Asante Ntahera Trumpets in Ghana PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Asante Ntahera Trumpets in Ghana PDF full book. Access full book title Asante Ntahera Trumpets in Ghana by Joseph S.Kaminski. Download full books in PDF and EPUB format.
Author: Joseph S.Kaminski
Publisher: Routledge
ISBN: 1351956876
Category : Music
Languages : en
Pages : 226
Get Book Here
Book Description
Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.
Author: Joseph S.Kaminski
Publisher: Routledge
ISBN: 1351956876
Category : Music
Languages : en
Pages : 226
Get Book Here
Book Description
Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.
Author: Kwasi Ampene
Publisher: Routledge
ISBN: 1000060322
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets, and a cane flute, the book includes a critical assembly of ancient song texts, the poetry of bards (kwadwom), and referential poetry performed by members of the constabulary (apae). The focus is on the intersections between lived experience, music, and values, and refers to musical examples drawn from court ceremonies, rituals, festivals, as well as casual performances elicited in the course of fieldwork. For the Asante, the performing arts are complex sites for recording and storing personal experiences, and they have done so for centuries with remarkable consistency and self-consciousness. This book draws on archaeological, archival, historical, ethnographical and analytical sources to craft a view of the Asante experience as manifested in its musical and allied arts. Its goal is to privilege the voices of the Asante and how they express their history, religious philosophy, social values, economic, and political experiences through the musical and allied arts. The author’s theoretical formulation includes the concept of value, referring to ideas, worldview concepts, beliefs, and social relationships that inform musical practices and choices in Asante.
Author: Paul Schauert
Publisher: Indiana University Press
ISBN: 0253017491
Category : Performing Arts
Languages : en
Pages : 364
Get Book Here
Book Description
The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity.
Author: AA. VV.
Publisher: Viella Libreria Editrice
ISBN: 8867286919
Category : History
Languages : en
Pages : 145
Get Book Here
Book Description
Articoli / Articles Jon Abbink, On “Good Governance”: Towards Reconciling State and Vernacular Views in Southwest Ethiopia Erika Grasso, Mapping a “Far Away” Town: Ethnic Boundaries and Everyday Life in Marsabit (Northern Kenya) Rosanna Tramutoli, A Sociolinguistic Description of Gíing’áwêakshòoda: A Register of Respect Among Barbaig Speakers in Tanzania Alice Bellagamba and Marco Gardini, What is a “Slave”? Neo-Abolitionism and the Shifting Meanings of Slavery in Two African Contexts (Highlands of Madagascar, Southern Senegal) Joanna Lewis, Dynasties and Decolonization: Chieftaincy, Politics and the Use of History at the Victoria Falls, from the Precolonial to the Post-independence Period Tom McCaskie, Alcohol and the Travails of Asantehene Osei Yaw Autori / Contributors
Author: Kofi Agawu
Publisher: Oxford University Press
ISBN: 0190467444
Category : Music
Languages : en
Pages : 389
Get Book Here
Book Description
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.
Author: John Parker
Publisher: Princeton University Press
ISBN: 0691271356
Category : Family & Relationships
Languages : en
Pages : 416
Get Book Here
Book Description
"Why do people die and where do they go when they are dead? How should the dead be buried and mourned in order to ensure that they continue to work for the benefit of the living? How have perceptions and experiences of death and the ends of life changed over the centuries? In My Time of Dying considers these questions from the perspective of African history. In what is the first history of death in Africa, John Parker examines mortuary culture and the ongoing relationship between the living and the dead over a four-hundred year period. Focusing anecdotally on West Africa but with a comparative awareness of comparable practices throughout the continent, Parker highlights how Africans developed the world's most vibrant and recognizable cultures of death"--
Author: Victoria Barnett-Woods
Publisher: Routledge
ISBN: 1000055671
Category : History
Languages : en
Pages : 248
Get Book Here
Book Description
Cultural Economies explores the dynamic intersection of material culture and transatlantic formations of "capital" in the long eighteenth century. It brings together two cutting-edge fields of inquiry—Material Studies and Atlantic Studies—into a generative collection of essays that investigate nuanced ways that capital, material culture, and differing transatlantic ideologies intersected. This ambitious, provocative work provides new interpretive critiques and methodological approaches to understanding both the material and the abstract relationships between humans and objects, including the objectification of humans, in the larger current conversation about capitalism and inevitably power, in the Atlantic world. Chronologically bracketed by events in the long-eighteenth century circum-Atlantic, these essays employ material case studies from littoral African states, to abolitionist North America, to Caribbean slavery, to medicinal practice in South America, providing both broad coverage and nuanced interpretation. Holistically, Cultural Economies demonstrates that the eighteenth-century Atlantic world of capital and materiality was intimately connected to both large and small networks that inform the hemispheric and transatlantic geopolitics of capital and nation of the present day.
Author: Damascus Kafumbe
Publisher: Boydell & Brewer
ISBN: 1580469043
Category : History
Languages : en
Pages : 181
Get Book Here
Book Description
Tuning the Kingdom draws on oral and written accounts, archival research, and musical analysis to examine how the Kawuugulu Clan-Royal Musical Ensemble of the Kingdom of Buganda (arguably the kingdom's oldest and longest-surviving performance ensemble) has historically managed, structured, modeled, and legitimized power relations among the Baganda people of south-central Uganda. Damascus Kafumbe argues that the ensemble sustains a complex sociopolitical hierarchy, interweaving and maintaining a delicate balance between kin and clan ties and royal prerogatives through musical performance and storytelling that integrates human and nonhuman stories. He describes this phenomenon as "tuning the kingdom," and he compares it to the process of tensioning or stretching Kiganda drums, which are always moving in and out of tune. Even as Kawuugulu continues to adapt to the rapidly changing world around it, Tuning the Kingdom documents how Kawuugulu has historically articulated and embodied principles of the three inextricably related domains that serve as the backbone of Kiganda politics: kinship, clanship, and kingship. Damascus Kafumbe is Assistant Professor of Music at Middlebury College.
Author: Floris Schuiling
Publisher: Routledge
ISBN: 1000581209
Category : Music
Languages : en
Pages : 314
Get Book Here
Book Description
Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
Get Book Here
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
