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Author: Pablo Cruz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
An extended and representative selection of the collection of 20th century art that MALI has been collecting since its foundation in 1954. The selected works offer a new reading of the 20th century modernist art and includes the history of decorative arts and photography. The edition also includes an illustrated chronology and essays by prominent curators and researchers. The publication begins with a large essay comprising the critical discussions and artistic production of this period, which is complemented with an illustrated chronology presenting the milestones of institutional development in the art field, placed in the context of some crucial moments of the political, social, and cultural history of the 20th century. The catalog is organized in a chronological and thematic order of the work of each artist and of the artistic movements.
Author: Pablo Cruz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
An extended and representative selection of the collection of 20th century art that MALI has been collecting since its foundation in 1954. The selected works offer a new reading of the 20th century modernist art and includes the history of decorative arts and photography. The edition also includes an illustrated chronology and essays by prominent curators and researchers. The publication begins with a large essay comprising the critical discussions and artistic production of this period, which is complemented with an illustrated chronology presenting the milestones of institutional development in the art field, placed in the context of some crucial moments of the political, social, and cultural history of the 20th century. The catalog is organized in a chronological and thematic order of the work of each artist and of the artistic movements.
Author: Michele Greet
Publisher: Routledge
ISBN: 1351777904
Category : Art
Languages : en
Pages : 333
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Book Description
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Author: Enrique Grau
Publisher: Villegas Asociados
ISBN: 9588156394
Category : Painters
Languages : en
Pages : 332
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Book Description
The name of the painter Enrique Grau is inseparable from the history of art in Colombia. Since his astonishing debut as a prodigy in the early 1940s, Grau has explored virtually every avenue of art: drawing, engraving, collage, silkscreen, woodcuts, painting, sculpture, theatrical costumes and sets, cinema, murals, frescos, and objects. In the course of his long career, Grau has achieved and consolidated a style that is personal and classical at the same time; he is unique in the panorama of Latin American art. This book pays homage to an artist as vital at the age of 83 as he was when the public first brought him acclaim over 60 years ago.
Author:
Publisher: YouGuide Ltd
ISBN: 1837063877
Category :
Languages : en
Pages : 86
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Book Description
Author:
Publisher: YouGuide Ltd
ISBN: 1837063737
Category :
Languages : en
Pages : 83
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Book Description
Author: Abu Faisal Sergio Tapia
Publisher: Abu Faisal Sergio Tapia
ISBN:
Category : Art
Languages : en
Pages : 61
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Book Description
Biografía: Abu Faisal Sergio Tapia director y fundador del Diario Al-Quds Libération صحيفة القدس ليبراسيون , escritor político sobre Asuntos de Palestina y Medio Oriente con mas de 1200 entrevistas en la tv de Medio Oriente y la tv Internacional, con estudios en Consultoría en Comunicación Política y Periodismo Político y artista visual de la causa palestina con mas de 2.000 obras de arte. Nacido el 30 de marzo (1971 Argentina) coincidencia del destino con el día de la tierra palestina, fue defensor desde los 13 años de la causa palestina y los derechos humanos del pueblo palestino, en su infancia en la Oficina de Información Palestina, que seria la primera delegación-representación de la OLP en Argentina en los años 80. Como intelectual fundo el 1º diario de noticias palestinas en español y árabe «Palestina Libération» y su cadena de noticias palestinas TV, asi como director fundador de agencias de noticias palestinas independiente, la ANPEx (junto al 1º embajador de Palestina en Argentina Suhail Akel) y autor de artículos y ensayos políticos sobre Palestina y Oriente Medio. Escritor político Experto sobre Asuntos de Palestina y Oriente Medio en diversas cadenas internacionales de noticias de tv y radio de Medio Oriente, Hispantv (Desde 2012 1º Experto sobre Asuntos de Oriente Medio de la cadena de tv y artículos de opinión), RT (Desde 2016), TelesurTv (Desde 2012), UNRadio Universidad Nacional Colombia (Desde 2015), Radio Algerie Internationale (Desde 2016), La Radio del Sur (Desde 2016), cada martes a las 15 horas de Argelia, se emite desde Argel su programa Arte y Cultura del Mundo por Radio Argelia Internacional desde el año 2020, donde el arte asume su compromiso intelectual revolucionario con la causa del pueblo palestino, desde los intelectuales y escritores anticolonialistas comprometidos con sus pueblos como Frantz Fanon por la liberación de Argelia contra el colonialismo francés, y el escritor palestino Ghassan Kanafani entre otros, autor de la «Declaración de Argel: Arte en Resistencia por Palestina Libre», verdadero manifiesto del compromiso del artista intelectual, con su tiempo, que se leyo desde los estudios en Argel de la Radio Argelia Internacional, así mismo ha sido escritor miembro honorario de la Federación General de Sindicatos Palestinos GPGFTU y ser el primer escritor latinoamericano de la causa palestina y defensor de los derechos humanos en haber realizado una huelga de hambre de 53 días en el 2013 en solidaridad con los presos políticos palestinos, mujeres y menores detenidos (coordinado con los organismos de derechos humanos palestinos en la Cisjordania Ocupada) y haber solicitado el intercambio de su propia vida por la de un compañero palestino. Fue el Presidente del Consejo Internacional Geopolítico sobre Medio Oriente - Geopolitical International Council over Middle East y su Escuela de Gobierno. Fundador del Tribunal Internacional sobre la Infancia afectada por la Guerra y la Pobreza (Tribunal de Conciencia que dicto la 1º Sentencia Internacional de Genocidio sobre la Infancia Palestina en el 2009) de la Mission Diplomatique Internationale Humanitaire RWANDA 1994, finalista del Premio Nacional de Paz Colombia, en el 2006. Conferencista sobre Asuntos de Palestina y Oriente Medio, Derechos Humanos y Genocidio. Su compromiso con la causa palestina y los derechos humanos del pueblo palestino, ha sido una constante en su vida y su obra, y su labor ha sido reconocida en diversas instancias internacionales. Casado desde siempre con la Causa Palestina.
Author: Ana María Reyes
Publisher: Duke University Press
ISBN: 147800455X
Category : Art
Languages : en
Pages : 250
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Book Description
In The Politics of Taste Ana María Reyes examines the works of Colombian artist Beatriz González and Argentine-born art critic, Marta Traba, who championed González's art during Colombia's National Front coalition government (1958–74). During this critical period in Latin American art, artistic practice, art criticism, and institutional objectives came into strenuous yet productive tension. While González’s triumphant debut excited critics who wanted to cast Colombian art as modern, sophisticated, and universal, her turn to urban lowbrow culture proved deeply unsettling. Traba praised González's cursi (tacky) recycling aesthetic as daringly subversive and her strategic localism as resistant to U.S. cultural imperialism. Reyes reads González's and Traba's complex visual and textual production and their intertwined careers against Cold War modernization programs that were deeply embedded in the elite's fear of the masses and designed to avert Cuban-inspired revolution. In so doing, Reyes provides fresh insights into Colombia's social anxieties and frustrations while highlighting how interrogations of taste became vital expressions of the growing discontent with the Colombian state.
Author: Michele Greet
Publisher: Macmillan
ISBN: 9780271034706
Category : Art
Languages : en
Pages : 320
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Book Description
Traces changes in Andean artists' vision of indigenous peoples as well as shifts in the critical discourse surrounding their work between 1920 and 1960.
Author: Delia Gaze
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
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Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067915
Category : Art
Languages : en
Pages : 290
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Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
