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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394824
Category : Art
Languages : en
Pages : 241
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Book Description
Family guide, Dazzling details in folded front cover.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394824
Category : Art
Languages : en
Pages : 241
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Book Description
Family guide, Dazzling details in folded front cover.
Author: Khaled Azzam
Publisher: Thames & Hudson
ISBN: 9780500295939
Category : Art
Languages : en
Pages : 0
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Book Description
This book celebrates the thriving world of Islamic arts and crafts, as well as presenting the rich cultural, philosophical and historical heritage that contemporary artists and craftspeople still draw on today. Based on decades of research and expertise, and written by tutors at The Prince's School of Traditional Arts, one of the world's leading schools for the study of the traditional crafts of the East and West, it provides unparalleled access to a glorious range of methods, materials and skills. The book is organized into three chapters. The first explores the fundamental principles of Islamic arts and crafts: geometry, islimi and calligraphy. The second introduces widely used materials and tools, including pigments, gesso panels, gilding equipment, brushes, pens and paper. The third provides fully illustrated step-by-step guides to the crafting of artefacts and artworks, including Kufic calligraphy, plaster carving, Mughal and Persian miniature painting, parquetry, ceramics, mosaic and glassblowing. The history and significance of the techniques and materials used are explained, accompanied by numerous illustrations of masterworks found throughout the Islamic world. This comprehensive and accessible volume, packed with over 1,000 images, connects cultural history with modern practice. It is a vital reference and practical resource for craftspeople, artists and students from all backgrounds who seek to engage with the Islamic world. With over 1000 illustrations in colour
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Alison Ohta
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
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Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Author: Wijdan Ali
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 292
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Book Description
Author: Jonathan M. Bloom
Publisher: Yale University Press
ISBN: 0300243472
Category : Art
Languages : en
Pages : 348
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Book Description
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Author: Courtauld Institute of Art
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Catalogus van een tentoonstelling over kunst en kunstnijverheid uit het islamitische cultuurgebied van de negende tot en met de negentiende eeuw.
Author: Isabelle Dolezalek
Publisher: Routledge
ISBN: 1000519171
Category : Art
Languages : en
Pages : 236
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Book Description
This book argues that the provenance of early modern and medieval objects from Islamic lands was largely forgotten until the "long" eighteenth century, when the first efforts were made to reconnect them with the historical contexts in which they were produced. For the first time, these Islamicate objects were read, studied and classified – and given a new place in history. Freed by scientific interest, they were used in new ways and found new homes, including in museums. More generally, the process of "rediscovery" opened up the prehistory of the discipline of Islamic art history and had a significant impact on conceptions of cultural boundaries, differences and identity. The book will be of interest to scholars working in the history of art, the art of the Islamic world, early modern history and art historiography.
Author: Institut du Monde Arabe (Paris)
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
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Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Author: Richard Ettinghausen
Publisher: Yale University Press
ISBN: 9780300088694
Category : Art
Languages : en
Pages : 364
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Book Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
