Aspects of Interpretation in Seventeenth and Eighteenth Century Music PDF Download
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Author: Helen Katz
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
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Book Description
Author: Helen Katz
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
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Book Description
Author: Arnold Dolmetsch
Publisher: Courier Corporation
ISBN: 0486442756
Category : Music
Languages : en
Pages : 530
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Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858–1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study, The Interpretation of the Music of the 17th and 18th Centuries, first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. A rare appendix of musical examples, originally published separately, appears in this new edition of the first book to address in a comprehensive and scholarly manner the problems of performing Baroque music. More than a text on performance practices, this classic offers glimpses of what Baroque music meant—both as an art and a science—to musicians of the era.
Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
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Author: Elena Letnanova
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Author: Jean Claude Veilhan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 120
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Author:
Publisher: Nám
ISBN: 9789991808772
Category :
Languages : en
Pages :
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Book Description
Author: Thurston Dart
Publisher: Random House (UK)
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author: Arnold Dolmetsch
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 520
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Book Description
One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch (1858-1940) was the first to apply academic attention to the issue of authentic historical performance. His groundbreaking study first appeared in 1915 and remains a landmark of musicology. An outstanding musician, teacher, and maker of Baroque-style instruments, Dolmetsch sought the correct interpretation of Baroque music in order to heighten its expressive intent and emotional impact. In this study, he quotes extensively from both familiar and lesser-known treatises of the seventeenth and eighteenth centuries, adding enlightening comments to each quotation and providing illuminating conclusions. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning, and fingering, and musical instruments of the period. More than a text on performance practices, this classic offers glimpses of what Baroque music meant--both as an art and a science--to musicians of the era.
Author: Jack Allan Westrup
Publisher: London : British Broadcasting Corporation
ISBN:
Category : Music
Languages : en
Pages : 84
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Book Description
Author: Peter Le Huray
Publisher: CUP Archive
ISBN: 9780521399265
Category : Music
Languages : en
Pages : 228
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Book Description
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
