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Author: Michèle C. Cone
Publisher:
ISBN: 9780691040882
Category : Philosophy
Languages : en
Pages : 264
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Book Description
While France endured one of the darkest hours of its entire history, from the occupation of Paris in June 1940 to the liberation of the city four years later, the French art world displayed an astonishing burst of creativity, an atmosphere of laissez-faire and pluralism that seems at odds with the repressive nature of culture under authoritarian regimes. So reveals Michle Cone in this provocative work on the art of Vichy and occupied France. But, as Cone also discloses, Vichy xenophobia and Nazi racism kept many artists from participating in this bonanza of artistic activity. In Artists under Vichy, both narrative and illustrations demonstrate in full detail the contrast between the "haves" and the "have-nots" during a vital but until now little explored artistic period. The first section of the work analyzes the lavish attention paid to both academic and nonacademic art by the official French press, by Vichy, and by German observers. Cone hypothesizes that the German strategy in Vichy France was to allow the display of nonconformist art, outlawed as "degenerate" in Germany, in order to distract the public from the secret seizure of museum pieces and Jewish art collections--and from other, far greater Nazi crimes. Neither among the "haves" nor the "have-nots," Picasso, forbidden to exhibit, lived through this period in Paris, quietly but productively. The second section of this book considers his production and that of the true "have-nots"--persecuted artists, including resisters and Jews, in hiding or self-imposed exile from Paris in the free zone. Among the "have-nots" discussed here are Arp, Sophie Taeuber-Arp, Sonia Delaunay, Alberto Magnelli, Otto Freundlich, Victor Brauner, and Hans Bellmer. With increasing public interest focused on art branded "degenerate" by Hitler, Cone's text provides exciting new insights into creativity, collaboration, and resistance in artists' milieux under a repressive regime.
Author: Michèle C. Cone
Publisher:
ISBN: 9780691040882
Category : Philosophy
Languages : en
Pages : 264
Get Book Here
Book Description
While France endured one of the darkest hours of its entire history, from the occupation of Paris in June 1940 to the liberation of the city four years later, the French art world displayed an astonishing burst of creativity, an atmosphere of laissez-faire and pluralism that seems at odds with the repressive nature of culture under authoritarian regimes. So reveals Michle Cone in this provocative work on the art of Vichy and occupied France. But, as Cone also discloses, Vichy xenophobia and Nazi racism kept many artists from participating in this bonanza of artistic activity. In Artists under Vichy, both narrative and illustrations demonstrate in full detail the contrast between the "haves" and the "have-nots" during a vital but until now little explored artistic period. The first section of the work analyzes the lavish attention paid to both academic and nonacademic art by the official French press, by Vichy, and by German observers. Cone hypothesizes that the German strategy in Vichy France was to allow the display of nonconformist art, outlawed as "degenerate" in Germany, in order to distract the public from the secret seizure of museum pieces and Jewish art collections--and from other, far greater Nazi crimes. Neither among the "haves" nor the "have-nots," Picasso, forbidden to exhibit, lived through this period in Paris, quietly but productively. The second section of this book considers his production and that of the true "have-nots"--persecuted artists, including resisters and Jews, in hiding or self-imposed exile from Paris in the free zone. Among the "have-nots" discussed here are Arp, Sophie Taeuber-Arp, Sonia Delaunay, Alberto Magnelli, Otto Freundlich, Victor Brauner, and Hans Bellmer. With increasing public interest focused on art branded "degenerate" by Hitler, Cone's text provides exciting new insights into creativity, collaboration, and resistance in artists' milieux under a repressive regime.
Author: Elizabeth Karlsgodt
Publisher: Stanford University Press
ISBN: 0804777829
Category : History
Languages : en
Pages : 388
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Book Description
Defending National Treasures explores the fate of art and cultural heritage during the Nazi occupation of France. The French cultural patrimony was a crucial locus of power struggles between German and French leaders and among influential figures in each country. Karlsgodt examines the preservation policy that the Vichy regime enacted in an assertion of sovereignty over French art museums, historic monuments, and archeological sites. The limits to this sovereignty are apparent from German appropriations of public statues, Jewish-owned art collections, and key "Germanic" works of art from French museums. A final chapter traces the lasting impact of the French wartime reforms on preservation policy. In Defending National Treasures, Karlsgodt introduces the concept of patrimania to reveal examples of opportunism in art preservation. During the war, French officials sought to acquire coveted artwork from Jewish collections for the Louvre and other museums; in the early postwar years, they established a complicated guardianship over unclaimed art recovered from Germany. A cautionary tale for our own times, Defending National Treasures examines the ethical dimensions of museum acquisitions in the ongoing noble quest to preserve great works of art.
Author: Frederic Spotts
Publisher: Yale University Press
ISBN: 0300142374
Category : History
Languages : en
Pages : 426
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Book Description
The German occupation of France from 1940 to 1945 presented wrenching challenges for the nation's artists and intellectuals. Some were able to flee the country; those who remained—including Gide and Céline, Picasso and Matisse, Cortot and Messiaen, and Cocteau and Gabin—responded in various ways. This fascinating book is the first to provide a full account of how France's artistic leaders coped under the crushing German presence. Some became heroes, others villains; most were simply survivors. Filled with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the years of occupation, the book illuminates the disconcerting experience of life and work within a cultural prison. Frederic Spotts uncovers Hitler's plan to pacify the French through an active cultural life, and examines the unexpected vibrancy of opera, ballet, painting, theater, and film in both the Occupied and Vichy Zones. In view of the longer-term goal to supplant French with German culture, Spotts offers moving insight into the predicament of French artists as they fought to preserve their country's cultural and national identity.
Author: Holly Crawford
Publisher: University Press of America
ISBN: 0761841911
Category : History
Languages : en
Pages : 354
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Book Description
Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.
Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300210612
Category : History
Languages : en
Pages : 432
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Book Description
“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.
Author:
Publisher: Stanford University Press
ISBN: 0804779716
Category : History
Languages : en
Pages : 265
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Book Description
This text tells the story of French statues and monuments that were melted down and shipped to Nazi munitions factories during the Second World War.
Author: Barbara Will
Publisher: Columbia University Press
ISBN: 0231152639
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
From 1941 to 1943, the Jewish American writer and avant-garde icon Gertrude Stein translated for an American audience thirty-two speeches in which Marshal Philippe Petain, head of state for the collaborationist Vichy government, outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with its Nazi occupiers. Why and under what circumstances would Stein undertake such a project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Faÿ, her apparent Vichy protector. Barbara Will outlines the formative powers of this relationship, treating their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination.
Author: Laurence Bertrand Dorléac
Publisher: Getty Publications
ISBN: 9780892368914
Category : Art
Languages : en
Pages : 452
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Book Description
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Author: Roderick Kedward
Publisher: Routledge
ISBN: 1000460142
Category : History
Languages : en
Pages : 289
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Book Description
This book, first published in 1985, examines various aspects of the intellectual achievements of writers and artists in the Vichy period; a strong emphasis on the ambiguity of much of their work emerges from the research. It goes a long way in answering the question of what it was like living under the fascist Vichy regime, and what the collaborators and resistance thought about their purpose and patriotism.
Author: Rosemary Sullivan
Publisher: Harper Collins
ISBN: 0061856894
Category : History
Languages : en
Pages : 749
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Book Description
“Rosemary Sullivan goes beyond the confines of Air-Bel to tell a fuller story of France during the tense years from 1933 to 1941. . . . A moving tale of great sacrifice in tumultuous times.” — Publishers Weekly Paris 1940. Andre Breton, Max Ernst, Marc Chagall, Consuelo de Saint-Exupery, and scores of other cultural elite denounced as enemies of the conquering Third Reich, live in daily fear of arrest, deportation, and death. Their only salvation is the Villa Air-Bel, a chateau outside Marseille where a group of young people, financed by a private American relief organization, will go to extraordinary lengths to keep them alive. In Villa Air-Bel, Rosemary Sullivan sheds light on this suspenseful, dramatic, and intriguing story, introducing the brave men and women who use every means possible to stave off the Nazis and the Vichy officials, and goes inside the chateau’s walls to uncover the private worlds and the web of relationships its remarkable inhabitants developed.
