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Author: Sam B. Girgus
Publisher: Edinburgh University Press
ISBN: 1474436250
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative.
Author: Sam B. Girgus
Publisher: Edinburgh University Press
ISBN: 1474436250
Category : Performing Arts
Languages : en
Pages : 191
Get Book Here
Book Description
In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative.
Author:
Publisher:
ISBN:
Category : Existential psychiatry
Languages : en
Pages : 514
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Book Description
Author: Gerald C. Cupchik
Publisher: Cambridge University Press
ISBN: 1107024455
Category : Body, Mind & Spirit
Languages : en
Pages : 415
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Book Description
Argues that relations between mind and body are analogous to those between subject matter and style in art.
Author: William Leon McBride
Publisher: Taylor & Francis
ISBN: 9780815324973
Category : Aesthetics
Languages : en
Pages : 376
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Book Description
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Author: Frances Gray
Publisher: Taylor & Francis
ISBN: 0429663137
Category : Psychology
Languages : en
Pages : 174
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Book Description
Within this book, Gray argues that moments of profound existential importance are given to us in the presence of Art, and that such moments are important motivators in our personal, civic, and moral lives. Using the work of Jung, Freud, Berger, and Nussbaum, this book looks to Art in its theory and practice as a driver of psychic epiphany. Examining music, environment, architecture, poetry, and painting, it traces the relationship between the ordinary and the extraordinary, showing how we can and do locate ourselves beyond our own psyches in a world of artistic endeavour. Gray concludes that Art plays a critical role in psychological practice and human flourishing on an individual and collective level. Epiphanies, Individuation, and Human Flourishing will appeal to artists, art theorists, therapists, and analysts as a teaching tool that demonstrates the possible connections that can be made among the arts, sciences and psycho-therapeutic communities, and Nature.
Author: Gary Cox
Publisher: A&C Black
ISBN: 1441153993
Category : Philosophy
Languages : en
Pages : 137
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Book Description
How to Be an Existentialist is a witty and entertaining book about the philosophy of existentialism. It is also a genuine self-help book offering clear advice on how to live according to the principles of existentialism formulated by Nietzsche, Sartre, Camus, and the other great existentialist philosophers. An attack on contemporary excuse culture, the book urges us to face the hard existential truths of the human condition. By revealing that we are all inescapably free and responsible - 'condemned to be free,' as Sartre says - the book aims to empower the reader with a sharp sense that we are each the master of our own destiny. Cox makes fun of the reputation existentialism has for being gloomy and pessimistic, exposing it for what it really is - an honest, uplifting, and potentially life changing philosophy!
Author: Colin Stanley
Publisher: John Hunt Publishing
ISBN: 1846946689
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
In May 1956, aged just 24, Colin Wilson achieved success and overnight fame with his philosophical study of alienation and transcendence in modern literature and thought, The Outsider. Fifty-four years on, and never out of print in English, the book is still widely read and discussed, having been translated into over thirty languages. In a remarkably prolific career, Wilson, a true polymath, has since written over 170 titles: novels, plays and non-fiction on a variety of subjects. This volume brings together twenty essays by scholars of Colin Wilson's work worldwide and is published in his honour to mark the author's 80th birthday. Each contributor has provided an essay on their favourite Wilson book (or the one they consider to be the most significant). The result is a varied and stimulating assessment of Wilson's writings on philosophy, psychology, literature, criminology and the occult with critical appraisals of four of his most thought-provoking novels. Altogether a fitting tribute to a writer
Author: Jeff Greenberg
Publisher: Guilford Publications
ISBN: 1462514790
Category : Psychology
Languages : en
Pages : 546
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Book Description
Social and personality psychologists traditionally have focused their attention on the most basic building blocks of human thought and behavior, while existential psychologists pursued broader, more abstract questions regarding the nature of existence and the meaning of life. This volume bridges this longstanding divide by demonstrating how rigorous experimental methods can be applied to understanding key existential concerns, including death, uncertainty, identity, meaning, morality, isolation, determinism, and freedom. Bringing together leading scholars and investigators, the Handbook presents the influential theories and research findings that collectively are helping to define the emerging field of experimental existential psychology.
Author: Justin Bozung
Publisher: Bloomsbury Publishing USA
ISBN: 1501325531
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer's thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer's cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker's six films created during the years of 1947 and 1987, and contends to show how Mailer's films can be best read as cinematic delineations that visually represent many of the writer's metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer's cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, "Film is legitimately more interesting than books..." and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.
Author: Markus Floris Christensen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111135179
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
This book explores how states and traits of anxiety are reflected in the style and structure of certain works by three key figures of modern Scandinavian literature: August Strindberg, Inger Christensen, Karl Ove Knausgård. On the basis of particular literary analyses, it develops a literary phenomenology of anxiety as well as a hermeneutical theory of anxiety that considers the ways in which anxiety has been represented in various genres of modern Scandinavian literature from the last three centuries. Whereas the former uncovers the ways in which anxiety is reflected in literary form and style, the latter interprets the relationship between author, text, and reader as well as the effects of genre. As Strindberg’s works capture the tensions between existential indeterminism and naturalistic determinism and make way for negative aesthetic pleasure, poetry such as Christensen’s challenges scientistic and psychiatric conceptions of anxiety and instigates a change in how humans conduct themselves in relation to the experience of anxiety. Finally, Knausgård’s autofictive work gives voice to the socially anxious self of late modernity and incites moments of self-intensification and reorganizes the fragile self of contemporary society. In this way, it becomes clear that literature is an outstanding archive of representations and transformations in the cultural history of anxiety. Literature is an aesthetic medium of expression and reflection that represents anxiety in a number of ways that may enrich our understanding of anxiety today. This work thus contributes to cultural and literary scholarship that contests the subjugation of anxiety to a scientific world view and aims to expose the imaginative and creative dimensions of anxiety that are often ignored in contemporary public discourse and policy.
