Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392384
Category : Aboriginal Australians
Languages : en
Pages : 370
Book Description
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Oceania
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392384
Category : Aboriginal Australians
Languages : en
Pages : 370
Book Description
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
Publisher: Metropolitan Museum of Art
ISBN: 1588392384
Category : Aboriginal Australians
Languages : en
Pages : 370
Book Description
Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.
How to Read Oceanic Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Yale University Press
ISBN: 0300204299
Category : Art
Languages : en
Pages : 178
Book Description
An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture
Publisher: Yale University Press
ISBN: 0300204299
Category : Art
Languages : en
Pages : 178
Book Description
An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture
Oceania
Author: Peter Brunt
Publisher:
ISBN: 9781910350492
Category : ART
Languages : en
Pages : 328
Book Description
"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland."--Royal Academy of Arts website (accessed 26/10/2018).
Publisher:
ISBN: 9781910350492
Category : ART
Languages : en
Pages : 328
Book Description
"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland."--Royal Academy of Arts website (accessed 26/10/2018).
Art in Oceania
Author: Sean Mallon
Publisher: Thames & Hudson
ISBN: 9780500239018
Category : Art
Languages : en
Pages : 0
Book Description
Masks and figural sculptures are the most familiar examples of the visual culture of Oceania, yet they provide only a glimpse of the fascinating art of this expansive and diverse region. The artisans of the Pacific Islands have produced objects ranging from stained and beaten fabric, rock engravings, and woven containers to tattooed and painted bodies, drawings on sand and paper, and contemporary installation art. This sweeping survey looks at the full range of objects created over several millennia, spanning the settlement of Oceania in the prehistoric period to the present day.
Publisher: Thames & Hudson
ISBN: 9780500239018
Category : Art
Languages : en
Pages : 0
Book Description
Masks and figural sculptures are the most familiar examples of the visual culture of Oceania, yet they provide only a glimpse of the fascinating art of this expansive and diverse region. The artisans of the Pacific Islands have produced objects ranging from stained and beaten fabric, rock engravings, and woven containers to tattooed and painted bodies, drawings on sand and paper, and contemporary installation art. This sweeping survey looks at the full range of objects created over several millennia, spanning the settlement of Oceania in the prehistoric period to the present day.
Oceanic Art
Author: Nicholas Thomas
Publisher: Thames & Hudson
ISBN: 9780500202814
Category : Art
Languages : en
Pages : 216
Book Description
"Lavishly illustrated analysis and guide discusses the significance of art for the people of the Pacific Islands. Examines the art forms and practices of particular regions, for example, Maori ancestral carvings, and rituals of exchange and warfare in the Solomon Islands. Discusses topics such as maternal symbolism and male cults, and also provides a chapter on narrative art and tourism. Includes a bibliography, references and an index." - product description.
Publisher: Thames & Hudson
ISBN: 9780500202814
Category : Art
Languages : en
Pages : 216
Book Description
"Lavishly illustrated analysis and guide discusses the significance of art for the people of the Pacific Islands. Examines the art forms and practices of particular regions, for example, Maori ancestral carvings, and rituals of exchange and warfare in the Solomon Islands. Discusses topics such as maternal symbolism and male cults, and also provides a chapter on narrative art and tourism. Includes a bibliography, references and an index." - product description.
Exploring the Visual Art of Oceania
Author: Sidney M. Mead
Publisher: Honolulu : University Press of Hawaii
ISBN:
Category : Art
Languages : en
Pages : 490
Book Description
Publisher: Honolulu : University Press of Hawaii
ISBN:
Category : Art
Languages : en
Pages : 490
Book Description
The Pacific Arts of Polynesia and Micronesia
Author: Adrienne L. Kaeppler
Publisher: Oxford University Press, USA
ISBN: 0192842382
Category : Art
Languages : en
Pages : 217
Book Description
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Publisher: Oxford University Press, USA
ISBN: 0192842382
Category : Art
Languages : en
Pages : 217
Book Description
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Arts of Africa, Oceania, and the Americas
Author: Janet Catherine Berlo
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.
Publisher: Pearson
ISBN:
Category : Art
Languages : en
Pages : 404
Book Description
By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.
Power and Prestige: the Art of Clubs in Oceania
Author: Steven Hooper
Publisher:
ISBN: 9788857246406
Category :
Languages : en
Pages : 320
Book Description
A fresh look at the many meanings and forms of the club across two centuries of Oceanic culture Featuring more than 150 clubs made in the 18th and 19th centuries from across a vast geographical and cultural span, Power and Prestige explores a fascinating Oceanic object form that has long been misunderstood by Western scholars. From Australia, Polynesia, Melanesia and New Zealand to Hawaii, Easter Island and the Marquesas Islands, carved clubs have played many roles beyond combat in Oceanic cultures. The range in the size of works presented here--from 15 inches to more than six feet, and made in materials ranging from nephrite and wood to whalebone--points to this diversity of utility and form. In this abundantly illustrated volume, essays detail the clubs' use as ritual and religious objects, mediums of exchange, status symbols and more. Other texts break down the specific function clubs performed within each culture, as well as the symbolic meaning of the beautiful images and patterns inscribed on them.
Publisher:
ISBN: 9788857246406
Category :
Languages : en
Pages : 320
Book Description
A fresh look at the many meanings and forms of the club across two centuries of Oceanic culture Featuring more than 150 clubs made in the 18th and 19th centuries from across a vast geographical and cultural span, Power and Prestige explores a fascinating Oceanic object form that has long been misunderstood by Western scholars. From Australia, Polynesia, Melanesia and New Zealand to Hawaii, Easter Island and the Marquesas Islands, carved clubs have played many roles beyond combat in Oceanic cultures. The range in the size of works presented here--from 15 inches to more than six feet, and made in materials ranging from nephrite and wood to whalebone--points to this diversity of utility and form. In this abundantly illustrated volume, essays detail the clubs' use as ritual and religious objects, mediums of exchange, status symbols and more. Other texts break down the specific function clubs performed within each culture, as well as the symbolic meaning of the beautiful images and patterns inscribed on them.
The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.