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Author: Arthur Tress
Publisher:
ISBN: 9781883923402
Category : Homosexuality, Male
Languages : en
Pages : 0
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Book Description
Author: Arthur Tress
Publisher:
ISBN: 9781883923402
Category : Homosexuality, Male
Languages : en
Pages : 0
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Book Description
Author: Arthur Tress
Publisher: Abbeville Press
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 96
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Book Description
"When the curtain goes up on The Teapot Opera there is no music. There are no people, either. But there are plenty of characters: there's the teapot, of course, and a white plastic stallion, a china harpist, a skull, an expresso machine, chess pieces, fruit, the Michelin Tire man, fragments of a classical sculpture, ancient books, a souvenir bust of Teddy Roosevelt, valves and gauges of all kinds, a Shriner's fez, a glass eyeball, billiard balls, and so much more."--Jacket flap.
Author: Arthur Tress
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 108
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Book Description
Author: Arthur Tress
Publisher: Bulfinch Press
ISBN: 9780821226865
Category : Photography
Languages : en
Pages : 138
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Book Description
An offbeat new collection of photography by the renowned cult artist offers a fantastical odyssey into an antique fish tank populated with a range of funky knick-knacks and flea-market finds, accompanied by a series of poems that challenge humankind to seek harmony with nature. 40,000 first printing.
Author: James A. Ganz
Publisher: Getty Publications
ISBN: 1606068628
Category : Photography
Languages : en
Pages : 266
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Book Description
This richly illustrated volume is the first critical look at the early career of Arthur Tress, a key proponent of magical realism and staged photography. Arthur Tress (b. 1940) is a singular figure in the landscape of postwar American photography. His seminal series, The Dream Collector, depicts Tress’s interests in dreams, nightmares, fantasies, and the unconscious and established him as one of the foremost proponents of magical realism at a time when few others were doing staged photography. This volume presents the first critical look at Tress’s early career, contextualizing the highly imaginative, fantastic work he became known for while also examining his other interrelated series: Appalachia: People and Places; Open Space in the Inner City; Shadow; and Theater of the Mind. James A. Ganz, Mazie M. Harris, and Paul Martineau plumb Tress’s work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of “imaginative fiction.” This abundantly illustrated volume imparts a fuller understanding of Tress’s career and the New York photographic scene of the 1960s and 1970s. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 31, 2023, to February 18, 2024.
Author: Paul W. Warnagiris
Publisher: Observer-Rygiel Publishing
ISBN:
Category : Hurricane Agnes, 1972
Languages : en
Pages : 396
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Book Description
Author: Arthur Tress
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 158
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Book Description
The work of Arthur Tress is characterized by allegorical wit, narrative poignancy and the interplay of objects and people. His photographs share a fine sense of mystery, black humor and the more grotesque aspects of sexuality. This volume, edited by Peter Weiermair, unites photographs representing 25 years of creative endeavor.
Author: Samuel Dorsky Museum of Art
Publisher: SUNY Press
ISBN: 9780615258331
Category : Photography
Languages : en
Pages : 72
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Book Description
An overview of an innovative and influential arts organization of the 1970s and early 1980s.
Author: Arthur Tress
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 4
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Book Description
Author: Moa Goysdotter
Publisher: Nordic Academic Press
ISBN: 9187351021
Category : Photography
Languages : en
Pages : 146
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Book Description
American staged art photography is the focus of this unique, in-depth study. Offering a new methodological strategy for viewing photographs, this fascinating account analyzes the work of four of the leading names in this new genre - Les Krims, Duane Michals, Arthur Tress, and Lucas Samaras - and applies new perspectives to 1970s art photography. As it sheds fresh light on the four artists' critiques of purist ideals, it also looks closely at their efforts to transcend the limitations of the purely visual effect of photography. Not only does this book tell the history of American staged photography in broad terms by drawing on theories and methods new to the field, but it also presents the latest approaches to photography history and theory.
