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Author: Carlos Fausto
Publisher: U of Nebraska Press
ISBN: 1496221532
Category : History
Languages : en
Pages : 356
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Book Description
In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology's most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?
Author: Carlos Fausto
Publisher: U of Nebraska Press
ISBN: 1496221532
Category : History
Languages : en
Pages : 356
Get Book Here
Book Description
In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology's most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Lévi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?
Author: Thomas G. Smith
Publisher: Ballantine Books
ISBN: 9780345009364
Category :
Languages : en
Pages : 308
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Book Description
Author: Jean Drysdale Green
Publisher: Watson-Guptill Publications
ISBN: 9780823025299
Category : Art
Languages : en
Pages : 208
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Book Description
Provides step-by-step instructions and examples for using various techniques for creating unusual effects with inks, watercolors, oil paints, and other materials
Author: Carlos Fausto
Publisher: U of Nebraska Press
ISBN: 1496220447
Category : History
Languages : en
Pages : 420
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Book Description
In Art Effects Brazilian anthropologist Carlos Fausto explores the agency of indigenous artifacts and images in order to offer a new understanding of the pragmatics and ontology of ritual contexts.
Author: J. C. Hutchins
Publisher: St. Martin's Griffin
ISBN: 142998936X
Category : Fiction
Languages : en
Pages : 324
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Book Description
Want to try it yourself? Call the phone number shown on book's cover: 212-629-1951 and listen to the voicemail message for main character Zach Taylor. Personal Effects follows the extensive notes of therapist Zach Taylor's investigation into the life and madness of Martin Grace, an accused serial killer who claims to have foreseen, but not caused, his victims' deaths. Zach's investigations start with interviews and art sessions, but then take him far from the hospital grounds—and often very far from the reality that we know. The items among Grace's personal effects are the keys to understanding his haunted past, and finding the terrifying truth Grace hoped to keep buried: • Call the phone numbers: you'll get a character's voicemail. • Google the characters and institutions in the text: you'll find real websites • Examine the art and other printed artifacts included inside the cover: if you pay attention, you'll find more information than the characters themselves discover Personal Effects, the ultimate in voyeuristic storytelling, represents a revolutionary step forward in changing the way people interact with novels.
Author: Ernst van Alphen
Publisher: Stanford University Press
ISBN: 9780804729154
Category : Art
Languages : en
Pages : 252
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Book Description
In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch is the subject of inquiry that propels this study.
Author: Eran Dinur
Publisher: Taylor & Francis
ISBN: 1317353188
Category : Art
Languages : en
Pages : 207
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Book Description
The Filmmaker’s Guide to Visual Effects offers a practical, detailed guide to visual effects for non-VFX specialists working in film and television. In contemporary filmmaking and television production, visual effects are used extensively in a wide variety of genres and formats to contribute to visual storytelling, help deal with production limitations, and reduce budget costs. Yet for many directors, producers, editors, and cinematographers, visual effects remain an often misunderstood aspect of media production. In this book, award-winning VFX supervisor and instructor Eran Dinur introduces readers to visual effects from the filmmaker’s perspective, providing a comprehensive guide to conceiving, designing, budgeting, planning, shooting, and reviewing VFX, from pre-production through post-production. The book will help readers: Learn what it takes for editors, cinematographers, directors, producers, gaffers, and other filmmakers to work more effectively with the visual effects team during pre-production, on the set and in post, use visual effects as a narrative aid, reduce production costs, and solve problems on location; Achieve a deeper understanding of 3D, 2D, and 2.5D workflows; the various VFX crafts from matchmove to compositing; essential concepts like photorealism, parallax, roto, and extraction; become familiar with the most common types of VFX, their role in filmmaking, and learn how to plan effectively for the cost and complexity of VFX shots; See visual effects concepts brought to life in practical, highly illustrated examples drawn from the real-world experiences of industry professionals, and discover how to better integrate visual effects into your own projects.
Author: Stephanie van der Linden
Publisher: Penguin
ISBN: 1620334852
Category : Crafts & Hobbies
Languages : en
Pages : 426
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Book Description
Enjoy a fresh new approach to sock knitting! Stephanie van der Linden is a master knitter and shows her technical skills to great effect in Op-Art Socks. A collector of op-art ceramics, she was inspired to translate graphic optical illusions into knitted patterns for socks, replicating their eye-popping effects. Op-Art Socks contains 19 projects. Explore graphic colorwork, textured knitting (knit and purl), shadow knitting, and shifting ribbing to create optical illusions. The book includes black and white swatches of all patterns so that you can readily perceive the op-art illusions in each piece. Op-Art Socks is truly unique in theme and designs. Go beyond ordinary sock knitting into new territory!
Author: Lauren Cornell
Publisher: MIT Press
ISBN: 0262330687
Category : Art
Languages : en
Pages : 529
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Book Description
Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet. Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium—with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies. Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as “postinternet.” Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again. Copublished with the New Museum of Contemporary Art, New York Important Notice: The digital edition of this book is missing some of the images found in the physical edition. Contributors Cory Arcangel, Karen Archey, Michael Bell-Smith, Claire Bishop, Dora Budor, Johanna Burton, Paul Chan, Ian Cheng, Michael Connor, Lauren Cornell, Petra Cortright, Jesse Darling, Anne de Vries, DIS, Aleksandra Domanović, Harm van den Dorpel, Dragan Espenschied, Rózsa Zita Farkas, Azin Feizabadi, Alexander R. Galloway, Boris Groys, Ed Halter, Alice Ming Wai Jim, Jogging, Caitlin Jones, David Joselit, Dina Kafafi, John Kelsey, Alex Kitnick, Tina Kukielski, Oliver Laric, Mark Leckey, David Levine, Olia Lialina, Guthrie Lonergan, Jordan Lord, Jens Maier-Rothe, Shawn Maximo, Jennifer McCoy, Kevin McCoy, Gene McHugh, Tom Moody, Ceci Moss, Katja Novitskova, Marisa Olson, Trevor Paglen, Seth Price, Alexander Provan, Morgan Quaintance, Domenico Quaranta, Raqs Media Collective, Alix Rule, Timur Si-Qin, Josephine Berry Slater, Paul Slocum, Rebecca Solnit, Wolfgang Staehle, Hito Steyerl, Martine Syms, Ben Vickers, Michael Wang, Tim Whidden, Anicka Yi, and Damon Zucconi
Author: John Beardsworth
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596100629
Category : Computers
Languages : en
Pages : 188
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Book Description
"62 easy-to-follow recipes to recreate the classic styles of great artists & photographers"--Cover.
