Author: Brian O'Farrell
Publisher: Routledge
ISBN: 1000346315
Category : History
Languages : en
Pages : 275
Book Description
Artistic and Political Patronage in Early Stuart England explores the remarkable life and career of William Herbert, Third Earl of Pembroke. Pembroke was one of the most influential aristocrats during the reigns of Elizabeth I, James I and Charles I. He was a great patron, a prominent politician and electoral manager, an entrepreneur, and a gifted poet. Yet despite his influence and many talents, Pembroke’s life has been little studied by historians. Drawing on archival material, this book throws new light on Pembroke, and demonstrates just how significant he was during his lifetime. This book will appeal to scholars and students of early modern British history, as well as those interested in politics and patronage during the sixteenth and seventeenth centuries.
Artistic and Political Patronage in Early Stuart England
Author: Brian O'Farrell
Publisher: Routledge
ISBN: 1000346315
Category : History
Languages : en
Pages : 275
Book Description
Artistic and Political Patronage in Early Stuart England explores the remarkable life and career of William Herbert, Third Earl of Pembroke. Pembroke was one of the most influential aristocrats during the reigns of Elizabeth I, James I and Charles I. He was a great patron, a prominent politician and electoral manager, an entrepreneur, and a gifted poet. Yet despite his influence and many talents, Pembroke’s life has been little studied by historians. Drawing on archival material, this book throws new light on Pembroke, and demonstrates just how significant he was during his lifetime. This book will appeal to scholars and students of early modern British history, as well as those interested in politics and patronage during the sixteenth and seventeenth centuries.
Publisher: Routledge
ISBN: 1000346315
Category : History
Languages : en
Pages : 275
Book Description
Artistic and Political Patronage in Early Stuart England explores the remarkable life and career of William Herbert, Third Earl of Pembroke. Pembroke was one of the most influential aristocrats during the reigns of Elizabeth I, James I and Charles I. He was a great patron, a prominent politician and electoral manager, an entrepreneur, and a gifted poet. Yet despite his influence and many talents, Pembroke’s life has been little studied by historians. Drawing on archival material, this book throws new light on Pembroke, and demonstrates just how significant he was during his lifetime. This book will appeal to scholars and students of early modern British history, as well as those interested in politics and patronage during the sixteenth and seventeenth centuries.
Patronage in the Renaissance
Author: Guy Fitch Lytle
Publisher: Princeton University Press
ISBN: 1400855918
Category : Art
Languages : en
Pages : 406
Book Description
The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400855918
Category : Art
Languages : en
Pages : 406
Book Description
The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Artistic and Political Patronage in Early Stuart England
Author: Brian O'Farrell
Publisher:
ISBN: 9780367349837
Category : HISTORY
Languages : en
Pages : 0
Book Description
Artistic and Political Patronage in Early Stuart England explores the remarkable life and career of William Herbert, Third Earl of Pembroke. It will appeal to scholars and students of early modern British history, as well as those interested in politics and patronage during the sixteenth and seventeenth centuries.
Publisher:
ISBN: 9780367349837
Category : HISTORY
Languages : en
Pages : 0
Book Description
Artistic and Political Patronage in Early Stuart England explores the remarkable life and career of William Herbert, Third Earl of Pembroke. It will appeal to scholars and students of early modern British history, as well as those interested in politics and patronage during the sixteenth and seventeenth centuries.
Images of Rule
Author: David Howarth
Publisher: Univ of California Press
ISBN: 9780520209916
Category : Art
Languages : en
Pages : 352
Book Description
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.
Publisher: Univ of California Press
ISBN: 9780520209916
Category : Art
Languages : en
Pages : 352
Book Description
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.
Court Patronage and Corruption in Early Stuart England
Author: Linda Levy Peck
Publisher: Routledge
ISBN: 1134870418
Category : History
Languages : en
Pages : 641
Book Description
This wide-ranging volume goes to the heart of the revisionist debate about the crisis of government that led to the English Civil War. The author tackles questions about the patronage that structured early modern society, arguing that the increase in royal bounty in the early seventeenth century redefined the corrupt practices that characterized early modern administration.
Publisher: Routledge
ISBN: 1134870418
Category : History
Languages : en
Pages : 641
Book Description
This wide-ranging volume goes to the heart of the revisionist debate about the crisis of government that led to the English Civil War. The author tackles questions about the patronage that structured early modern society, arguing that the increase in royal bounty in the early seventeenth century redefined the corrupt practices that characterized early modern administration.
Court Patronage and Corruption in Early Stuart England
Author: Linda Levy Peck
Publisher: Routledge
ISBN: 1134870426
Category : History
Languages : en
Pages : 334
Book Description
This wide-ranging volume goes to the heart of the revisionist debate about the crisis of government that led to the English Civil War. The author tackles questions about the patronage that structured early modern society, arguing that the increase in royal bounty in the early seventeenth century redefined the corrupt practices that characterized early modern administration.
Publisher: Routledge
ISBN: 1134870426
Category : History
Languages : en
Pages : 334
Book Description
This wide-ranging volume goes to the heart of the revisionist debate about the crisis of government that led to the English Civil War. The author tackles questions about the patronage that structured early modern society, arguing that the increase in royal bounty in the early seventeenth century redefined the corrupt practices that characterized early modern administration.
Urban Patronage in Early Modern England
Author: Catherine F. Patterson
Publisher: Stanford University Press
ISBN: 9780804735872
Category : History
Languages : en
Pages : 364
Book Description
This study of politics in early modern England uses the relations between provincial towns, the landed elite, and the crown to argue that the growth of personal connections and patronage, as much as of conflict, explains the development of early modern government. It shows how patronage was a vital tool that suited both local needs and the royal will.
Publisher: Stanford University Press
ISBN: 9780804735872
Category : History
Languages : en
Pages : 364
Book Description
This study of politics in early modern England uses the relations between provincial towns, the landed elite, and the crown to argue that the growth of personal connections and patronage, as much as of conflict, explains the development of early modern government. It shows how patronage was a vital tool that suited both local needs and the royal will.
Patronage, Politics, and Literary Traditions in England, 1558-1658
Author: Cedric Clive Brown
Publisher: Wayne State University Press
ISBN: 9780814324172
Category : History
Languages : en
Pages : 318
Book Description
Publisher: Wayne State University Press
ISBN: 9780814324172
Category : History
Languages : en
Pages : 318
Book Description
'Ungainefull Arte'
Author: Richard Anthony McCabe
Publisher: Oxford University Press
ISBN: 0198716524
Category : History
Languages : en
Pages : 415
Book Description
'Ungainefull Arte' examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplaces, allowing for the reassessment of patronage both as a social practice and a literary theme.
Publisher: Oxford University Press
ISBN: 0198716524
Category : History
Languages : en
Pages : 415
Book Description
'Ungainefull Arte' examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplaces, allowing for the reassessment of patronage both as a social practice and a literary theme.
Court Culture and the Origins of a Royalist Tradition in Early Stuart England
Author: R. Malcolm Smuts
Publisher: University of Pennsylvania Press
ISBN: 0812203127
Category : History
Languages : en
Pages : 337
Book Description
In this work R. Malcolm Smuts examines the fundamental cultural changes that occurred within the English royal court between the last decade of the sixteenth century and the outbreak of the Civil War in 1642.
Publisher: University of Pennsylvania Press
ISBN: 0812203127
Category : History
Languages : en
Pages : 337
Book Description
In this work R. Malcolm Smuts examines the fundamental cultural changes that occurred within the English royal court between the last decade of the sixteenth century and the outbreak of the Civil War in 1642.