingbird Players began the annual ritual of staging the show on its home turf and beyond. Author John Williams chronicles the production's extraordinary journey along with a wealth of side stories from the deep and colorful histories of Monroeville and Monroe County.
Toys of the 50s, 60s and 70s
Author: Kate Roberts
Publisher: Minnesota Historical Society Press
ISBN: 0873519418
Category : Antiques & Collectibles
Languages : en
Pages : 360
Book Description
"Toys from the 1950s, '60s, and '70s capture the joy of play and the pure fun of being a kid. But beneath those iconic names are rich veins of nostalgia, memory, and history. These toys--and the stories of the kids, parents, child-rearing experts, inventors, manufacturers, and advertisers they affected--reflect the dynamism of American life"--
Publisher: Minnesota Historical Society Press
ISBN: 0873519418
Category : Antiques & Collectibles
Languages : en
Pages : 360
Book Description
"Toys from the 1950s, '60s, and '70s capture the joy of play and the pure fun of being a kid. But beneath those iconic names are rich veins of nostalgia, memory, and history. These toys--and the stories of the kids, parents, child-rearing experts, inventors, manufacturers, and advertisers they affected--reflect the dynamism of American life"--
Lost Cincinnati Concert Venues of the '50s and '60s: From the Surf Club to Ludlow Garage
Author: Steven Rosen
Publisher: Arcadia Publishing
ISBN: 1467147214
Category : History
Languages : en
Pages : 1
Book Description
The nightspots, rock clubs, arenas & more that made the city swing Cincinnati in the '50s and '60s offered a stunning array of live music and entertainment venues. Though many of them no longer exist, their memories live on. Fulfilling an "obligation" to mobsters, blues crooner Charles Brown played a residency at the Sportsman's Club in Newport. Incendiary comedian Lenny Bruce performed at the Surf Club on the city's conservative west side. Jim Tarbell's short-lived but iconic Ludlow Garage became a major stop on the national "ballroom" circuit that grew up around rock 'n' roll as it matured into its progressive, experimental era. Signaling an end to the '60s, Iggy Pop created a sensation at the 1970 Cincinnati Summer Pop Festival at Crosley Field. Join seasoned journalist Steven Rosen on a tour through historically heady days in the Queen City's music scene.
Publisher: Arcadia Publishing
ISBN: 1467147214
Category : History
Languages : en
Pages : 1
Book Description
The nightspots, rock clubs, arenas & more that made the city swing Cincinnati in the '50s and '60s offered a stunning array of live music and entertainment venues. Though many of them no longer exist, their memories live on. Fulfilling an "obligation" to mobsters, blues crooner Charles Brown played a residency at the Sportsman's Club in Newport. Incendiary comedian Lenny Bruce performed at the Surf Club on the city's conservative west side. Jim Tarbell's short-lived but iconic Ludlow Garage became a major stop on the national "ballroom" circuit that grew up around rock 'n' roll as it matured into its progressive, experimental era. Signaling an end to the '60s, Iggy Pop created a sensation at the 1970 Cincinnati Summer Pop Festival at Crosley Field. Join seasoned journalist Steven Rosen on a tour through historically heady days in the Queen City's music scene.
The Gallery of Regrettable Food
Author: James Lileks
Publisher: Crown
ISBN:
Category : Cooking
Languages : en
Pages : 200
Book Description
Recipes and food photography from the 1940s, '50s, and '60s assembled with humorous commentary.
Publisher: Crown
ISBN:
Category : Cooking
Languages : en
Pages : 200
Book Description
Recipes and food photography from the 1940s, '50s, and '60s assembled with humorous commentary.
Record Albums
Author: Jerry Osborne
Publisher:
ISBN:
Category : Phonorecord collecting
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Phonorecord collecting
Languages : en
Pages : 212
Book Description
Weinstock's
Author: Annette Kassis
Publisher: Landmarks
ISBN: 9781609494445
Category : Business & Economics
Languages : en
Pages : 0
Book Description
In 1874, David Lubin hung a provocative sign over a ten by twelve-foot space on the corner of Fourth and K Streets in Sacramento, California: D. Lubin: One Price." Thus began the dry goods store that would evolve into Weinstock, Lubin, and Co., one of Sacramento's landmark businesses and eventually a regional giant. While many Sacramentans will remember Weinstock's spectacular Christmas displays, the signature children's milk bar and the gala openings of suburban stores at Country Club Plaza and Sunrise Mall, historian Annette Kassis goes beyond the storefront to uncover the philosophy that placed Weinstock's at the forefront of business innovation. More than a retail establishment, Weinstock's one-hundred-year legacy brought high fashion, progressive politics and the leading edge of modernization to California's Capital City."
Publisher: Landmarks
ISBN: 9781609494445
Category : Business & Economics
Languages : en
Pages : 0
Book Description
In 1874, David Lubin hung a provocative sign over a ten by twelve-foot space on the corner of Fourth and K Streets in Sacramento, California: D. Lubin: One Price." Thus began the dry goods store that would evolve into Weinstock, Lubin, and Co., one of Sacramento's landmark businesses and eventually a regional giant. While many Sacramentans will remember Weinstock's spectacular Christmas displays, the signature children's milk bar and the gala openings of suburban stores at Country Club Plaza and Sunrise Mall, historian Annette Kassis goes beyond the storefront to uncover the philosophy that placed Weinstock's at the forefront of business innovation. More than a retail establishment, Weinstock's one-hundred-year legacy brought high fashion, progressive politics and the leading edge of modernization to California's Capital City."
All Music Guide to Rock
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879306533
Category : Music
Languages : en
Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Publisher: Hal Leonard Corporation
ISBN: 9780879306533
Category : Music
Languages : en
Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Billboard
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Mad to be Saved
Author: David Sterritt
Publisher: SIU Press
ISBN: 9780809321803
Category : History
Languages : en
Pages : 278
Book Description
Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success. After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order. Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films. Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.
Publisher: SIU Press
ISBN: 9780809321803
Category : History
Languages : en
Pages : 278
Book Description
Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success. After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order. Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films. Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.