Art & Technology in the Nineteenth and Twentieth Centuries PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Art & Technology in the Nineteenth and Twentieth Centuries PDF full book. Access full book title Art & Technology in the Nineteenth and Twentieth Centuries by Pierre Francastel. Download full books in PDF and EPUB format.
Author: Pierre Francastel
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 342
Get Book
Book Description
But as art history itself is being reshaped by the culture of technology, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value. The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.
Author: Pierre Francastel
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 342
Get Book
Book Description
But as art history itself is being reshaped by the culture of technology, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value. The concrete objects that Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them he engages his central problem: the abrupt historical collision between traditional symbol-making activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.
Author: George Heard Hamilton
Publisher: Prentice Hall
ISBN: 9780136226390
Category : Art
Languages : en
Pages : 484
Get Book
Book Description
PAINTING - SCULPTURE - ARCHITECTURE.
Author: Philip Hayward
Publisher: Indiana University Press
ISBN: 9780861962662
Category : Art
Languages : en
Pages : 260
Get Book
Book Description
Addressing how technology and creativity interrelate in the arts and culture of the late 20th century, this anthology combines a general introduction with a set of case studies from a range of international critics.
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588390004
Category : Drawing
Languages : en
Pages : 482
Get Book
Book Description
Author: Isaac Asimov
Publisher: Owl Books
ISBN: 9780805001204
Category : Social Science
Languages : en
Pages : 96
Get Book
Book Description
Illustrations created in France to celebrate the turn of the century, show scenes depicting the future of air travel, helicopters, undersea colonies, agriculture and the radio
Author: Didier Maleuvre
Publisher: Stanford University Press
ISBN: 9780804736046
Category : History
Languages : en
Pages : 348
Get Book
Book Description
The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.
Author: Vanessa Meikle Schulman
Publisher:
ISBN: 9781625341945
Category : Art and industry
Languages : en
Pages : 0
Get Book
Book Description
6. Laziness and Civilization: Picturing Sites of Social Control -- Conclusion: Twentieth-Century Echoes -- Notes -- Index -- About the Author -- Back Cover
Author: Andreas Broeckmann
Publisher: MIT Press
ISBN: 0262035065
Category : Art
Languages : en
Pages : 400
Get Book
Book Description
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
Author: Julie Wosk
Publisher:
ISBN: 9781475978827
Category : Art and technology
Languages : en
Pages : 0
Get Book
Book Description
In this incisive, abundantly illustrated study, Julie Wosk explores for the first time how the visual arts reflected the explosive psychological impact of the Industrial Revolution on English and American society. Wosk reveals the ways artists and designers responded to the hopes and fears for the first industrial age, and how their work continues to illuminate our own visions of technology and culture. Wosk also reveals the striking ability of artists to capture the drama and the dangers of the new technologies, seen in their images of factories spewing smoke, steam boilers bursting, trains crashing, and satiric views of people-turned-automatons. Their art dramatically mirrored widespread feelings of disorientation - the phenomenon sociologists have called "breaking frame." Wosk demonstrates the startling impact of new technologies on the decorative arts and industrial design. Working with manufacturers, artists added ornamentation to machinery and helped fulfill the middle-class demand for factory-made copies of decorative objects, even as art critics debated the aesthetic and social consequences of these imitative versions of original works of art. She also highlights how artists' responses to a world newly transformed by technology prefigure the fear and pride, resistance and accommodation to technological achievement that are still felt over a century later.
Author: Minglu Gao
Publisher: MIT Press
ISBN: 0262294710
Category : Art
Languages : en
Pages : 422
Get Book
Book Description
A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
