ART IN THE SAN FRANCISCO BAY AREA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY).

ART IN THE SAN FRANCISCO BAY AREA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY). PDF Author: Thomas Albright
Publisher:
ISBN:
Category :
Languages : en
Pages : 366

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ART IN THE SAN FRANCISCO BAY AREA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY).

ART IN THE SAN FRANCISCO BAY AREA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY). PDF Author: Thomas Albright
Publisher:
ISBN:
Category :
Languages : en
Pages : 366

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Book Description


Art in the San Francisco Bay Area, 1945-1980

Art in the San Francisco Bay Area, 1945-1980 PDF Author: Thomas Albright
Publisher: Univ of California Press
ISBN: 0520338200
Category : Art
Languages : en
Pages : 422

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Facing Eden

Facing Eden PDF Author: Steven A. Nash
Publisher: Univ of California Press
ISBN: 9780520203631
Category : Art
Languages : en
Pages : 244

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Book Description
The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco. The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco.

PHOTOGRAPHY IN CALIFORNIA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY).

PHOTOGRAPHY IN CALIFORNIA ˜1945-1980œ (NINETEEN HUNDRED AND FORTY-FIVE TO NINETEEN HUNDRED AND EIGHTY). PDF Author: Louise Katzman
Publisher:
ISBN:
Category :
Languages : en
Pages : 205

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Illustrated Catalogue of the Post-exposition Exhibition

Illustrated Catalogue of the Post-exposition Exhibition PDF Author: San Francisco Art Association
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 204

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Bay Area Figurative Art, 1950-1965

Bay Area Figurative Art, 1950-1965 PDF Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258

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Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park

Epicenter

Epicenter PDF Author: Mark Johnstone
Publisher: Chronicle Books
ISBN: 9780811835411
Category : Art
Languages : en
Pages : 290

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Book Description
A hotbed of seismic activity, the San Francisco Bay Area is also an epicenter of vital new work by an art community always pushing the bounds of cultural innovation. Epicenter showcases the work of nearly fifty prominent and rising-star artists who have made this region the base of eclectic, cutting-edge art on the West Coast. Each profile captures the essence of the artists work with a gallery of signature work, critical career overview, brief biography, and selected bibliography for further exploration. The artists featured in Epicenter reflect the ethnic diversity, variety of media, and originality of the regional scene. Packaged in a handsome horizontal format with a forward-looking design, Epicenter is a timely look at the leading purveyors of the areas pioneering and ever-shifting panorama of art. Artists featured in Epicenter: Ray Beldner, Christopher Brown, Squeak Carnwath, Enrique Chagoya, Ann Chamberlain, Bruce Conner, Linda Connor, Crane|Winet, Judy Dater, Lewis de Soto, Viola Frey, Rupert Garcia, Carmen Lomas GarzaKen Goldberg, Guillermo Gmez-Pea, Ian Green, Lynn Hershman, Todd Hido, Doug Hollis, Mildred Howard, David Ireland, Paul Kos, Suzanne Lacy, Hung LiuTom Marioni, Richard Misrach, Anna Valentina Murch, Nobuho Nagasawa, Ron Nagle, Deborah Oropallo, Gay Outlaw, Irne Pijoan, Lucy Puls, Alan Rath, Rigo, Raymond Saunders, Richard Shaw, Katherine Sherwood, Silt, Mary Snowden, Larry Sultan, Survival Research Laboratories, Stephanie Syjuco, Mark Thompson, Meredith Tromble, Catherine Wagner, Henry Wessel, Rene Yung

Artistic San Francisco

Artistic San Francisco PDF Author: James A. Ganz
Publisher: Fine Arts Museum of San Francisco
ISBN: 9780764959899
Category : Art
Languages : en
Pages : 0

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Book Description
Situated on a small peninsula between a scenic bay and the vast Pacific Ocean, San Francisco is known for its picturesque neighborhoods and attractions--from bustling Chinatown to the beloved Golden Gate Bridge. But even before these iconic symbols of the city took shape, San Franciscos rugged topography and fog-shrouded coast served as a beacon for artists, who began arriving at the same time others were seeking their fortunes in the Sierra Nevada goldfields. Landscape artists were drawn to the idyllic natural beauty of the Bay Area in the early nineteenth century, and as San Francisco grew into a metropolis and now-famous landmark buildings appeared, more artists came to record the vibrant city and its unique setting. In the 1930s, hundreds of local artists were able to work under the federal arts programs of New Deal, and many took part in the citys public mural projects. Throughout the twentieth century, artists have continued their love affair with the City by the Bay, creating an enduring portrait of the ever-changing city and its surrounds via paintings, drawings, photographs, and prints. Featuring more than fifty artworks from the mid-1800s to the present, all from the collections of the Fine Arts Museums of San Francisco, "Artistic San Francisco" celebrates the sites and experiences of this extraordinary city through the eyes of the artists while providing a rare opportunity to witness the citys many changes over the past century and a half. An introductory essay by curator James A. Ganz explores the artistic roots of this dynamic region.

Depression-Era Murals of the Bay Area

Depression-Era Murals of the Bay Area PDF Author: Nicholas A. Veronico, Gina F. Morello, Brett A. Casadonte, and Gilda Collins
Publisher: Arcadia Publishing
ISBN: 146713144X
Category : History
Languages : en
Pages : 96

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Book Description
The San Francisco Bay Area's art community was thriving until the Great Depression strangled commerce in the 1930s. Pres. Franklin D. Roosevelt's New Deal art programs brought relief to many talented but financially strapped artists. Their legacy, and that of the New Deal, adorns the walls and halls of many public spaces throughout the region. Murals cover the lobbies of the Coit Memorial Tower, the Beach Chalet, and the Aquatic Park Bathhouse (today's San Francisco Maritime Museum) and decorate many public schools and post offices. Today, almost all of this wonderful art can be viewed by the public, free of charge.

All of Us or None

All of Us or None PDF Author: Lincoln Cushing
Publisher: Heyday.ORIM
ISBN: 1597142700
Category : Antiques & Collectibles
Languages : en
Pages : 391

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Book Description
A riveting survey of almost three hundred posters, revealing a history of Bay Area artists, activists, and movements from the 1960s to 2012. This catalog of political posters pays homage to an influential and populist art movement that has created some of the most enduring imagery of our time. In All of Us or None, author Lincoln Cushing examines key selections from a remarkable archive of over 24,000 posters amassed by free speech movement activist, author, and educator Michael Rossman over the course of thirty years. This inspiring collection of Bay Area posters illuminates the history of this ad-hoc and ephemeral art form, celebrating its unique capacity to infuse contemporary issues with the urgency and energy of the eternal fight for justice. Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women’s liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers—among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger—together raising their voices in opposition to the status quo. In spring of 2012, the Oakland Museum of California presented its first comprehensive exhibition of this recently acquired treasure; the show, along with this book, presented an unbroken narrative of passionate social justice printmaking from the mid-1960s to 2012. “This engaging catalogue surveys nearly 300 of the late Michael Rossman’s enormous collection of over 24,000 San Francisco Bay Area social justice posters . . . . With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka’s often quoted clenched fist, or the Black Panther Party’s panther symbol as rendered by Emory Douglas and others.” —Publishers Weekly “An extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.” —Paul Buhle, publisher of the SDS magazine Radical America and author of more than forty books on radical politics and culture