Atlanta Pop in the '50s, '60s & '70s PDF Download
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Author: Andy Lee White
Publisher: Arcadia Publishing
ISBN: 1439666539
Category : Music
Languages : en
Pages : 188
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Book Description
Discover the people and places that made Atlanta the pop music capital of the United States in the second half of the twentieth century. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene. “Insight and memories from major behind the scenes figures like engineer, producer and Georgia Music Hall of Fame member, Rodney Mills (Lynyrd Skynyrd, Atlanta Rhythm Section, Gregg Almond, Joe South) along with Bob “Tub” Langford (engineer for Joe South’s biggest hits and Lynyrd Skynyrd’s “Freebird”) help tell previously untold memories from a special time for Atlanta music like none before or since.” —East Cobber
Author: Andy Lee White
Publisher: Arcadia Publishing
ISBN: 1439666539
Category : Music
Languages : en
Pages : 188
Get Book Here
Book Description
Discover the people and places that made Atlanta the pop music capital of the United States in the second half of the twentieth century. Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, production and promotion. In 1956, the Lowery Music Company had its first million copy-selling hit single with “Be-Bop-a-Lula,” by Gene Vincent. Under Lowery’s direction, popular artists like Tommy Roe and Billy Joe Royal flourished. Audio engineer Rodney Mills teamed up with Lowery and future Atlanta Rhythm Section manager Buddy Buie to build Studio One, a recording studio that produced albums from legendary acts such as Joe South, Lynyrd Skynyrd, 38 Special and others. Andy Lee White and John M. Williams offer a comprehensive portrait of the vibrant postwar Atlanta music scene. “Insight and memories from major behind the scenes figures like engineer, producer and Georgia Music Hall of Fame member, Rodney Mills (Lynyrd Skynyrd, Atlanta Rhythm Section, Gregg Almond, Joe South) along with Bob “Tub” Langford (engineer for Joe South’s biggest hits and Lynyrd Skynyrd’s “Freebird”) help tell previously untold memories from a special time for Atlanta music like none before or since.” —East Cobber
Author: John M. Williams
Publisher: Arcadia Publishing
ISBN: 146715296X
Category : History
Languages : en
Pages : 192
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Book Description
Tread the boards with Mockingbird Players as they present Harper Lee's Pulitzer Prize-winning novel. To Kill a Mockingbird burst into the world in 1960, followed by the Academy Award-winning film in 1962. Since then, the story of Scout, Atticus, Tom Robinson and Boo Radley has been an indelible part of American culture. Playwright Christopher Sergel secured Harper Lee's blessing in 1970 for the stage adaptation of her novel, and in 1991, the Mockingbird Players began the annual ritual of staging the show on its home turf and beyond. Author John Williams chronicles the production's extraordinary journey along with a wealth of side stories from the deep and colorful histories of Monroeville and Monroe County.
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879306533
Category : Music
Languages : en
Pages : 1430
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Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Author:
Publisher: Warner Bros. Publications
ISBN: 9780769210490
Category :
Languages : en
Pages : 0
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Book Description
All in My Mind * Angel Baby * Ball of Fire * Beep Beep * Book of Love * Come Home * I Like It Like That * I Need Your Loving * Jack and Diane * La Bamba * Little Star * Mirage * Mony Mony * Paper in Fire * Secretly * Shout * Small Town * Speedoo * What Is Love? * Why Do Fools Fall in Love? * The Yellow Rose of Texas * Young Turks and many more!
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Kate Roberts
Publisher: Minnesota Historical Society Press
ISBN: 0873519418
Category : Antiques & Collectibles
Languages : en
Pages : 360
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Book Description
"Toys from the 1950s, '60s, and '70s capture the joy of play and the pure fun of being a kid. But beneath those iconic names are rich veins of nostalgia, memory, and history. These toys--and the stories of the kids, parents, child-rearing experts, inventors, manufacturers, and advertisers they affected--reflect the dynamism of American life"--
Author: Jerry Osborne
Publisher:
ISBN:
Category : Phonorecord collecting
Languages : en
Pages : 212
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Book Description
Author: Arnold Jay Bloch
Publisher:
ISBN:
Category : Central business districts
Languages : en
Pages : 104
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Book Description
An examination of the relationship between mass transit and decentralization of population and employment in urban areas of the United States with case studies of Boston, Rochester, San Jose and Tampa. Policy recommendations are included.
Author: Joel Selvin
Publisher: Catapult
ISBN: 1619023784
Category : Music
Languages : en
Pages : 263
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Book Description
"I don't know where he's buried, but if I did I'd piss on his grave." —Jerry Wexler, best friend and mentor Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see twenty–one. Although his name is little remembered today, Berns worked alongside all the greats of the era—Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, anyone who was anyone in New York rhythm and blues. In seven quick years, he went from nobody to the top of the pops—producer of monumental R&B classics, songwriter of "Twist and Shout," "My Girl Sloopy" and others. His fury to succeed led Berns to use his Mafia associations to muscle Atlantic Records out of a partnership and intimidate new talents like Neil Diamond and Van Morrison he signed to his record label, only to drop dead of a long expected fatal heart attack, just when he was seeing his grandest plans and life's ambitions frustrated and foiled.
Author: Gordon Thompson
Publisher: Oxford University Press
ISBN: 0195333187
Category : Business & Economics
Languages : en
Pages : 361
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Book Description
The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
