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Author: Arthur Wesley Dow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
An exhibition of Arthur Wesley Dow's presented by the Spanierman Gallery, LLC, explores Dow as an artist, revealing him as a distinguished painter, printmaker, and photographer. The show also approaches Dow as a teacher, providing an opportunity to evaluate the breadth of his influence.
Author: Arthur Wesley Dow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
Get Book Here
Book Description
An exhibition of Arthur Wesley Dow's presented by the Spanierman Gallery, LLC, explores Dow as an artist, revealing him as a distinguished painter, printmaker, and photographer. The show also approaches Dow as a teacher, providing an opportunity to evaluate the breadth of his influence.
Author: Arthur Wesley Dow
Publisher: Franklin Classics
ISBN: 9780343382995
Category :
Languages : en
Pages : 144
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Arthur D. Efland
Publisher: Teachers College Press
ISBN: 0807776378
Category : Art
Languages : en
Pages : 454
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Book Description
Arthur Efland puts current debate and concerns in a well-researched historical perspective. He examines the institutional settings of art education throughout Western history, the social forces that have shaped it, and the evolution and impact of alternate streams of influence on present practice.A History of Art Education is the first book to treat the visual arts in relation to developments in general education. Particular emphasis is placed on the 19th and 20th centuries and on the social context that has affected our concept of art today. This book will be useful as a main text in history of art education courses, as a supplemental text in courses in art education methods and history of education, and as a valuable resource for students, professors, and researchers. “The book should become a standard reference tool for art educators at all levels of the field.” —The Journal of Aesthetics and Art Criticism “Efland has filled a gap in historical research on art education and made an important contribution to scholarship in the field.” —Studies in Art Education
Author: Arthur Warren Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
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Book Description
Author: Trevor J. Fairbrother
Publisher: Addison Gallery of American Ar
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
"Dow produced oil paintings, photographs, ink wash drawings, and wood block prints until his death in 1922. The exhibitions showcases a recently discovered album of forty-one cyanotypes that Dow produced in 1899 and dedicated to his friend, the Ipswich poet Everett Stanley Hubbard"--Galley website.
Author: Arthur Wesley Dow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 18
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Book Description
Author: Arthur Warren Johnson
Publisher:
ISBN:
Category : Art teachers
Languages : en
Pages : 134
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Book Description
Author: Elizabeth Hutchinson
Publisher: Duke University Press
ISBN: 0822392097
Category : Art
Languages : en
Pages : 304
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Book Description
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Author: Elizabeth Hutton Turner
Publisher: Yale University Press
ISBN: 0300079354
Category : Art
Languages : en
Pages : 184
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Book Description
Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.
Author: Theresa Thau Heyman
Publisher: Harry N. Abrams
ISBN: 9780810982024
Category : Art
Languages : en
Pages : 0
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Book Description
Contains 120 posters by popular American artists, such as Robert Rauschenberg, Georgia O'Keeffe, Rupert Garcia, Ben Shahn, Will Bradley and Norman Rockwell. Heyman draws conclusions about the position of posters in the overall history of visual communication.
