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Author: Martha L Carter
Publisher: National Geographic Books
ISBN: 050097070X
Category : Art
Languages : en
Pages : 0
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Book Description
A sumptuous survey of ancient silver and other precious objects originating in the East from the prestigious al-Sabah Collection, now in paperback Available for the first time in paperback, Arts of the Hellenized East is a visually compelling, informative, beautifully produced guide to one of the world’s most spectacular collections of precious metalwork, part of The al-Sabah Collection, Kuwait. Leading expert Martha Carter contextualizes eighty spectacular bowls, drinking vessels, and other luxury items from the Hellenized East dating from the age of Alexander the Great up to the period preceding the advent of Islam. The decorative motifs of these exquisite objects testify both to the astonishing skill of their craftsmen and to the complex interconnected cultural histories of Greece, Iran, and Central Asia. Two illustrated essays supplement the discussion: Prudence O. Harper’s exploration of a group of eighteen magnificent Sasanian and later Central Asian works of art, including some important royal seals; and an essay by Pieter Meyers on the technology of ancient silver production, including a new metallurgical analysis that helps to clarify the objects’ origins.
Author: Martha L Carter
Publisher: National Geographic Books
ISBN: 050097070X
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A sumptuous survey of ancient silver and other precious objects originating in the East from the prestigious al-Sabah Collection, now in paperback Available for the first time in paperback, Arts of the Hellenized East is a visually compelling, informative, beautifully produced guide to one of the world’s most spectacular collections of precious metalwork, part of The al-Sabah Collection, Kuwait. Leading expert Martha Carter contextualizes eighty spectacular bowls, drinking vessels, and other luxury items from the Hellenized East dating from the age of Alexander the Great up to the period preceding the advent of Islam. The decorative motifs of these exquisite objects testify both to the astonishing skill of their craftsmen and to the complex interconnected cultural histories of Greece, Iran, and Central Asia. Two illustrated essays supplement the discussion: Prudence O. Harper’s exploration of a group of eighteen magnificent Sasanian and later Central Asian works of art, including some important royal seals; and an essay by Pieter Meyers on the technology of ancient silver production, including a new metallurgical analysis that helps to clarify the objects’ origins.
Author: Michael Pfrommer
Publisher: Getty Publications
ISBN: 0892362189
Category : Art
Languages : en
Pages : 262
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Book Description
This heavily illustrated catalogue is devoted to the Museum’s collection of silver and gold from the Hellenized East—one of the largest yet assembled. Among the objects included are rhyta, bowls, cups, jewelry, and decorative gold and silver ornaments for horse bridles and clothing. In an extensive introduction, the author dates the various groups of objects and places them within a wider cultural and archaeological context, providing a detailed stylistic analysis of the ornamental motifs of many pieces. Of particular importance is the inclusion of illustrations of some 50 little-known comparative objects as well as extensive bibliographic references.
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1107074460
Category : Art
Languages : en
Pages : 259
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Book Description
Artists and Artistic Production in Ancient Greece questions many long-held ideas and provides a deeper understanding of particular artists and architects.
Author: S. Rebecca Martin
Publisher: University of Pennsylvania Press
ISBN: 0812249089
Category : Art
Languages : en
Pages : 320
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Book Description
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and wall mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper, " Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity.
Author: Amélie Kuhrt
Publisher: Bloomsbury Academic
ISBN:
Category : History
Languages : en
Pages : 224
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Book Description
Author: Jonathan R. W. Prag
Publisher: Cambridge University Press
ISBN: 1107032423
Category : History
Languages : en
Pages : 502
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Book Description
Pathbreaking essays challenging the traditional focus on the eastern Mediterranean in the Hellenistic period and on Rome in the West.
Author: Jason Schlude
Publisher: Oxbow Books
ISBN: 1785705938
Category : History
Languages : en
Pages : 270
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Book Description
For almost 500 years (247 BCE–224 CE), the Arsacid kings of Parthia ruled over a vast multicultural empire, which encompassed much of central Asia and the Near East. The inhabitants of this empire included a complex patchwork of Hellenized Greek-speaking elites, Iranian nobility, and semi-nomadic Asian tribesman, all of whom had their own competing cultural and economic interests. Ruling over such a diverse group of subjects required a strong military and careful diplomacy on the part of the Arsacids, who faced the added challenge of competing with the Roman empire for control of the Near East. This collection of new papers examines the cross-cultural interactions among the Arsacids, Romans, and local elites from a variety of scholarly perspectives. Contributors include experts in the fields of ancient history, archaeology, classics, Near Eastern studies, and art history, all of whom participated in a multiyear panel at the annual conference of the American Schools of Oriental Research between 2012 and 2014. The seven chapters investigate different aspects of war, diplomacy, trade, and artistic production as mechanisms of cross-cultural communication and exchange in the Parthian empire. Arsacids, Romans, and Local Elites will prove significant for those interested in the legacy of Hellenistic and Achaemenid art and ideology in the Parthian empire, the sometimes under-appreciated role of diplomacy in creating and maintaining peace in the ancient Middle East, and the importance of local dynasts in kingdoms like Judaea, Osrhoene, and Hatra in shaping the geopolitical landscape of the Near East, alongside the imperial powerhouses of Rome and Parthia.
Author: Seán Hemingway
Publisher: Metropolitan Museum of Art
ISBN: 1588396584
Category : Art
Languages : en
Pages : 228
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Book Description
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Rachel Mairs
Publisher: Univ of California Press
ISBN: 0520292464
Category : History
Languages : en
Pages : 250
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Book Description
In the aftermath of Alexander the Great’s conquests in the late fourth century B.C., Greek garrisons and settlements were established across Central Asia, through Bactria (modern-day Afghanistan) and into India. Over the next three hundred years, these settlements evolved into multiethnic, multilingual communities as much Greek as they were indigenous. To explore the lives and identities of the inhabitants of the Graeco-Bactrian and Indo-Greek kingdoms, Rachel Mairs marshals a variety of evidence, from archaeology, to coins, to documentary and historical texts. Looking particularly at the great city of Ai Khanoum, the only extensively excavated Hellenistic period urban site in Central Asia, Mairs explores how these ancient people lived, communicated, and understood themselves. Significant and original, The Hellenistic Far East will highlight Bactrian studies as an important part of our understanding of the ancient world.
Author: Diane Atnally Conlin
Publisher: UNC Press Books
ISBN: 9780807823439
Category : Art
Languages : en
Pages : 372
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Book Description
Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.
