Author: William Vaughan
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 634

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Book Description
Revolution and profusion -- these are the hallmarks of Western art from 1780 to 1850. The astonishingly rapid changes wrought by the industrial -- and American and French -- revolutions led to a wealth of artistic production. This profusely illustrated guide to the arts of the early 19th century on both sides of the Atlantic is the most comprehensive volume available on the subject. Through both famous and obscure works, William Vaughan explores a stunning variety of artistic achievement, including landscape, still life, and figure painting by Gericault, Ingres, Delacroix, Turner, Blake, Constable, Goya, and Friedrich. Vaughan also treats sculpture, architecture, town planning, and photography, and offers an in-depth survey of the decorative arts: furniture, ceramics, glass, metalwork, and more. Drawing on the most up-to-date research, the author brings this exciting period and its inexhaustible artistic production to life.

Author: Nicole Tuffelli
Publisher: Harrap's
ISBN: 9780550101198
Category : Architecture, European
Languages : en
Pages : 0

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Book Description
Chambers Arts Library is a new series designed to provide students and general readers with authoritative, affordable and beautifully illustrated books on a range of topics. Written by experts and featuring extensive bibliographies, this collection is an essential resource for anyone with an interest in the arts. Covering the period from 1848 to 1905, 19th Century French Art provides students and general readers with essential information about a particularly significant time in French art history. Its content is presented thematically, encompassing modernity, landscape painting, Symbolism, Eclecticism and Art Nouveau. Panels throughout the book focus on the life and work of key artists and highlight topics such as the scandals associated with modernity, and the role of photography as an artist's instrument. Covers movements including Realism, Impressionism, Symbolism and Art Nouveau. Over 100 colour plates, including many of the most significant works of the late 19th century, with informative captions. Biographical information on such major artists as Courbet, Degas, Cézanne and Gauguin. Chronology puts works in political and social context.

Author: Tom McNulty
Publisher: McFarland
ISBN: 1476613974
Category : Art
Languages : en
Pages : 333

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Book Description
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182

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Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Pierre Francastel
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 342

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Book Description
But as art history itself is being reshaped by the culture of technology, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value. The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.

Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870997823
Category : Miniature painting, Indic
Languages : en
Pages : 154

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Book Description
A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Sébastien Allard
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art, French
Languages : en
Pages : 466

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Book Description
During the nineteenth century, France experienced an unprecedented growth in the visual arts, and Paris was its center. French art became a universally accepted benchmark, spreading its many ground-breaking developments -- the radicalism of Impressionism and Post-Impressionism, the daring of Art Nouveau, and the innovations of Haussman's new urban landscape -- far beyond its borders, and in return receiving numerous influences from broad. During this extraordinary rich and productive period, French art also benefited from the synthesis of the past with the innovations of the present, resulting in an artistic output whose legacy is still being felt today. This chronological history, richly illustrated and recounted by experts from France's preeminent museums, charts the growth of this fruitful -- and revolutionary -- period in the history of world art. -- From publisher's description.

Author: Laurence Madeline
Publisher: Yale University Press
ISBN: 0300223935
Category : Art
Languages : en
Pages : 289

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Book Description
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.

Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.