Author: Rose Walker
Publisher:
ISBN: 9789089648600
Category : Architecture
Languages : en
Pages : 0
Book Description
In this colorfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.
Art in Spain and Portugal from the Romans to the Early Middle Ages
Author: Rose Walker
Publisher:
ISBN: 9789089648600
Category : Architecture
Languages : en
Pages : 0
Book Description
In this colorfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.
Publisher:
ISBN: 9789089648600
Category : Architecture
Languages : en
Pages : 0
Book Description
In this colorfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century. For generations, scholarly discussions of such art have been complicated by a focus on maps of the pilgrimage roads and images of the Reconquista. Walker contextualizes these aspects by bringing together an exceptionally diverse range of academic studies, including work previously familiar only to Hispanophone audiences. By breaking down chronological, regional, and disciplinary divides that have limited scholarship on the subject for decades, this book enriches the wider English-language literature on early medieval art.
The Friars and Their Influence in Medieval Spain
Author: Francisco García-Serrano
Publisher:
ISBN: 9789462986329
Category : Church history
Languages : en
Pages : 0
Book Description
This book explores how the Spanish kingdoms were highly influenced by the arrival of the Dominican and Franciscan friars in the thirteenth century.
Publisher:
ISBN: 9789462986329
Category : Church history
Languages : en
Pages : 0
Book Description
This book explores how the Spanish kingdoms were highly influenced by the arrival of the Dominican and Franciscan friars in the thirteenth century.
Roman Art
Author: Nancy Lorraine Thompson
Publisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Publisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia
Author: Inés Monteira
Publisher: Taylor & Francis
ISBN: 104022671X
Category : Art
Languages : en
Pages : 243
Book Description
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Publisher: Taylor & Francis
ISBN: 104022671X
Category : Art
Languages : en
Pages : 243
Book Description
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Romanesque and the Mediterranean
Author: Rosa Bacile
Publisher: Routledge
ISBN: 1351191055
Category : Social Science
Languages : en
Pages : 724
Book Description
"The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes."
Publisher: Routledge
ISBN: 1351191055
Category : Social Science
Languages : en
Pages : 724
Book Description
"The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes."
Romanesque Patrons and Processes
Author: Jordi Camps
Publisher: Routledge
ISBN: 1351105582
Category : Social Science
Languages : en
Pages : 656
Book Description
The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.
Publisher: Routledge
ISBN: 1351105582
Category : Social Science
Languages : en
Pages : 656
Book Description
The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.
After the Carolingians
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579499
Category : Literary Criticism
Languages : en
Pages : 494
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579499
Category : Literary Criticism
Languages : en
Pages : 494
Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus
Author: Mariam Rosser-Owen
Publisher: BRILL
ISBN: 9004469206
Category : Art
Languages : en
Pages : 504
Book Description
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
Publisher: BRILL
ISBN: 9004469206
Category : Art
Languages : en
Pages : 504
Book Description
In Articulating the Ḥijāba, Mariam Rosser-Owen analyses for the first time the artistic and cultural patronage of the ‘Amirid regents of the last Cordoban Umayyad caliph, Hisham II, a period rarely covered in the historiography of al-Andalus. Al-Mansur, the founder of this dynasty, is usually considered a usurper of caliphal authority, who pursued military victory at the expense of the transcendental achievements of the first two caliphs. But he also commissioned a vast extension to the Great Mosque of Cordoba, founded a palatine city, conducted skilled diplomatic relations, patronised a circle of court poets, and owned some of the most spectacular objects to survive from al-Andalus, in ivory and marble. This study presents the evidence for a reconsideration of this period.
The Archaeology of the Iberian Peninsula
Author: Katina T. Lillios
Publisher: Cambridge University Press
ISBN: 1108764207
Category : Social Science
Languages : en
Pages : 401
Book Description
In this book, Katina Lillios provides an up-to-date synthesis of the rich histories of the peoples who lived on the Iberian Peninsula between 1,400,000 (the Paleolithic) and 3,500 years ago (the Bronze Age) as revealed in their art, burials, tools, and monuments. She highlights the exciting new discoveries on the Peninsula, including the evidence for some of the earliest hominins in Europe, Neanderthal art, interbreeding between Neanderthals and modern humans, and relationships to peoples living in North Africa, the Mediterranean, and Western Europe. This is the first book to relate the ancient history of the Peninsula to broader debates in anthropology and archaeology. Amply illustrated and written in an accessible style, it will be of interest to archaeologists and students of prehistoric Spain and Portugal.
Publisher: Cambridge University Press
ISBN: 1108764207
Category : Social Science
Languages : en
Pages : 401
Book Description
In this book, Katina Lillios provides an up-to-date synthesis of the rich histories of the peoples who lived on the Iberian Peninsula between 1,400,000 (the Paleolithic) and 3,500 years ago (the Bronze Age) as revealed in their art, burials, tools, and monuments. She highlights the exciting new discoveries on the Peninsula, including the evidence for some of the earliest hominins in Europe, Neanderthal art, interbreeding between Neanderthals and modern humans, and relationships to peoples living in North Africa, the Mediterranean, and Western Europe. This is the first book to relate the ancient history of the Peninsula to broader debates in anthropology and archaeology. Amply illustrated and written in an accessible style, it will be of interest to archaeologists and students of prehistoric Spain and Portugal.
Spain, 1000–1200: Art at the Frontiers of Faith
Author: Julia Perratore
Publisher: Metropolitan Museum of Art
ISBN: 1588397408
Category : Art
Languages : en
Pages : 52
Book Description
Spain, 1000–1200: Art at the Frontiers of Faith tells a nuanced story of the dynamic and interconnected medieval Iberian Peninsula while celebrating the artistic exchange among Christians, Muslims, and Jews in the region during the Middle Ages. This Bulletin emphasizes the variety and richness of the Museum’s holdings of medieval Iberian artworks which include mosaics, frescos, architectural decorations, manuscripts, textiles, ivories, and metalwork. Exploring how artists in medieval Spain drew from many sources of inspiration and navigated religious differences in their art, this text underscores the complexity of interfaith interaction during a pivotal era in Spanish history.
Publisher: Metropolitan Museum of Art
ISBN: 1588397408
Category : Art
Languages : en
Pages : 52
Book Description
Spain, 1000–1200: Art at the Frontiers of Faith tells a nuanced story of the dynamic and interconnected medieval Iberian Peninsula while celebrating the artistic exchange among Christians, Muslims, and Jews in the region during the Middle Ages. This Bulletin emphasizes the variety and richness of the Museum’s holdings of medieval Iberian artworks which include mosaics, frescos, architectural decorations, manuscripts, textiles, ivories, and metalwork. Exploring how artists in medieval Spain drew from many sources of inspiration and navigated religious differences in their art, this text underscores the complexity of interfaith interaction during a pivotal era in Spanish history.