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Author: Frederick Fried
Publisher:
ISBN:
Category : Folk art
Languages : en
Pages : 336
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Book Description
Thirty-seven biographies of those folk artists who were responsible for cigar-store Indians, show figures, and circus wagons.
Author: Frederick Fried
Publisher:
ISBN:
Category : Folk art
Languages : en
Pages : 336
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Book Description
Thirty-seven biographies of those folk artists who were responsible for cigar-store Indians, show figures, and circus wagons.
Author: J. Christopher White
Publisher: Fox Chapel Publishing Company Incorporated
ISBN: 9781565231221
Category : Crafts & Hobbies
Languages : en
Pages : 128
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Book Description
Witness gnarled trees and roots transformed into stunningly beautiful sculptures. Features incredible color photography, more than 50 inspiring works of art, and narratives detailing the inspiration behind the carving.
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art woodwork
Languages : en
Pages : 156
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Book Description
Author: Paul Wood
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. This introduction explores the reasons why the new avant-garde chose to produce such work.
Author: Jonas Wood
Publisher: Paper Chase Press
ISBN: 9780982617205
Category : Drawing
Languages : en
Pages : 0
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Book Description
Since 2007, Los Angeles artist Jonas Wood (born 1977) has been sketching Greek, Oceanic and African vessels at The Metropolitan Museum of Art. His relationship with the Met began as a child accompanying his sisters and parents, and when he began to make regular visits to New York from L.A. in 2007, he resumed his relationship with the museum, acquiring the habit of sketching the Met's ceramic holdings using a ballpoint pen on hotel stationary. Following each of these visits, Wood then created large-scale versions of the drawings in his studio back in L.A., reworking them in charcoal or pencil on paper. A History of the Metis the first installment in the artist's multi-volume homage to the Met, a project that accords with his well-known visual diary style and his fondness for portraying objects and places related to friends and family.
Author: Alexandra Grant
Publisher:
ISBN: 9780998861616
Category : Artists' books
Languages : en
Pages : 157
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Book Description
The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.
Author: Jonas Wood
Publisher: Rizzoli Publications
ISBN: 0847873781
Category : Art
Languages : en
Pages : 0
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Book Description
Featuring studio shots and a new interview between Jonas Wood and Tamarind master printer Ed Hamilton, Jonas Wood: Prints 2 provides an insightful view of the acclaimed artist’s collaborative printmaking process. Following the 2018 release of Jonas Wood: Prints, Jonas Wood: Prints 2 documents Jonas Wood’s dynamic printmaking output from 2018 to 2022 and reproduces more than thirty limited-edition prints created during this period. The selection of prints showcases some of Wood’s most familiar subjects: domestic interiors, sports imagery, botany, and still lifes inspired by his wife Shio Kusaka’s ceramic pieces. From verdant moonlit gardens to peaceful living spaces, Wood depicts everyday scenes and objects with a striking vibrancy born out of collaboration with expert printmakers. In accordance with Wood’s personal emphasis on artistic collaboration, the catalog is organized into sections representing various printshops he has worked with—including Cirrus Gallery and Cirrus Editions Ltd., Counter Editions, Hamilton Press, Mixografia, Pace Editions Inc., and WKS Editions. The catalog also includes photography of Wood’s prints in progress and a conversation between Wood and master printer Ed Hamilton in which they discuss the evolution of printing practices and Wood’s creative influences. Jonas Wood (b. 1977, Boston) lives and works in Los Angeles. He is known for his boldly colored paintings, drawings, and prints that combine art historical references with images of the objects, people, and spaces that comprise the fabric of his life. In 2016, he was commissioned to create an expansive mural, Still Life with Two Owls, for the Museum of Contemporary Art in Los Angeles. His work is held in the collections of the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art, among others.
Author: R. Tripp Evans
Publisher: Knopf
ISBN: 0307594335
Category : Art
Languages : en
Pages : 433
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Book Description
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”
Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300232845
Category : Art
Languages : en
Pages : 272
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Book Description
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
Author: Christopher S. Wood
Publisher: Princeton University Press
ISBN: 0691204764
Category : Art
Languages : en
Pages : 472
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Book Description
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket
