Author: Julie De Groot
Publisher: Leuven University Press
ISBN: 9462703175
Category : History
Languages : en
Pages : 322
Book Description
Domestic materiality in a remarkable European city How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.
At Home in Renaissance Bruges
Author: Julie De Groot
Publisher: Leuven University Press
ISBN: 9462703175
Category : History
Languages : en
Pages : 322
Book Description
Domestic materiality in a remarkable European city How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.
Publisher: Leuven University Press
ISBN: 9462703175
Category : History
Languages : en
Pages : 322
Book Description
Domestic materiality in a remarkable European city How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.
Hans Memling
Author: Barbara G. Lane
Publisher:
ISBN: 9781905375196
Category : Painting, Flemish
Languages : en
Pages : 0
Book Description
Hans Memling was the leading painter in Bruges during the last quarter of the fifteenth century, receiving commissions from patrons in England, Germany and Italy as well as Flanders itself. For the Romantics of the nineteenth century, he ranked even above Jan van Eyck as the greatest of the Flemish primitives. By the middle of the twentieth century, however, his exalted reputation had declined sharply under the shadow of his presumed teacher, Rogier van der Weyden. In 1953, Panofsky labelled Memling a major minor master, leading subsequent writers to consider him unworthy of serious study. It was only in 1994, the five-hundredth anniversary of his death, that the major exhibition on Memling in Bruges launched a veritable flood of publications on his life and work, finally granting him the recognition he deserves.This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.
Publisher:
ISBN: 9781905375196
Category : Painting, Flemish
Languages : en
Pages : 0
Book Description
Hans Memling was the leading painter in Bruges during the last quarter of the fifteenth century, receiving commissions from patrons in England, Germany and Italy as well as Flanders itself. For the Romantics of the nineteenth century, he ranked even above Jan van Eyck as the greatest of the Flemish primitives. By the middle of the twentieth century, however, his exalted reputation had declined sharply under the shadow of his presumed teacher, Rogier van der Weyden. In 1953, Panofsky labelled Memling a major minor master, leading subsequent writers to consider him unworthy of serious study. It was only in 1994, the five-hundredth anniversary of his death, that the major exhibition on Memling in Bruges launched a veritable flood of publications on his life and work, finally granting him the recognition he deserves.This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.
Petrus Christus
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 0810964821
Category : Painting, Renaissance
Languages : en
Pages : 246
Book Description
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Publisher: Metropolitan Museum of Art
ISBN: 0810964821
Category : Painting, Renaissance
Languages : en
Pages : 246
Book Description
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Petrus Christus in Renaissance Bruges
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 244
Book Description
During the past few decades, admirers of Petrus Christus have been astonishingly fortunate. Unknown or forgotten paintings in the style of Christus have turned up with surprising regularity: in the 1950s, the wonderful Kansas City Holy Family; in the 1960s the Birmingham Christ and the Bruges Isabella of Portugal Presented by Saint Elisabeth in the 1980s, the Cleveland Baptist and the problematic Bruges panels of the Annunciation and the Nativity. Nothing, of course, can compensate for the loss, during World War II, of the Dessau Crucifixion, and the Berlin wing panels of the Baptist and Saint Catherine. We had to wait until 1974 for the first monograph devoted to Christus, but since then two more books on Christus have been published and important discoveries have been made about his career in Bruges. Thanks to Maryan Ainsworth and her colleagues, we had a truly marvellous exhibition, where we had the privilige of studying more of Chrsitus' paintings than he himself can ever have seen gathered in one place. The exhibition itself initiated a new phase in Christus studies and it is the ideal beginning. If problems of attribution and chronology are ever to be settled, they had to be settled during the exhibition. This publication offers the papers of the 1994 Petrus Christus Symposium at The Metropolitan Museum in New York. L. Campbell, Approaches to Petrus Christus, W. Blockmans, The Creative Environment: Inventions and Functions of Bruges Art Production, C. Harbison, Fact, Symbol, Ideal, Roles for Realism in Early Netherlandish Painting, G.B. Canfield, The Reception of Flemish Art in Renaissance Florence and Naples, M.P.J. Martens, Discussion, J. Upton, PETRUS.XPI.ME.FECIT, The Transformation of a Legacy, S. Buck, Petrus Christus' Berlin Wings and the Metropolitan Museum's Eyckian Diptych, S. Jones, The Virgin of Nicholas van Maelbeke and the Followers of Jan Van Eyck, C. Eisler, Discussion, L. Gellman, Two Lost Portraits by Petrus Christus.
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 244
Book Description
During the past few decades, admirers of Petrus Christus have been astonishingly fortunate. Unknown or forgotten paintings in the style of Christus have turned up with surprising regularity: in the 1950s, the wonderful Kansas City Holy Family; in the 1960s the Birmingham Christ and the Bruges Isabella of Portugal Presented by Saint Elisabeth in the 1980s, the Cleveland Baptist and the problematic Bruges panels of the Annunciation and the Nativity. Nothing, of course, can compensate for the loss, during World War II, of the Dessau Crucifixion, and the Berlin wing panels of the Baptist and Saint Catherine. We had to wait until 1974 for the first monograph devoted to Christus, but since then two more books on Christus have been published and important discoveries have been made about his career in Bruges. Thanks to Maryan Ainsworth and her colleagues, we had a truly marvellous exhibition, where we had the privilige of studying more of Chrsitus' paintings than he himself can ever have seen gathered in one place. The exhibition itself initiated a new phase in Christus studies and it is the ideal beginning. If problems of attribution and chronology are ever to be settled, they had to be settled during the exhibition. This publication offers the papers of the 1994 Petrus Christus Symposium at The Metropolitan Museum in New York. L. Campbell, Approaches to Petrus Christus, W. Blockmans, The Creative Environment: Inventions and Functions of Bruges Art Production, C. Harbison, Fact, Symbol, Ideal, Roles for Realism in Early Netherlandish Painting, G.B. Canfield, The Reception of Flemish Art in Renaissance Florence and Naples, M.P.J. Martens, Discussion, J. Upton, PETRUS.XPI.ME.FECIT, The Transformation of a Legacy, S. Buck, Petrus Christus' Berlin Wings and the Metropolitan Museum's Eyckian Diptych, S. Jones, The Virgin of Nicholas van Maelbeke and the Followers of Jan Van Eyck, C. Eisler, Discussion, L. Gellman, Two Lost Portraits by Petrus Christus.
Bruges and the Renaissance
Author:
Publisher:
ISBN: 9789055442331
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789055442331
Category :
Languages : en
Pages :
Book Description
Galbert of Bruges and the Historiography of Medieval Flanders
Author: Jeff Rider
Publisher: CUA Press
ISBN: 0813217199
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Publisher: CUA Press
ISBN: 0813217199
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Involving Readers
Author: Renske A. Hoff
Publisher: BRILL
ISBN: 9004696520
Category : Religion
Languages : en
Pages : 351
Book Description
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil. From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
Publisher: BRILL
ISBN: 9004696520
Category : Religion
Languages : en
Pages : 351
Book Description
This volume explores how and by whom early modern Dutch Bibles were used. Through a detailed analysis of paratextual features and readers’ traces in over 180 surviving Bible copies, Renske Hoff displays how individuals manifested their faith in owning, reading, and personalising the Bible, in a period characterised by religious turmoil. From nuns and countesses to tailors and merchants: Bibles were read by a diverse public. Printer-publishers shaped the contents and paratextual features of their Bible editions to suit the varied wishes of the reading public. Readers themselves added marginalia, corrected the text, or pasted texts and images in their books, displaying their creativity as users as well as stressing the malleability of the material Bible.
A Cultural History of Shopping in the Early Modern Age
Author: Tim Reinke-Williams
Publisher: Bloomsbury Publishing
ISBN: 1350278491
Category : History
Languages : en
Pages : 281
Book Description
A Cultural History of Shopping was a Library Journal Best in Reference selection for 2022. Across Europe, the Early Modern period was marked by political, religious and cultural upheaval, and saw the emergence of the first global economy, developments which profoundly impacted how people shopped and what they were able to buy. This volume engages with the key debates around continuity and change in consumer behavior in the 'long 16th century' and the ways in which shopping became an educational and exciting act for many women, men and children across the social spectrum: shops and market stalls were filled with an increasingly wide range of goods made by skilled craftspeople and transported by merchants making evermore ambitious and lucrative journeys across the world. Even servants and the poor were exposed to these new things, for they could consume by eye and ear what they could not afford to take home in material form. Although they did not yet have a word for the activity of “shopping,” in this period men and women came to understand that this activity was more than a functional act to acquire necessities. A Cultural History of Shopping in the Early Modern Age presents an overview of the period with themes addressing practices and processes; spaces and places; shoppers and identities; luxury and everyday; home and family; visual and literary representations; reputation, trust and credit; and governance, regulation and the state.
Publisher: Bloomsbury Publishing
ISBN: 1350278491
Category : History
Languages : en
Pages : 281
Book Description
A Cultural History of Shopping was a Library Journal Best in Reference selection for 2022. Across Europe, the Early Modern period was marked by political, religious and cultural upheaval, and saw the emergence of the first global economy, developments which profoundly impacted how people shopped and what they were able to buy. This volume engages with the key debates around continuity and change in consumer behavior in the 'long 16th century' and the ways in which shopping became an educational and exciting act for many women, men and children across the social spectrum: shops and market stalls were filled with an increasingly wide range of goods made by skilled craftspeople and transported by merchants making evermore ambitious and lucrative journeys across the world. Even servants and the poor were exposed to these new things, for they could consume by eye and ear what they could not afford to take home in material form. Although they did not yet have a word for the activity of “shopping,” in this period men and women came to understand that this activity was more than a functional act to acquire necessities. A Cultural History of Shopping in the Early Modern Age presents an overview of the period with themes addressing practices and processes; spaces and places; shoppers and identities; luxury and everyday; home and family; visual and literary representations; reputation, trust and credit; and governance, regulation and the state.
On Assistance to the Poor
Author: Juan Luis Vives
Publisher: University of Toronto Press
ISBN: 9780802082893
Category : History
Languages : en
Pages : 76
Book Description
Sixteenth-century humanist Juan Luis Vives sought to find ways to alleviate the sufferings of the poor of Bruges, dealing with problems and presenting solutions that sound remarkably familiar to twentieth-century urban ears.
Publisher: University of Toronto Press
ISBN: 9780802082893
Category : History
Languages : en
Pages : 76
Book Description
Sixteenth-century humanist Juan Luis Vives sought to find ways to alleviate the sufferings of the poor of Bruges, dealing with problems and presenting solutions that sound remarkably familiar to twentieth-century urban ears.
The Master of Bruges
Author: Terence Morgan
Publisher: Pan Macmillan
ISBN: 9780230744127
Category : Fiction
Languages : en
Pages : 328
Book Description
In 15th century Bruges, master painter Hans Memling is about to find himself at the heart of a political storm that stretches from his home city to Plantagenet England.
Publisher: Pan Macmillan
ISBN: 9780230744127
Category : Fiction
Languages : en
Pages : 328
Book Description
In 15th century Bruges, master painter Hans Memling is about to find himself at the heart of a political storm that stretches from his home city to Plantagenet England.