Author: Robin Lenman
Publisher: Manchester University Press
ISBN: 9780719036361
Category : Art
Languages : en
Pages : 296
Book Description
In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society.
Artists and Society in Germany, 1850-1914
Author: Robin Lenman
Publisher: Manchester University Press
ISBN: 9780719036361
Category : Art
Languages : en
Pages : 296
Book Description
In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society.
Publisher: Manchester University Press
ISBN: 9780719036361
Category : Art
Languages : en
Pages : 296
Book Description
In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society.
Political Censorship of the Visual Arts in Nineteenth-Century Europe
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 309
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 309
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Old Masters Worldwide
Author: Susanna Avery-Quash
Publisher: Bloomsbury Publishing USA
ISBN: 1501348159
Category : Art
Languages : en
Pages : 335
Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Publisher: Bloomsbury Publishing USA
ISBN: 1501348159
Category : Art
Languages : en
Pages : 335
Book Description
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
The Trial of Gustav Graef
Author: Barnet Hartston
Publisher: Northern Illinois University Press
ISBN: 1501757962
Category : History
Languages : en
Pages : 305
Book Description
Although largely forgotten now, the 1885 trial of German artist Gustav Graef was a seminal event for those who observed it. Graef, a celebrated sixty-four-year-old portraitist, was accused of perjury and sexual impropriety with underage models. On trial alongside him was one of his former models, the twenty-one-year-old Bertha Rother, who quickly became a central figure in the affair. As the case was being heard, images of Rother, including photographic reproductions of Graef's nude paintings of her, began to flood the art shops and bookstores of Berlin and spread across Europe. Spurred by this trade in images and by sensational coverage in the press, this former prostitute was transformed into an international sex symbol and a target of both public lust and scorn. Passionate discussions of the case echoed in the press for months, and the episode lasted in public memory for far longer. The Graef trial, however, was much more than a salacious story that served as public entertainment. The case inspired fierce political debates long after a verdict was delivered, including disputes about obscenity laws, the moral degeneracy of modern art and artists, the alleged pernicious effects of Jewish influence, legal restrictions on prostitution, the causes of urban criminality, the impact of sensationalized press coverage, and the requirements of bourgeois masculine honor. Above all, the case unleashed withering public criticism of a criminal justice system that many Germans agreed had become entirely dysfunctional. The story of the Graef trial offers a unique perspective on a German Empire that was at the height of its power, yet riven with deep political, social, and cultural divisions. This compelling study will appeal to historians and students of modern German and European history, as well as those interested in obscenity law and class and gender relations in nineteenth-century Europe.
Publisher: Northern Illinois University Press
ISBN: 1501757962
Category : History
Languages : en
Pages : 305
Book Description
Although largely forgotten now, the 1885 trial of German artist Gustav Graef was a seminal event for those who observed it. Graef, a celebrated sixty-four-year-old portraitist, was accused of perjury and sexual impropriety with underage models. On trial alongside him was one of his former models, the twenty-one-year-old Bertha Rother, who quickly became a central figure in the affair. As the case was being heard, images of Rother, including photographic reproductions of Graef's nude paintings of her, began to flood the art shops and bookstores of Berlin and spread across Europe. Spurred by this trade in images and by sensational coverage in the press, this former prostitute was transformed into an international sex symbol and a target of both public lust and scorn. Passionate discussions of the case echoed in the press for months, and the episode lasted in public memory for far longer. The Graef trial, however, was much more than a salacious story that served as public entertainment. The case inspired fierce political debates long after a verdict was delivered, including disputes about obscenity laws, the moral degeneracy of modern art and artists, the alleged pernicious effects of Jewish influence, legal restrictions on prostitution, the causes of urban criminality, the impact of sensationalized press coverage, and the requirements of bourgeois masculine honor. Above all, the case unleashed withering public criticism of a criminal justice system that many Germans agreed had become entirely dysfunctional. The story of the Graef trial offers a unique perspective on a German Empire that was at the height of its power, yet riven with deep political, social, and cultural divisions. This compelling study will appeal to historians and students of modern German and European history, as well as those interested in obscenity law and class and gender relations in nineteenth-century Europe.
Germany's Second Reich
Author: James Retallack
Publisher: University of Toronto Press
ISBN: 1442628529
Category : History
Languages : en
Pages : 369
Book Description
Despite recent studies of imperial Germany that emphasize the empire's modern and reformist qualities, the question remains: to what extent could democracy have flourished in Germany's stony soil? In Germany's Second Reich, James Retallack continues his career-long inquiry into the era of Bismarck and Kaiser Wilhelm II with a wide-ranging reassessment of the period and its connections with past traditions and future possibilities. In this volume, Retallack reveals the complex and contradictory nature of the Second Reich, presenting Imperial Germany as it was seen by outsiders and insiders as well as by historians, political scientists, and sociologists ever since.
Publisher: University of Toronto Press
ISBN: 1442628529
Category : History
Languages : en
Pages : 369
Book Description
Despite recent studies of imperial Germany that emphasize the empire's modern and reformist qualities, the question remains: to what extent could democracy have flourished in Germany's stony soil? In Germany's Second Reich, James Retallack continues his career-long inquiry into the era of Bismarck and Kaiser Wilhelm II with a wide-ranging reassessment of the period and its connections with past traditions and future possibilities. In this volume, Retallack reveals the complex and contradictory nature of the Second Reich, presenting Imperial Germany as it was seen by outsiders and insiders as well as by historians, political scientists, and sociologists ever since.
Manet
Author: Pierre Bourdieu
Publisher: John Wiley & Sons
ISBN: 1509533931
Category : Art
Languages : en
Pages : 576
Book Description
What is a 'symbolic revolution'? What happens when a symbolic revolutions occurs, how can it succeed and prevail and why is it so difficult to understand? Using the exemplary case of Édouard Manet, Pierre Bourdieu began to ponder these questions as early as the 1980s, before making it the focus of his lectures in his last years at the Collége de France. This second volume of Bourdieu's previously unpublished lectures provides his most sustained contribution to the sociology of art and the analysis of cultural fields. It is also a major contribution to our understanding of impressionism and the works of Manet. Bourdieu treats the paintings of Manet as so many challenges to the conservative academicism of the pompier painters, the populism of the Realists, the commercial eclecticism of genre painting, and even the 'Impressionists', showing that such a revolution is inseparable from the conditions that allow fields of cultural production to emerge. At a time when the Academy was in crisis and when the increase in the number of painters challenged the role of the state in defining artistic value, the break that Manet inaugurated revolutionised the aesthetic order. The new vision of the world that emerged from this upheaval still shapes our categories of perception and judgement today - the very categories that we use everday to understand the representations of the world and the world itself. This major work by one of the greatest sociologists of the last 50 years will be of great interest to students and scholars in sociology, art history and the social sciences and humanities generally. It will also appeal to a wide readership interested in art, in impressionism and in the works of Manet.
Publisher: John Wiley & Sons
ISBN: 1509533931
Category : Art
Languages : en
Pages : 576
Book Description
What is a 'symbolic revolution'? What happens when a symbolic revolutions occurs, how can it succeed and prevail and why is it so difficult to understand? Using the exemplary case of Édouard Manet, Pierre Bourdieu began to ponder these questions as early as the 1980s, before making it the focus of his lectures in his last years at the Collége de France. This second volume of Bourdieu's previously unpublished lectures provides his most sustained contribution to the sociology of art and the analysis of cultural fields. It is also a major contribution to our understanding of impressionism and the works of Manet. Bourdieu treats the paintings of Manet as so many challenges to the conservative academicism of the pompier painters, the populism of the Realists, the commercial eclecticism of genre painting, and even the 'Impressionists', showing that such a revolution is inseparable from the conditions that allow fields of cultural production to emerge. At a time when the Academy was in crisis and when the increase in the number of painters challenged the role of the state in defining artistic value, the break that Manet inaugurated revolutionised the aesthetic order. The new vision of the world that emerged from this upheaval still shapes our categories of perception and judgement today - the very categories that we use everday to understand the representations of the world and the world itself. This major work by one of the greatest sociologists of the last 50 years will be of great interest to students and scholars in sociology, art history and the social sciences and humanities generally. It will also appeal to a wide readership interested in art, in impressionism and in the works of Manet.
Germany and the Causes of the First World War
Author: Mark Hewitson
Publisher: A&C Black
ISBN: 1472578104
Category : History
Languages : en
Pages : 391
Book Description
How can we understand what caused World War I? What role did Germany play? This book encourages us to re-think the events that led to global conflict in 1914.Historians in recent years have argued that German leaders acted defensively or pre-emptively in 1914, conscious of the Reich's deteriorating military and diplomatic position. Germany and the Causes of the First World War challenges such interpretations, placing new emphasis on the idea that the Reich Chancellor, the German Foreign Office and the Great General Staff were confident that they could win a continental war. This belief in Germany's superiority derived primarily from an assumption of French decline and Russian weakness throughout the period between the turn of the century and the eve of the First World War. Accordingly, Wilhelmine policy-makers pursued offensive policies - at the risk of war at important junctures during the 1900s and 1910s. The author analyses the stereotyping of enemy states, representations of war in peacetime, and conceptualizations of international relations. He uncovers the complex role of ruling elites, political parties, big business and the press, and contends that the decade before the First World War witnessed some critical changes in German foreign policy. By the time of the July crisis of 1914, for example, the perception of enemies had altered, with Russia - the traditional bugbear of the German centre and left - becoming the principal opponent of the Reich. Under these changed conditions, German leaders could now pursue their strategy of brinkmanship, using war as an instrument of policy, to its logical conclusion.
Publisher: A&C Black
ISBN: 1472578104
Category : History
Languages : en
Pages : 391
Book Description
How can we understand what caused World War I? What role did Germany play? This book encourages us to re-think the events that led to global conflict in 1914.Historians in recent years have argued that German leaders acted defensively or pre-emptively in 1914, conscious of the Reich's deteriorating military and diplomatic position. Germany and the Causes of the First World War challenges such interpretations, placing new emphasis on the idea that the Reich Chancellor, the German Foreign Office and the Great General Staff were confident that they could win a continental war. This belief in Germany's superiority derived primarily from an assumption of French decline and Russian weakness throughout the period between the turn of the century and the eve of the First World War. Accordingly, Wilhelmine policy-makers pursued offensive policies - at the risk of war at important junctures during the 1900s and 1910s. The author analyses the stereotyping of enemy states, representations of war in peacetime, and conceptualizations of international relations. He uncovers the complex role of ruling elites, political parties, big business and the press, and contends that the decade before the First World War witnessed some critical changes in German foreign policy. By the time of the July crisis of 1914, for example, the perception of enemies had altered, with Russia - the traditional bugbear of the German centre and left - becoming the principal opponent of the Reich. Under these changed conditions, German leaders could now pursue their strategy of brinkmanship, using war as an instrument of policy, to its logical conclusion.
Creative Urban Milieus
Author: Martina Hessler
Publisher: Campus Verlag
ISBN: 3593385473
Category : Business & Economics
Languages : en
Pages : 436
Book Description
'Creative Urban Milieus' is an interdisciplinary examination of the historical relationship between culture and the economy in such cities as Berlin, New York, Helsinki, London, Venice, and many others.
Publisher: Campus Verlag
ISBN: 3593385473
Category : Business & Economics
Languages : en
Pages : 436
Book Description
'Creative Urban Milieus' is an interdisciplinary examination of the historical relationship between culture and the economy in such cities as Berlin, New York, Helsinki, London, Venice, and many others.
Nations and Nationalism [4 volumes]
Author: Guntram H. Herb
Publisher: Bloomsbury Publishing USA
ISBN: 1851099085
Category : History
Languages : en
Pages : 2204
Book Description
A comprehensive and revealing compilation of essays analyzing the varied dimensions of national identities and nationalisms across world regions and through time. The pervasiveness of nationalism, its many manifestations over the centuries, and the widely scattered way it has been studied make it a particularly difficult subject to approach and explore. ABC-CLIO offers the finest comprehensive reference available on an essential topic in modern world history. Across four volumes, Nations and Nationalism: A Global Historical Overview covers all aspects of nationalism, in all parts of the world, from the time of the French Revolution to the present day. Nations and Nationalism helps students, researchers, and other interested readers explore national identities and nationalistic movements in historical context. Organized chronologically, its four volumes combine thematic essays on different characteristics of nationalism with case studies of key historical developments involving specific nations at specific times. The encyclopedia focuses on Europe, Latin America, Africa, and Asia, with featured coverage of nationalist cultural creations, including literature, music, symbols, and mythologies.
Publisher: Bloomsbury Publishing USA
ISBN: 1851099085
Category : History
Languages : en
Pages : 2204
Book Description
A comprehensive and revealing compilation of essays analyzing the varied dimensions of national identities and nationalisms across world regions and through time. The pervasiveness of nationalism, its many manifestations over the centuries, and the widely scattered way it has been studied make it a particularly difficult subject to approach and explore. ABC-CLIO offers the finest comprehensive reference available on an essential topic in modern world history. Across four volumes, Nations and Nationalism: A Global Historical Overview covers all aspects of nationalism, in all parts of the world, from the time of the French Revolution to the present day. Nations and Nationalism helps students, researchers, and other interested readers explore national identities and nationalistic movements in historical context. Organized chronologically, its four volumes combine thematic essays on different characteristics of nationalism with case studies of key historical developments involving specific nations at specific times. The encyclopedia focuses on Europe, Latin America, Africa, and Asia, with featured coverage of nationalist cultural creations, including literature, music, symbols, and mythologies.
Steamship Nationalism
Author: Mark A. Russell
Publisher: Routledge
ISBN: 0429648332
Category : History
Languages : en
Pages : 327
Book Description
Steamship Nationalism is a cultural, social, and political history of the S.S. Imperator, Vaterland, and Bismarck. Transatlantic passenger steamships launched by the Hamburg-Amerikanische Packetfahrt-Aktien-Gesellschaft (HAPAG) between 1912 and 1914, they do not enjoy the international fame of their British counterparts, most notably the Titanic. Yet the Imperator-class liners were the largest, most luxurious passenger vessels built before the First World War. In keeping with the often-overlooked history of its merchant marine as a whole, they reveal much about Imperial Germany in its national and international dimensions. As products of business decisions shaped by global dynamics and the imperatives of international travel, immigration, and trade, HAPAG’s giant liners bear witness to Germany’s involvement in the processes of globalization prior to 1914. Yet this book focuses not on their physical, but on their cultural construction in a variety of contemporaneous media, including the press and advertising, on both sides of the Atlantic. At home, they were presented to the public as symbolic of the nation’s achievements and ambitions in ways that emphasize the complex nature of German national identity at the time. Abroad, they were often construed as floating national monuments and, as such, facilitated important encounters with Germany, both virtual and real, for the populations of Britain and America. Their overseas reception highlights the multi-faceted image of the European superpower that was constructed in the Anglo-American world in these years. More generally, it is a pointed indicator of the complex relationship between Britain, the United States, and Imperial Germany.
Publisher: Routledge
ISBN: 0429648332
Category : History
Languages : en
Pages : 327
Book Description
Steamship Nationalism is a cultural, social, and political history of the S.S. Imperator, Vaterland, and Bismarck. Transatlantic passenger steamships launched by the Hamburg-Amerikanische Packetfahrt-Aktien-Gesellschaft (HAPAG) between 1912 and 1914, they do not enjoy the international fame of their British counterparts, most notably the Titanic. Yet the Imperator-class liners were the largest, most luxurious passenger vessels built before the First World War. In keeping with the often-overlooked history of its merchant marine as a whole, they reveal much about Imperial Germany in its national and international dimensions. As products of business decisions shaped by global dynamics and the imperatives of international travel, immigration, and trade, HAPAG’s giant liners bear witness to Germany’s involvement in the processes of globalization prior to 1914. Yet this book focuses not on their physical, but on their cultural construction in a variety of contemporaneous media, including the press and advertising, on both sides of the Atlantic. At home, they were presented to the public as symbolic of the nation’s achievements and ambitions in ways that emphasize the complex nature of German national identity at the time. Abroad, they were often construed as floating national monuments and, as such, facilitated important encounters with Germany, both virtual and real, for the populations of Britain and America. Their overseas reception highlights the multi-faceted image of the European superpower that was constructed in the Anglo-American world in these years. More generally, it is a pointed indicator of the complex relationship between Britain, the United States, and Imperial Germany.