Author: April F. Masten
Publisher: University of Pennsylvania Press
ISBN: 0812291743
Category : Art
Languages : en
Pages : 328
Book Description
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Art Work
Author: April F. Masten
Publisher: University of Pennsylvania Press
ISBN: 0812291743
Category : Art
Languages : en
Pages : 328
Book Description
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Publisher: University of Pennsylvania Press
ISBN: 0812291743
Category : Art
Languages : en
Pages : 328
Book Description
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Artists of the Nineteenth Century and Their Works
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 532
Book Description
Artists of the Nineteenth Century and their Works. A Handbook Containing Two Thousand and Fifty Biographical Sketches
Author: Clara Erskine Clement Waters
Publisher: BoD – Books on Demand
ISBN: 3385309085
Category : Fiction
Languages : en
Pages : 486
Book Description
Reprint of the original, first published in 1883.
Publisher: BoD – Books on Demand
ISBN: 3385309085
Category : Fiction
Languages : en
Pages : 486
Book Description
Reprint of the original, first published in 1883.
Artists of the Nineteenth Century and Their Works a Handbook Containing Two Thousand and Fifty Biographical Sketches by Clara Erskine Clement and Laurence Hutton
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 528
Book Description
Artists of the Nineteenth Century and Their Works
Author: Clara Erskine Clement Waters
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 486
Book Description
The Emergence of Jewish Artists in Nineteenth-century Europe
Author: Richard I. Cohen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
The emancipation of Jews in Europe during the nineteenth century meant that for the first time they could participate in areas of secular life -- including established art academies -- that had previously been closed to them by legal restrictions. Jewish artists took many complex routes to establish their careers. Some -- such as Camille Pissaro -- managed to distinguish themselves without making any reference to their Jewish heritage in their art. Others -- such as Simeon Solomon and Maurycy Gottlieb -- wrestled with their identities as well to produce images of Jewish experience. The pogroms that began in the late nineteenth century brought home to Jews the problematic relationship of minority groups to majority cultures, and artists such as Maurycy Minkowski and Samuel Hirszenberg confronted the horror of the deaths of thousands of Jews in powerful images of destruction and despair. Comprehensively illustrated in color throughout, Painting in Nineteenth-Century Europe explores for the first time every aspect of the role of Jewish artists within nineteenth-century European art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
The emancipation of Jews in Europe during the nineteenth century meant that for the first time they could participate in areas of secular life -- including established art academies -- that had previously been closed to them by legal restrictions. Jewish artists took many complex routes to establish their careers. Some -- such as Camille Pissaro -- managed to distinguish themselves without making any reference to their Jewish heritage in their art. Others -- such as Simeon Solomon and Maurycy Gottlieb -- wrestled with their identities as well to produce images of Jewish experience. The pogroms that began in the late nineteenth century brought home to Jews the problematic relationship of minority groups to majority cultures, and artists such as Maurycy Minkowski and Samuel Hirszenberg confronted the horror of the deaths of thousands of Jews in powerful images of destruction and despair. Comprehensively illustrated in color throughout, Painting in Nineteenth-Century Europe explores for the first time every aspect of the role of Jewish artists within nineteenth-century European art.
Nineteenth Century Art
Author: Stephen Eisenman
Publisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428
Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
Publisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428
Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
German Masters of the Nineteenth Century
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992635
Category : Art
Languages : en
Pages : 282
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992635
Category : Art
Languages : en
Pages : 282
Book Description
Nineteenth-century Theories of Art
Author: Joshua Charles Taylor
Publisher: Univ of California Press
ISBN: 9780520048874
Category : Art
Languages : en
Pages : 584
Book Description
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Publisher: Univ of California Press
ISBN: 9780520048874
Category : Art
Languages : en
Pages : 584
Book Description
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
American Art at the Nineteenth-century Paris Salons
Author: Lois Marie Fink
Publisher: Cambridge University Press
ISBN: 9780521384995
Category : Art
Languages : en
Pages : 430
Book Description
This book is a study of 19th-century American art within the context of French art as presented at the Paris Salons--annual exhibitions of contemporary art which, at the time, were the most important events in the Western world. 48 color plates; l52 halftones.
Publisher: Cambridge University Press
ISBN: 9780521384995
Category : Art
Languages : en
Pages : 430
Book Description
This book is a study of 19th-century American art within the context of French art as presented at the Paris Salons--annual exhibitions of contemporary art which, at the time, were the most important events in the Western world. 48 color plates; l52 halftones.