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Author: Andrew Benjamin
Publisher: Routledge
ISBN: 1134920474
Category : Art
Languages : en
Pages : 219
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Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Andrew Benjamin
Publisher: Routledge
ISBN: 1134920474
Category : Art
Languages : en
Pages : 219
Get Book Here
Book Description
First published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Andrew Benjamin
Publisher: Routledge
ISBN: 1134920466
Category : Philosophy
Languages : en
Pages : 232
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Book Description
This book explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their paintings: Lucian Freud's self-portraits, Francis Bacon's use of mirrors, R.B. Kitaj and Jewish identity, Anselm Kiefer and iconoclasm. Apart from painting, Benjamin considers architecture, literature and the philosophical writings of Walter Benjamin and Descartes in elaborating the various aspects of ontological difference. The theory of the avant-garde which is developed in the book, in which the avant-garde is a philosophical category rather than a historical marker, is a major contribution to art criticism. It brings the worlds of contemporary art criticism and contemporary philosophy closer together.
Author: Andrew E. Benjamin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 217
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Book Description
Author: Boris Groys
Publisher: Verso Books
ISBN: 1844678091
Category : Art
Languages : en
Pages : 145
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Book Description
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
Author: Ara H. Merjian
Publisher: University of Chicago Press
ISBN: 022665527X
Category : Avant-garde
Languages : en
Pages : 285
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Book Description
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
Author: Peter Bürger
Publisher: Manchester University Press
ISBN: 9780719014536
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Hal Foster
Publisher: Verso Books
ISBN: 1784781460
Category : Art
Languages : en
Pages : 239
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Book Description
One of the world’s leading art theorists dissects a quarter century of artistic practice Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610469
Category : Design
Languages : en
Pages : 324
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Book Description
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Author: Paul Smith
Publisher: John Wiley & Sons
ISBN: 0470998423
Category : Art
Languages : en
Pages : 552
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Book Description
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
Author: Thierry De Duve
Publisher: U of Minnesota Press
ISBN: 081664859X
Category : Art
Languages : en
Pages : 255
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Book Description
Reveals the invention of the readymade as a critical point in contemporary art.
