Art of Maori Carving PDF Download
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Author: Sidney M. Mead
Publisher: Raupo
ISBN:
Category : Social Science
Languages : en
Pages : 290
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Book Description
Author: Sidney M. Mead
Publisher: Raupo
ISBN:
Category : Social Science
Languages : en
Pages : 290
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Book Description
Author: Julie Paama-Pengelly
Publisher: White Cloud Books
ISBN: 9781869662448
Category : Art
Languages : en
Pages : 0
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Book Description
Offers a look at the Maori visual arts, emphasising on the design. Covering tattooing, drawing and painting, carving and weaving, this book explores the origination, evolution, and significance of the designs, and explains the materials and techniques used to create them.
Author: Terence Barrow
Publisher: Penguin Group (New Zealand)
ISBN: 9780143011040
Category : Art, Maori
Languages : en
Pages : 104
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Book Description
The arts of the Maori are among the most alluring and sophisticated of the Pacific peoples. They developed their skills through centuries of endeavour and craft experimentation, expressing religious and artistic ideas in wood, stone, bone, shell and other materials. In particular, their carving and weaving are universally admired; Maori themselves proudly preserve their artistic traditions and honour the great historic art works. In this introduction to the subject, Terence Barrow (1923-2001) explains in simple terms the significance of the design motifs used by the Maori in their works of art, and discusses the material used, their construction and everyday uses. Highly illustrated, this book will answer the questions most commonly asked about Maori art and will give the reader a deeper understanding of the symbolic and spiritual significance of a variety of works and art forms.
Author: Roger Neich
Publisher: Auckland University Press
ISBN: 9781869402570
Category : Art
Languages : en
Pages : 462
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Book Description
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Author: Damian Skinner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
"In this book, the carver values the past, works within the communal framework of Maoritanga and respects the tapu nature of what he does; the artist looks to the present and future, practises as an individual within the studio and is concerned with the essential rather than spiritual nature of the work." --Dust jacket.
Author: D. R. Simmons
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
"Describes and illustrates the differences, subtle and profound, between the carving styles of the tribes, and examines the work of each tribal group in depth".
Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587428
Category : Art
Languages : en
Pages : 505
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Book Description
The chieftainess Te Ao Kairau lived in the north of the Waiapu Valley. Desiring carving for the meeting houses that she was having erected, she chose her nephew Iwirakau to travel to Uawa to learn the arts of carving at the Rawheoro whare wananga. Iwirakau had a studious nature and practical bent, and many close connections to major lines in Ngati Porou. Upon his return from his studies, Iwirakau added new details acquired from Uawa to the designs and styles of the Waiapu, and became a leader of carving in the Waiapu area. When the whare wananga later declined, such was the strength of the passing down of knowledge that the style of carving associated with them continued. And one of the strongest to survive was that of the Iwirakau School. From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions - waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief’s houses) - declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) - embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyses the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
Author: Clive Fugill
Publisher: Oratia Books
ISBN: 9780947506131
Category : Carving (Decorative arts)
Languages : en
Pages : 0
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Book Description
Te Toki me te Whao is the first book by one of New Zealand's most esteemed experts in wood carving - and the first dedicated to Maori tool technology since Elsdon Best's Stone Implements of the Maori (1912). Building on a lifetime of study and experience, Clive Fugill provides a complete historical record as well as a practical guide in the use of Maori tools and technology. The book traces the mythical origins of wood carving and stone implements in the Pacific, location and use of materials in New Zealand, the manufacture of tools, and how to use them in making works in wood, stone and bone. Illustrated with over 80 of Clive's drawings, the book also features colour photos by Chris Hoult.
Author: Julie Noanoa
Publisher:
ISBN: 9781927213148
Category : Art, Maori
Languages : en
Pages : 78
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Book Description
This collection of 15 projects offers children aged 7 and over a range of unique Maori art experiences. Practical skills cover sculpture, photography, design, paint, mixed media, collage and more. Easy-to-follow instructions include illustrations of the steps involved, using everyday craft materials, recycled and found objects. Examples of taonga (treasures) created by leading contemporary artists are shown alongside each project with a brief explanation of the object, its purpose and use in the past and present. While teaching as a museum/art gallery educator, the author had numerous requests from parents, teachers and educators over the years for ideas on how they could teach art and Maori culture to their children. These projects have been compiled in response to those requests, along with research and observation about how children connect with art. By engaging in these projects children will recognise that art takes many forms and can be enjoyed by everyone. This book will appeal to anyone looking for art activities that focus on Maori art and culture, and will suit both girls and boys. An emphasis on upcycling means that the ideas are accessible to the budget conscious without compromising on quality.
Author: Deidre Sharon Brown
Publisher: Raupo
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Art is the soul of culture. This book is an introduction to the art of whakairo rakau (Maori wood carving) from the Tai Tokerau district, the 'Northland' region that stretches from Auckland to the top of the country. It discusses the characteristics and definitions of the regional style and the debates surrounding provenance, as well as northern carvers and their tools, materials and work. The dynamic history of the practice, including its development, appropriation of European materials and ideas, decline, repression and recent revival, is examined using a wealth of historical resources, and the place of museums and individuals in the collection and renaissance of these taonga (treasures) is critically assessed. This is followed by a comprehensive illustrated catalogue of Tai Tokerau wood carvings in national and international museums, many of which cannot normally be viewed by the public. The book is a valuable guide for anyone interested in some of the earliest and most beautiful works of Maori craftsmanship. It is written for the non-specialist reader, although people with a scholarly, professional or cultural relationship with the region and its art will discover more about Tai Tokerau whakairo rakau.
