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Author: Gail White
Publisher: Able Muse Press
ISBN: 1927409551
Category : Poetry
Languages : en
Pages : 98
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Book Description
Asperity Street, Gail White’s most balanced poetry collection, explores the breadth of human existence with cutting wit, irreverence, keen intelligence, and an uncommon mix of empathy and asperity. Besides the cynical or the lighthearted, which are hallmarks of White’s work, there is a newfound earnestness and gravity in these poems in their survey and interrogation of the human condition. White journeys the span from nursery to hospice—in between, she navigates the prom, family occasions, mating, gossip, and money matters with masterful formal dexterity. This is a collection that rewards the reader with a thoroughly entertaining and illuminating experience. PRAISE FOR ASPERITY STREET: In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time. — Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human. — Rhina P. Espaillat (from the foreword), author of Her Place in These Designs I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book. — Lewis Turco, author of The Book of Forms
Author: Gail White
Publisher: Able Muse Press
ISBN: 1927409551
Category : Poetry
Languages : en
Pages : 98
Get Book
Book Description
Asperity Street, Gail White’s most balanced poetry collection, explores the breadth of human existence with cutting wit, irreverence, keen intelligence, and an uncommon mix of empathy and asperity. Besides the cynical or the lighthearted, which are hallmarks of White’s work, there is a newfound earnestness and gravity in these poems in their survey and interrogation of the human condition. White journeys the span from nursery to hospice—in between, she navigates the prom, family occasions, mating, gossip, and money matters with masterful formal dexterity. This is a collection that rewards the reader with a thoroughly entertaining and illuminating experience. PRAISE FOR ASPERITY STREET: In her remarkable collection, Asperity Street, Gail White takes on the whole sweep of existence. The street becomes the road of a lifetime, beginning with a Southern childhood and ending with a hospice finale. Laconic, ironic and comic, White’s drily resourceful, wickedly companionable voice takes aim on patrimony, matrimony, religion, money and the myth that assumes we choose our lives. With her sublime linguistic choreography, these poems dance to complex metrical tunes. We feel and hear them pulse with equal parts sympathy and vitriol. In Gail White’s capable hands, Asperity Street unfolds as a brilliant mural we can return to again and again, as the poet does—still vulnerable, and wiser each time. — Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden Gail White has done it again: here is another collection by one of America’s wittiest, most technically adept, funniest and most serious commentators on what it feels like to be human. — Rhina P. Espaillat (from the foreword), author of Her Place in These Designs I looked forward to reading Gail White’s new book of poems, Asperity Street, because I know she is one of America’s funniest poets, so when I got the manuscript I sat down to read it immediately. I knew how much I would enjoy it. I was not disappointed. The first three sections of this four-part collection have wit and bon mots in good measure, socko endings, words I’d never seen in poems before, like “cloaca” or a made-up word ending, “substituth,” to satisfy a droll rhyme. But nothing prepared me for part four. Nothing procedural changed. The insights were as sharp as ever, the language exact and clear, the cleverness and dexterity with form as deft, the music as mesmerizing . . . but this was a serious poet I’d not encountered before: there was a deepening of vision, an enhancement of feeling, the rueful treatment of life and death took on a cutting edge that slices to the bone. Don’t miss reading this book. — Lewis Turco, author of The Book of Forms
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1252
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Author: Alexander Pepple
Publisher: Able Muse Press
ISBN: 1927409624
Category : Literary Collections
Languages : en
Pages : 186
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Book Description
This is the seminannual Able Muse Review (Print Edition) - Summer 2015 issue, Number 19. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: EDITORIAL - Alexander Pepple. FEATURED ARTIST - Wayne Levin; (Interviewed by Sharon Passmore). FEATURED POET - Eric McHenry; (Interviewed by Cody Walker). FICTION - Linda Boroff, Richard Dokey, Michael Bradburn-Ruster, Zara Lisbon, Lane Kareska. ESSAYS - Catharine Savage Brosman, Kevin Durkin, Robert Earle, Eric Torgersen. BOOK REVIEWS - Reagan Upshaw. POETRY - Jay Rogoff, Meredith McCann, William Baer, Jan D. Hodge, Stephen Scaer, William Thompson, Martial, Susan McLean, Carrie Shipers, Maura Stanton, Stephen Gibson, Len Krisak, Glenn Freeman, Richard Cecil, Bruce Bennett, Julie Steiner, Eric Torgersen, Ed Shacklee.
Author: Jacob M. Appel
Publisher: Able Muse Press
ISBN: 177349015X
Category : Poetry
Languages : en
Pages : 78
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Author: Ellen Kaufman
Publisher: Able Muse Press
ISBN: 1773490672
Category : Poetry
Languages : en
Pages : 92
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Book Description
Ellen Kaufman's Double-Parked, with Tosca navigates the natural and the manmade-often with an eye on their strained juxtaposition-or unravels the complex dynamics of the physical, social, and political. Kaufman can go from elegizing an Elizabethan old dress past to the environmentally conscious "now [when] the polar caps / undress themselves." She weaves the history of early settlements and their challenges and triumphs over the sometime inhospitable land; or negotiates the melding and mismatch of cultures in her native New York City. Kaufman's poems assert their claim inside violence, indifference, and exclusion. This surefooted second collection is a fitting special honoree for the 2019 Able Muse Book Award. PRAISE FOR DOUBLE-PARKED, WITH TOSCA Ellen Kaufman's poems pierce the reader the way a needle pierces fabric. With a stunningly precise apprehension of the real, she stitches immigration histories and the intimacies of family life, cityscapes and suburban developments, the recent past and the perilous future. She has the power to shapeshift, too, so that we experience, as if from inside, the hidden life of a retired battleship, an algae bloom, a bird nesting in a traffic light. Marked by grief, endurance, and the truths of beauty made manifest, these are essential poems. - Jennifer Barber, author of Works on Paper Ellen Kaufman's absolutely terrific second book can fearlessly slash through pretext, but also cohere unlikely pairs through the X-ray delicacy of an ace metaphorist. She can use "he wanted to get laid" as a refrain in a satisfyingly avenging villanelle, and also see how a beret looks like a "fluffy flounder," and a chandelier handed down through generations "rattles like a skeleton." A tick can alternate stanzas with its host, and an orchestra can create a landscape from its instruments. Kaufman uses form-including a masterful crown of sonnets about her father's end of life-and the speaker herself takes form in persona poems of NYC landmarks; of the USS Intrepid, she writes, "the old moon / shuttle Discovery perches / like an aphid on a rose leaf." I bet you never heard that before! And so you will feel about this whole body of poems. Kaufman's wit, her craft, her vision-this book celebrates their collaboration. - Jessica Greenbaum, author of Spilled and Gone As a young person, the best poem I ever read in my life was a Petrarchan sonnet by Ellen Kaufman-before I even knew what a Petrarchan sonnet was. Now, in reading Ellen Kaufman's newest book, Double-Parked, with Tosca, I immediately see everything I want poetry to be: imaginative, evocative, observant, musical, filled with sound and living breath, and brilliant. I can't recommend this book and this author enough. - Nicholas Samaras, author of American Psalm, World Psalm ABOUT THE AUTHOR: Ellen Kaufman's first collection, House Music, was a finalist for the Able Muse Book Award (Able Muse, 2013). A poem from that book won the Morton Marr Poetry Prize awarded by Southwest Review, where it also appeared. Her poems have also been published by Beloit Poetry Journal, Carolina Quarterly, Epoch, Hampden-Sydney Poetry Review, the New Yorker, Poetry Northwest, Salamander, Shenandoah, the Yale Review, and other literary magazines. Twice a MacDowell Fellow (2009 and 2013), she holds an AB from Cornell, and MFA and MSLS degrees from Columbia University. Formerly a poetry reviewer for Library Journal, she now reviews for Publishers Weekly. She lives near Straus Park in upper Manhattan.
Author: William Lisle Bowles
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: Sally Thomas
Publisher: Able Muse Press
ISBN: 1773490443
Category : Poetry
Languages : en
Pages : 126
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Book Description
In Sally Thomas’s Motherland, the poet keenly observes the ephemeral and the everlasting in the lens of time-the daily into seasonal transformations, the gifts and wonders of nature and people. Motherland by turns hails and interrogates in matters of flesh, of faith and spirituality-especially so in the “Richeldis of Walsingham” poem sequence. This finalist in the Able Muse Book Award is a collection abounding in insight, hope, grace, surprises, and yes, love. PRAISE FOR MOTHERLAND: A core of spiritual knowledge resides in the poems of Sally Thomas’s Motherland- knowledge that might seem strange to the poet herself, in fact, though it definitely resides in her, and radiates throughout this collection. Motherland is the perfect title, since the poet, herself a mother, regards all her human occupations as native and yet mysterious, occurring in a place which is both foreign and familiar. The final sequence, on Richeldis of Walsingham, includes lines that describe the expression of that knowledge, as “the eloquence/ Of the small river moving always forward to the unseen/ Sea.” Motherland is a book of the presence-radiant, benevolent, challenging-for which there is often no word, except as we find in poetry, like the poetry of Sally Thomas.” -Mark Jarman, author of The Heronry The poems of Sally Thomas are poems in which the act of looking at the world in all its depth and complexity is just about as close as possible to being fully realized in the corresponding “world” of poetic language and form. And the verses are compelling because in every line something is at stake: our very understanding of creation, the human condition, and the mystery of thought and its language that link us, however imperfectly, to what may be called the given world. As Thomas says in “Frost,” “Tricky winter light and my own eye/ Bend the world, if not to beauty, then/ To strangeness.” -David Middleton (from the foreword), author of The Fiddler of Driskill Hill In her most recent collection of poems, Motherland, Sally Thomas gives us a world we live in but, alas, too often don’t seem to see. So much is lost, these poems tell us, even as they manage to reinstate and re-imagine these losses for us. All poetry is elegiac, even as it can, in the hands of a serious poet, celebrate the very world which for all of us keeps slipping away in the great wheel of time. Then too there is her mastery of poetic form-among these the sonnet, the villanelle, the couplet, and her unparalleled command of rhyme and slant rhyme. What a delight to discover a poet who has found a way to allow the sacred and the sacramental inform her poems in a surprising range of contemporary idioms. -Paul Mariani, author of Epitaphs for the Journey ABOUT THE AUTHOR: Sally Thomas was born in Memphis, Tennessee, in 1964, and was educated at Vanderbilt University, the University of Memphis, and the University of Utah. She spent some years living in the American West and in Great Britain before settling in North Carolina, her current home. She is the author of two poetry chapbooks, Fallen Water (2015) and Richeldis of Walsingham (2016), both from Finishing Line Press. Over the last two decades, her poetry and fiction have appeared in Dappled Things, First Things, Relief: A Journal of Art and Faith, Southern Poetry Review, the New Yorker, the Rialto, and other journals in the United States and Great Britain.
Author: Alexander Pepple
Publisher: Able Muse Press
ISBN: 1927409640
Category : Literary Collections
Languages : en
Pages : 160
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Book Description
This is the seminannual Able Muse Review (Print Edition) - Winter 2015 issue, Number 20. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse—online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." – Dana Gioia. CONTENTS: WITH THE 2015 ABLE MUSE WRITE PRIZE FOR POETRY & FICTION — Includes the winning story and poems from the contest winners and finalists. EDITORIAL — Alexander Pepple. FEATURED ARTIST — Léon Leijdekkers. FEATURED POET — Amit Majmudar; (Interviewed by Daniel Brown). FICTION — Paul Soto, Lynda Sexson, Andrea Witzke Slot. ESSAYS — N.S. Thompson, Moira Egan. BOOK REVIEWS — Stephen Kampa, Robert B. Shaw. POETRY — X.J. Kennedy, Wendy Videlock, Kim Bridgford, Peter Kline, Catharine Savage Brosman, Terese Coe, Steven Winn, Jay Udall, Beth Houston, Jennifer Reeser, Leslie Schultz, Ryan Wilson, Max Gutmann, Freeman Rogers, Dan Campion, Brooke Clark, David Stephenson, Autumn Newman, James Matthew Wilson, Athar C. Pavis, Jeanne Wagner, Elise Hempel.
Author: Rebecca Starks
Publisher: Able Muse Press
ISBN: 1773490427
Category : Poetry
Languages : en
Pages : 116
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Book Description
Rebecca Starks’s Time Is Always Now unfolds against a backdrop of nature, often permeated in unexpected ways with the human dynamics of family, neighborhood, and nation. Her poems convey the urgency within moments of transformation—whether seasonal, as in wilderness and garden; physical, as in the trajectory of youth, aging, and death; or political, as in the challenges of misgovernance and the environmental exigencies of our time. This finalist in the Able Muse Book Award is a finely wrought, thought-provoking collection.
PRAISE FOR TIME IS ALWAYS NOW
Drawing from sources as wide-ranging as Emily Dickinson, Apocalypse Now, fairy tales, and social media, Rebecca Starks’s Time Is Always Now deftly balances intelligence and pathos, resisting easy dichotomies and judgments. As these fine poems insist, the present is relentless, and we are immersed: “No, not out of time; helplessly in it.” Ours is a country of guns; ours is a “middle-aged earth” in decline—and yet, we are here, witnessing, questioning. I am grateful for Starks’s voice in the present moment, and I’m grateful to have her poems to carry with me into the future, whatever it may bring.
—Maggie Smith, author of Good Bones
Rebecca Starks writes with a sense that time can be stopped in a poem, lives suspended and drawn inward, even in the most aimless moments. There’s a wonderful clarity to Time Is Always Now, an electricity that feels bright and wild. It’s to be found in the roadsides and a robin’s “clutch,” in the retina that “registers pain,” in the sky at dusk and the “months of mud.” I greet these poems with so much enthusiasm—these poems that crave, clarify, and propose sublime ways to become refreshed in our most confused times.
—David Biespiel (from the foreword), author of Republic Café
At one point, Rebecca Starks describes a winter hike, in which she crosses “sociable mouse hops, two feet together” and passes “a squirrel’s scramble at the base of a tree,/ then the bunched landings of a mustelid bound/ from the yawn under one log to another.” Several of her wonderful book’s qualities are evidenced here. If too many poets, in their ignorance, regard nature as a mere repository of metaphor, Starks, like Frost, is both knowledgeable and uncannily accurate about it. (“Yawn” is the perfect word, say, in this passage.) Her sinuous and heavily subordinated syntax is also suggestive of a mind with great range—geographical, thematic, and prosodic—though she can also, as, for instance, in “American Flag,” move by a cunning terseness.
—Sydney Lea, author of The Music of What Happens: Lyric and Everyday Life
ABOUT THE AUTHOR:
Rebecca Starks grew up in Louisville, Kentucky, earned a BA in English from Yale University and a PhD in English from Stanford University, and works as a freelance editor and as a teacher for the Osher Institute of Lifelong Learning program at the University of Vermont. Her poems and short fiction have appeared in Baltimore Review, Ocean State Review, Slice Literary, Crab Orchard Review, Tahoma Literary Review, and elsewhere. Winner of Rattle’s 2018 Neil Postman Award for Metaphor and past winner of Poetry Northwest’s Richard Hugo Prize, she is the founding editor-in-chief of Mud Season Review and a former director of the Burlington Writers Workshop. She and her family live in a log cabin in the woods of Richmond, Vermont.
Author: William Baer
Publisher: Able Muse Press
ISBN: 1773490346
Category : Fiction
Languages : en
Pages : 250
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Book Description
After solving the assassination case of his beloved uncle, Colt finds himself truly alone, ditched by his girlfriend. However, there’s not much respite or time for introspection for him: he’s called on again to solve a new murder case, along with a suspiciously related cold case. What follows is another gripping tale in the backdrop of the Garden State’s sights and scenes, including its picturesque beaches, casinos, and the rural Pine Barrens. In New Jersey Noir: Cape May—Book Two of his Jack Colt Murder Mystery Novels series—William Baer continues to enchant and spellbind. PRAISE FOR NEW JERSEY NOIR: CAPE MAY: In Jack Colt, William Baer gives us a private detective perfectly suited for the Garden State: gritty, charming in spite of himself, sidesplittingly hilarious and incomparably authentic. Baer proves himself the Sinatra of Noir, the Edison of Intrigue, the Springsteen of Suspense—and a rightful heir to Hammett and Chandler. Far more fun than a night out in Atlantic City or a weekend at the Jersey Shore. — Jacob M. Appel, author of Millard Salter’s Last Day PRAISE FOR WILLIAM BAER: “New Jersey Noir introduces an ultracool hometown detective from Paterson, set perfectly in his well-detailed locales. The writing is crisp, sarcastic, wryly funny, steeped in New Jersey lore and anecdotes that add great historical and cultural dimensions to its mystery.” — Robin Farrell Edmunds, Foreword Reviews (Five-star review) “A brilliant debut novel . . . precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place.” — Hollis Seamon, author of Somebody Up There Hates You “Not since Donna Tartt’s The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer’s New Jersey Noir. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. The writing is taut and gut-wrenching.” — Terri Brown-Davidson, author of Marie, Marie, Hold On Tight “Baer evokes a cinematic chiaroscuro New Jersey—specifically Paterson—its history and politics limned over a baseline of Springsteen, doo-wop, and Whitney Houston.” — Dennis Must, author of Hush Now, Don’t Explain ABOUT THE AUTHOR: William Baer, a recent Guggenheim fellow, is the author of twenty-two books including New Jersey Noir; Times Square and Other Stories; One-and-Twenty Tales; Companion; The Ballad Rode into Town; Formal Salutations: New & Selected Poems; Classic American Films; and The Unfortunates (recipient of the T.S. Eliot Award). A former Fulbright in Portugal, he’s also received the Jack Nicholson Screenwriting Award and a Creative Writing Fellowship in fiction from the National Endowment for the Arts.
