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Author: Stephen Willats
Publisher: Moderne Kunst Verlag Fur
ISBN: 9783869841243
Category : Art and society
Languages : en
Pages : 0
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Book Description
This publication is the ?rst retrospective and comprehensive compilation of works and writings by British artist Stephen Willats. The ?rst section contains numerous illustrations of works by Willats, including a number not previously published, and text contributions from authors who have been closely involved with the artist for many years. The second section collects important writings by Stephen Willats from his archive, which have been transcribed for the ?rst time and now presented in combination with black-and-white illustrations. This section opens up new and until now unpublished insights into the text works of the artist. Published to accompany the exhibition at Badischer Kunstverein, Karlsruhe, 23 September – 21 November 2010. English and German text.
Author: Stephen Willats
Publisher: Moderne Kunst Verlag Fur
ISBN: 9783869841243
Category : Art and society
Languages : en
Pages : 0
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Book Description
This publication is the ?rst retrospective and comprehensive compilation of works and writings by British artist Stephen Willats. The ?rst section contains numerous illustrations of works by Willats, including a number not previously published, and text contributions from authors who have been closely involved with the artist for many years. The second section collects important writings by Stephen Willats from his archive, which have been transcribed for the ?rst time and now presented in combination with black-and-white illustrations. This section opens up new and until now unpublished insights into the text works of the artist. Published to accompany the exhibition at Badischer Kunstverein, Karlsruhe, 23 September – 21 November 2010. English and German text.
Author: Sharon Irish
Publisher: Bloomsbury Publishing
ISBN: 1350197602
Category : Art
Languages : en
Pages : 320
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Book Description
This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design. For Willats, a cluster of concepts about control and feedback within living and machine systems (cybernetics) offered a new means to make art relevant. For decades, Willats has built relationships through art with people in tower blocks, underground clubs, middle-class enclaves, and warehouses on the Isle of Dogs, to investigate their current conditions and future possibilities. Sharon Irish's study demonstrates the power of Willats's multi-media art to catalyze communication among participants and to upend ideas about “audience” and “art.” Here, Irish argues that it is artists like Willats who are now the instigators of social transformation.
Author: Jo Applin
Publisher: Penn State Press
ISBN: 0271081368
Category : Art
Languages : en
Pages : 249
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Book Description
The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and ’70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art. The contributors to London Art Worlds examine the many activities and movements that existed alongside more established institutions in this period, from the rise of cybernetics and the founding of alternative publications to the public protests and new pedagogical models in London’s art schools. The essays explore how international artists and the rise of alternative venues, publications, and exhibitions, along with a growing mobilization of artists around political and cultural issues ranging from feminism to democracy, pushed the boundaries of the London art scene beyond the West End’s familiar galleries and posed a radical challenge to established modes of making and understanding art. Engaging, wide-ranging, and original, London Art Worlds provides a necessary perspective on the visual culture of the London art scene in the 1960s and ’70s. Art historians and scholars of the era will find these essays especially valuable and thought provoking. In addition to the editors, contributors to this volume are Elena Crippa, Antony Hudek, Dominic Johnson, Carmen Juliá, Courtney J. Martin, Lucy Reynolds, Joy Sleeman, Isobel Whitelegg, and Andrew Wilson.
Author: Harnack, Maren
Publisher: Universitätsverlag der TU Berlin
ISBN: 3798327130
Category : Architecture
Languages : en
Pages : 114
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Book Description
Large housing estates of the post-war era have shaped the face of many cities throughout Europe. In the original plans of the 1950s-1980s they were to amend the urban structure and in many cases they were expected to enable a superior form of communality and urbanity. The estates were built to ease the housing shortage, but were also thought to quite literally become the home for a “new society”, be it under socialist regimes or the democratic welfare state. The reformation of society was expected to be supported by the environment of the newly built estates and, most crucially, their community spaces. The different manifestations of these community spaces were the subject of the second conference of the 45plus network, which took place in Darmstadt in September 2012 and which is documented in this volume. By focusing on community spaces, such as community centers, schools, churches, hospitals, shopping districts but also parks, open spaces and sport-grounds, the contributions to the conference addressed spaces that were thought to be particularly important points of identification for the “new societies” these estates were expected to foster. Community spaces were planned in order to hold the housing estates together – as well designed and attractive built environments, as social hubs and especially as symbolic anchors. Quite often, they boasted prominent design features, intended to serve as recognisable markers of the estates and their programmatic subtexts. While planners and politicians conceptualized community spaces with their potential to shape identification in view, communities tended to appropriate such spaces in different ways and to reinterpret their meanings. In short, local inhabitants – as well as the broader public – possibly identified with community spaces, their individual features and with the ideas and practices they associated with them in significantly different ways than originally intended. Today, the continuing tension between intention and appropriation of community spaces can be understood as an indicator of identification processes and appears to be one of the major challenges in the redevelopment of large housing estates, but might also provide unexpected opportunities. Großwohnsiedlungen der Nachkriegszeit haben das Gesicht vieler Städte in ganz Europa geprägt. Ursprünglich sollten diese Planungen der 1950er bis 1980er Jahre die Stadtstruktur verbessern und teilweise auch eine neue Form von Gemeinschaftlichkeit und Urbanität schaffen. In erster Linie zur Linderung der Wohnungsnot gebaut, wurden die Siedlungen auch als buchstäbliche Heimat für eine "neue Gesellschaft" geplant, sei es unter sozialistischen Regimes oder im demokratischen Wohlfahrtsstaat. Die Umgestaltung der Gesellschaft sollte durch die Gestaltung der neuen Siedlungen unterstützt werden, wobei den gemeinschaftlich genutzten Räumen ein besonderer Stellenwert zukam. Die verschiedenen Ausformungen dieser Räume waren Gegenstand der zweiten Konferenz des 45plus-Netzwerk, die in Darmstadt im September 2012 stattfand und in diesem Band dokumentiert wird. Durch die Fokussierung auf gemeinschaftlich genutzte Räume wie Parks, Freiflächen und Sportplätze, aber auch Gemeindezentren, Schulen, Kirchen, Krankenhäuser, Einkaufsstraßen, stellen die in den Beiträgen der Konferenz angesprochen Räume wichtige Identifikationspunkte der "neue Gesellschaften" dar. Gemeinschaftliche Räume wurden geplant, um die neuen Wohnsiedlungen zusammenzuhalten – als gut gestaltete und attraktive gebaute Umwelt, als soziale Scharniere und vor allem als symbolische Anker. Oft setzten sie prominente Gestaltungsmerkmale um so als Symbole der Siedlungen und ihrer programmatischen Subtexte zu dienen. Während Planer und Politiker die gemeinschaftlichen Räume mit dem Fokus auf ihr Potenzial als Ort der Identifikation gestalteten, wurden diese Räume durch die sie nutzenden Gemeinden in unterschiedlicher Weise angeeignet und auch uminterpretiert. Kurz gesagt, Bewohner – wie auch die breite Öffentlichkeit – verstanden, interpretierten und nutzten die gemeinschaftlichen Räume und deren individuellen Eigenschaften möglicherweise auf deutlich andere Art und Weise als ursprünglich geplant. Heute können die anhaltenden Spannungen zwischen Absicht und Nutzung der gemeinschaftlichen Räume als Indikator für Identifikationsprozesse verstanden werden und stellen gleichzeitig eine der großen Herausforderungen bei der Sanierung von Großwohnsiedlungen dar, offenbaren jedoch vielleicht auch unerwartete Chancen.
Author: Sharon Irish
Publisher: Bloomsbury Publishing
ISBN: 1350197610
Category : Art
Languages : en
Pages : 311
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Book Description
This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design. For Willats, a cluster of concepts about control and feedback within living and machine systems (cybernetics) offered a new means to make art relevant. For decades, Willats has built relationships through art with people in tower blocks, underground clubs, middle-class enclaves, and warehouses on the Isle of Dogs, to investigate their current conditions and future possibilities. Sharon Irish's study demonstrates the power of Willats's multi-media art to catalyze communication among participants and to upend ideas about “audience” and “art.” Here, Irish argues that it is artists like Willats who are now the instigators of social transformation.
Author: Delinda Collier
Publisher: Duke University Press
ISBN: 1478012315
Category : Art
Languages : en
Pages : 178
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Book Description
In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Author: Elize Mazadiego
Publisher: Manchester University Press
ISBN: 1526159945
Category : Art
Languages : en
Pages : 414
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Book Description
By the late 1960s cartographic formats and spatial information had become a regular feature in many conceptual artworks. This volume offers a rich study of conceptualisms’ mapping practices that includes more expanded forms of spatial representation. The book presents twelve in-depth case studies that address artists’ engagement with matters of space at a time when space was garnering new significance in art, theory and culture. The chapters shed fresh light on an evident ‘spatial turn’ that took place from the postwar to the contemporary period, revealing how it was influenced by larger historical, social and cultural contexts. In addition to raising questions about conceptualism’s relationship to the world, the contributors illustrate how artists’ cartographies served as critical sites for formulating their politics, upsetting prevailing systems and graphing new, heterogenous spaces.
Author: Pamela Burnard
Publisher: Routledge
ISBN: 1317437268
Category : Art
Languages : en
Pages : 508
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Book Description
For artists, scholars, researchers, educators and students of arts theory interested in culture and the arts, a proper understanding of the questions surrounding ‘interculturality’ and the arts requires a full understanding of the creative, methodological and interconnected possibilities of theory, practice and research. The International Handbook of Intercultural Arts Research provides concise and comprehensive reviews and overviews of the convergences and divergences of intercultural arts practice and theory, offering a consolidation of the breadth of scholarship, practices and the contemporary research methodologies, methods and multi-disciplinary analyses that are emerging within this new field.
Author: Constance Singam
Publisher: Ethos Books
ISBN: 9811828644
Category : Political Science
Languages : en
Pages : 455
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Book Description
Advocacy is a tricky pursuit in Singapore. Your motives can be questioned, your activities monitored, and your scope for action limited. Despite the constraints, civil society activists have persisted, finding ways to pursue their cause and to try to bring about the changes they believe important for Singapore. In 2013 a small group of civil society stalwarts set out to acknowledge the contributions of these unsung heroes. The Singapore Advocacy Awards was launched, a 3-year project that saw a total of 18 individuals and organisations being honoured. In this book, 37 activists, many of them winners of the Awards, write about their causes and discuss the strategies shaped and lessons learnt as they practise the delicate art of advocacy in Singapore. Reflecting the nature of civil society, there is a diversity of voices. Some give a more personal account, while others describe the institutional experience of advocacy work. Some essays are short and sweet, others long and detailed. They appear ordered alphabetically by the cause.
Author: Paolo Cirio
Publisher: Lulu.com
ISBN: 0359889565
Category : Art
Languages : en
Pages : 70
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Book Description
Foundations reflects on the aesthetics and history of conceptual art concerning social complexity. Jack Burnham's seminal defining of "systems aesthetics" in 1968, followed by the exhibitions Software at the Jewish Museum and Information at MoMA in New York in 1970, mark a turn in art addressing social and technological systems. Foundations focuses on the ontologies of conceptual art examining social fields, rather than solely the making of images, forms, or gestures driven by ideas. Informed by systems, cybernetics, and communication theories, this project reckons with today's complexity in the age of algorithms, big data, and the Internet. This study and timelines by Paolo Cirio research on the genesis of the growing intersections among the domains of art, economics, politics, law, sociology, media, and technology.
