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Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
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Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Get Book Here
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author: John Hughes
Publisher: John Wiley & Sons
ISBN: 047076614X
Category : Religion
Languages : en
Pages : 264
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Book Description
Surveys twentieth century theologies of work, contrasting differing approaches to consider the “problem of labor” from a theological perspective. Aimed at theologians concerned with how Christianity might engage in social criticism, as well those who are interested in the connection between Marxist and Christian traditions Explores debates about labor under capitalism and considers the relationship between divine and human work Through a thorough reading of Weber’s Protestant Work Ethic, argues that the triumph of the "spirit of utility" is crucial to understanding modern notions of work Draws on the work of various twentieth century Catholic thinkers, including Josef Pieper, Jacques Maritain, Eric Gill, and David Jones Published in the new and prestigious Illuminations series.
Author: Ben-Ami Scharfstein
Publisher: University of Chicago Press
ISBN: 9780226105758
Category : Philosophy
Languages : en
Pages : 0
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Book Description
What if Immanuel Kant floated down from his transcendental heights, straight through Alice’s rabbit hole, and into the fabulous world of Lewis Carroll? For Ben-Ami Scharfstein this is a wonderfully instructive scenario and the perfect way to begin this wide-ranging collection of decades of startlingly synthesized thought. Combining a deep knowledge of psychology, cultural anthropology, art history, and the history of religions—not to mention philosophy—he demonstrates again and again the unpredictability of writing and thought and how they can teach us about our experiences. Scharfstein begins with essays on the nature of philosophy itself, moving from an autobiographical account of the trials of being a comparativist to philosophy’s function in the outside world to the fear of death in Kant and Hume. From there he explores an impressive array of art: from China and Japan to India and the West; from an essay on sadistic and masochistic body art to one on the epistemology of the deaf and the blind. He then returns to philosophy, writing on Machiavelli and political ruthlessness, then on the ineffable, and closes with a review of Walter Kaufmann’s multivolume look at the essence of humanity, Discovering the Mind. Altogether, these essays are a testament to adventurous thought, the kind that leaps to the furthest reaches of the possible.
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521835848
Category : Literary Collections
Languages : en
Pages : 766
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Book Description
This volume collects together the introductions and reviews which D. H. Lawrence wrote between 1911 and 1930.
Author: Brian Keeble
Publisher: World Wisdom, Inc
ISBN: 1933316683
Category : Religion
Languages : en
Pages : 138
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Book Description
In the midst of the fast-paced modern world, this book addresses the question, how can work become a form of prayer? It is a compilation of the author's insightful essays dealing with the oft-neglected relationship between God and work, spirituality and art, as well as contemplation and action.
Author: Etienne Gilson
Publisher: Princeton University Press
ISBN: 0691251878
Category : Art
Languages : en
Pages : 482
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Book Description
A classic study of the art of painting and its relationship to reality In this book, Étienne Gilson puts forward a bold interpretation of the kind of reality depicted in paintings and its relation to the natural order. Drawing on insights from the writings of great painters—from Leonardo, Reynolds, and Constable to Mondrian and Klee—Gilson shows how painting is foreign to the order of language and knowledge. Painting, he argues, seeks to add new beings to nature, not to represent those that already exist. For this reason, we must distinguish it from another art, that of picturing, which seeks to produce images of actual or possible beings. Though pictures play an important part in human life, they do not belong in the art of painting. Through this distinction, Gilson sheds new light on the evolution of modern painting. A magisterial work of scholarship by an acclaimed historian of philosophy, Painting and Reality features paintings from both classical and modern schools, and includes extended selections from the writings of Reynolds, Delacroix, Gris, Gill, and Ozenfant.
Author: D.H. Lawrence
Publisher: Delphi Classics
ISBN: 190890920X
Category : Fiction
Languages : en
Pages : 10937
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Book Description
Novelist, poet, playwright, essayist, literary critic and artist, D. H. Lawrence had an immense influence on twentieth century literature, in spite of his short and often persecuted life. His novels represent an extended reflection on the dehumanising effects of modernity and industrialisation, establishing his name as one of the great imaginative novelists of his generation. For the first time in publishing history, this comprehensive eBook presents Lawrence’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 12) * Beautifully illustrated with images relating to Lawrence’s life and works * Concise introductions to the novels and other texts * All 12 novels, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * All 68 short stories, with many rare stories appearing in digital print for the first time * Special chronological and alphabetical contents tables for the poetry and the short stories * Easily locate the poems or short stories you want to read * All the plays, with separate contents tables * All the travel writing books * 7 poetry collections, including rare books available in no other digital collection * Includes many rare non-fiction essays and collections * Also includes ‘A STUDY OF THOMAS HARDY’ – explore Lawrence’s critique of the famous author * The rare school textbook Lawrence wrote when struggling financially * Includes Part I and Part II of PHOENIX: THE POSTHUMOUS PAPERS OF D. H. LAWRENCE – spends hours exploring this collection of literary papers that chart Lawrence’s genius * Features a bonus biography by Lawrence’s wife’s – first time in digital print’ explore the great writer’s literary life! * Lawrence’s translations of Italian novels and short stories * Also features Lawrence’s paintings * UPDATED with two drafts of ‘Lady Chatterley’s Lover’: The First Lady Chatterley; John Thomas and Lady Jane * Ordering of texts into chronological order and literary genres CONTENTS: The Novels The White Peacock (1911) The Trespasser (1912) Sons and Lovers (1913) The Rainbow (1915) Women in Love (1920) The Lost Girl (1920) Mr Noon (1921) Aaron’s Rod (1922) Kangaroo (1923) The Boy in the Bush (1924) The Plumed Serpent (1926) Lady Chatterley’s Lover (1928) The First Lady Chatterley John Thomas and Lady Jane The Novellas The Ladybird (1923) The Fox (1923) The Captain’s Doll (1923) St. Mawr (1925) The Virgin and the Gipsy (1930) The Escaped Cock (1930) The Short Stories The Complete Short Stories List of Short Stories in Alphabetical Order The Plays The Daughter-in-Law (1913) The Widowing of Mrs. Holroyd (1914) Touch and Go (1920) David (1926) The Fight for Barbara (1933) A Collier’s Friday Night (1934) The Married Man (1940) The Merry-Go-Round (1941) The Poetry Collections D .H. Lawrence’s Poetry: A Brief Introduction Love Poems and Others (1913) Amores (1916) Look! We Have Come Through! (1917) New Poems (1918) Bay: A Book of Poems (1919) Birds Beasts and Flowers (1923) Imagist Poetry (1923) Pansies (1929) Nettles (1930) Last Poems (1932) More Pansies (1932) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Travel Writing Twilight in Italy (1916) Sea and Sardinia (1921) Mornings in Mexico (1927) Sketches of Etruscan Places (1932) The Non-Fiction A Study of Thomas Hardy (1914) Movements in European History (1921) Psychoanalysis and the Unconscious (1921) Fantasia of the Unconscious (1922) Studies in Classic American Literature (1923) Reflections on the Death of a Porcupine and Other Essays (1925) A Propos of Lady Chatterley’s Lover (1929) Apocalypse and the Writings on Revelation (1931) Phoenix: The Posthumous Papers of D. H. Lawrence (1936) Phoenix II: Uncollected, Unpublished and Other Prose Works (1968) The Translations The Gentleman from San Francisco (1915) by Ivan Alekseyevich Bunin Mastro-Don Gesualdo (1923) by Giovanni Verga Little Novels of Sicily (1925) by Giovanni Verga Cavalleria Rusticana and Other Stories (1928) by Giovanni Verga The Paintings The Paintings of D. H. Lawrence (1929) The Biography Not I, But the Wind… (1935) by Frieda Lawrence
Author: James Ayres
Publisher: Oxbow Books
ISBN: 1782977457
Category : History
Languages : en
Pages : 537
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Book Description
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptor, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late seventeenth to early nineteenth centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ eighteenth century.
Author: Brian Keeble
Publisher: World Wisdom, Inc
ISBN: 9780941532716
Category : Art
Languages : en
Pages : 302
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Book Description
"This anthology proves that it is the human norm for all people to participate in meaningful and purposeful art, craft, and work because this is part of human nature itself."--BOOK JACKET.
Author: Benjamin G. Lockerd
Publisher: Rowman & Littlefield
ISBN: 1611476127
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
T. S. Eliot was raised in the Unitarian faith of his family in St. Louis but drifted away from their beliefs while studying philosophy, mysticism, and anthropology at Harvard. During a year in Paris, he became involved with a group of Catholic writers and subsequently went through a gradual conversion to Catholic Christianity. Many studies of Eliot's writings have mentioned his religious beliefs, but most have failed to give the topic due weight, and many have misunderstood or misrepresented his faith. More recently, scholars have begun exploring this dimension of Eliot's thought more carefully and fully. In this book readers will find Eliot's Anglo-Catholicism accurately defined and thoughtfully considered. Essays illuminate the all-important influence of the French Catholic writers he came to know in Paris. Prominent among them were those who wrote for or were otherwise associated with the Nouvelle Revue Française, including André Gide, Paul Claudel, and Charles-Louis Philippe. Also active in Paris at that time was the notorious Charles Maurras, whose influence on Eliot has been exaggerated by those who wished to discredit Eliot's traditionalist views. A more measured assessment of Maurras's influence has been needed and is found in several essays here. A wiser French Catholic writer, Jacques Maritain, has been largely ignored by Eliot scholars, but his influence is now given due consideration. The keynote of Eliot's cultural and political writings is his belief that religion and culture are integrally related. Several contributors examine his ideas on this subject, placing them in the context of Maritain's ideas, as well as those of the Catholic historian Christopher Dawson. Contributors take account of Eliot's intellectual relationship with such figures as John Henry Newman, Charles Williams, and the expert on church architecture, W. R. Lethaby. Eliot's engagement with other contemporaries who held a variety of Christian beliefs—including George Santayana, Paul Elmer More, C. S. Lewis, and David Jones—is also explored. This collection presents the subject of Eliot's religious beliefs in rich detail, from a number of different perspectives, giving readers the opportunity to see the topic in its complexity and fullness.
