Ascanio in Alba

Ascanio in Alba PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Ascanio in Alba

Ascanio in Alba PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Ascanio in Alba. - Kritischer Bericht

Ascanio in Alba. - Kritischer Bericht PDF Author: Luigi Ferdinando Tagliavini
Publisher:
ISBN:
Category : Opera
Languages : de
Pages : 100

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Ascanio in Alba

Ascanio in Alba PDF Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 191

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Ascanio in Alba University Music Editions

Ascanio in Alba University Music Editions PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Ascanio in Alba

Ascanio in Alba PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart PDF Author: Piero Melograni
Publisher: University of Chicago Press
ISBN: 0226519562
Category : Biography & Autobiography
Languages : en
Pages : 325

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Austrian Information

Austrian Information PDF Author:
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 588

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Epic Performances from the Middle Ages into the Twenty-First Century

Epic Performances from the Middle Ages into the Twenty-First Century PDF Author: Fiona Macintosh
Publisher: Oxford University Press
ISBN: 0192526251
Category : Literary Criticism
Languages : en
Pages : 640

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Book Description
Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. What emerges most clearly is how anxieties about the ability to write epic in the early modern world, together with the ancient precedent of Greek tragedy's reworking of epic material, explain its migration to the theatre. This move, though, was not without problems, as epic encountered the barriers imposed by neo-classicists, who sought to restrict serious theatre to a narrowly defined reality that precluded its broad sweeps across time and place. In many instances in recent years, the fact that the Homeric epics were composed orally has rendered reinvention not only legitimate, but also deeply appropriate, opening up a range of forms and traditions within which epic themes and structures may be explored. Drawing on the expertise of specialists from the fields of classical studies, English and comparative literature, modern languages, music, dance, and theatre and performance studies, as well as from practitioners within the creative industries, the volume is able to offer an unprecedented modern and dynamic study of 'epic' content and form across myriad diverse performance arenas.

Musical Genius

Musical Genius PDF Author: Barbara Allman
Publisher: Millbrook Press
ISBN: 9781575056043
Category : Juvenile Nonfiction
Languages : en
Pages : 72

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Describes the life of the eighteenth-century Austrian composer, a musical prodigy who learned to write music before he could write letters and grew up to become Imperial Court Composer to Emperor Joseph.

Mozart

Mozart PDF Author: Stanley Sadie
Publisher: OUP Oxford
ISBN: 019159315X
Category : Music
Languages : en
Pages : 671

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Book Description
Few people these days would question Mozart's rating as the most popular of all classical composers. Yet there exists no substantial, up-to-date English-language study of the man and his works. In this new study of Mozart's early years, Stanley Sadie aims to fill this gap in the form of a traditional biography on a straightforward chronological basis. The volume covers the period up to 1781, the year of Idomeneo and Mozart's settling in Vienna. Individual works are discussed in sequence and related to the events of his life. Stanley Sadie draws substantially on the family correspondence, quoting the letters and discussing what they tell us about Mozart and his world and his relationships with his family and his professional colleagues. Also included is a discussion of all aspects of Mozart's life and his music, relating them to the environment in which he worked, social, economic and cultural as well as musical. Much new material connected with Mozart has come to light in recent years. There have been discoveries of musical sources and new ways of studying known ones. Such finds and methods have changed our view of the chronology of many works and they often have significant biographical ramifications. Understanding of the context for Mozart's music, and indeed his life, has broadened immensely. Stanley Sadie's biography digests and interprets this corpus of new information.