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Author: Naomi Oosterman
Publisher: Springer Nature
ISBN: 3031140842
Category : Law
Languages : en
Pages : 230
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Book Description
This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see ‘art’ in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as “art and heritage crimes” and displays that both art, and criminality related to art, is creative and unpredictable.
Author: Naomi Oosterman
Publisher: Springer Nature
ISBN: 3031140842
Category : Law
Languages : en
Pages : 230
Get Book Here
Book Description
This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see ‘art’ in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as “art and heritage crimes” and displays that both art, and criminality related to art, is creative and unpredictable.
Author: Noah Charney
Publisher: Bloomsbury Publishing USA
ISBN: 0313366365
Category : Social Science
Languages : en
Pages : 288
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Book Description
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security. Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.
Author: Saskia Hufnagel
Publisher: Springer
ISBN: 1137544058
Category : Social Science
Languages : en
Pages : 909
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Book Description
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
Author: Slavko Pregl
Publisher:
ISBN: 9781734302646
Category :
Languages : en
Pages : 402
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Book Description
There are countless stories of buried, hidden, lost and then "exhumed" artworks, preserved thanks to having been hidden. The Croatian Jew Erich Slomovič possessed an art collection of around 600 paintings, including works by Picasso, Chagall and Matisse, which he acquired while working in Paris in his early twenties as the protégé of the art dealer Ambroise Vollard. When Slomovič fled Paris in anticipation of the Nazi invasion, he placed 190 paintings in a bank vault, while the rest were boxed up and smuggled across Nazi-occupied territories with the assistance of the Yugoslav Embassy, eventually to be brought to Belgrade. Slomovič was arrested shortly after and was killed in a concentration camp, aged 27. His art collection survived far longer. In 1981, the 190 works in the vault in Paris were set to be auctioned off, in lieu of unpaid banking expenses. This prompted Slomovič's descendants into legal action, in opposition to Vollard's heirs, who claimed that Slomovič stole the works from the renowned dealer. The auction of the vault's contents, which were eventually divided among Slomovič's and Vollard's heirs, finally went ahead at Sotheby's in 2010, and the 190 works earned around $30 million. But the 400 or so that made their way back to Belgrade were hidden behind a false wall, in anticipation of the rounding up of Belgrade's Jews, and remained undiscovered throughout the war. After the war, Slomovič's relatives recovered the artworks but died in a train crash while carrying them to Belgrade; the art was described in one account as being scattering across "a muddy field in central Serbia." The works were retrieved and eventually arrived at the National Museum of Belgrade, where they have remained ever since. But there are other versions of this story. It is all ostensibly true, but varies depending on which historical account you read, and who you ask. One alternate version is told in a novelistic style here by Leon Pogelsek, a Slovenian art dealer who personally knew some of the characters involved in the Yugoslav chapter of the story and, indeed, was involved himself-he appears in this story under the pseudonym Leon Sattler. He related his version of the Slomovič story, which remains one of the great mysteries of lost art, to multi-award-winning Slovenian author, Slavko Pregl. The result is the book in your hands. It's a true story to the best knowledge of the authors, but it reads like a novel. Can the lost collection be found? This book is published as part of the ARCA Publications imprint, dedicated to promoting knowledge and awareness of art crime and cultural heritage protection, and with the support of JAK, the Slovenian Book Agency. For more information on ARCA, visit www.artcrimeresearch.org.
Author: Stephen Eugene Brown
Publisher: Routledge
ISBN: 1455730106
Category : Law
Languages : en
Pages : 593
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Book Description
This highly acclaimed criminology text presents an up-to-date review of rational choice theories, including deterrence, shaming, and routine activities.
Author: Karen T. Taylor
Publisher: CRC Press
ISBN: 1040080227
Category : Law
Languages : en
Pages : 534
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Book Description
As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, off
Author: John Braithwaite
Publisher: Cambridge University Press
ISBN: 9780521356688
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
Crime, Shame and Reintegration is a contribution to general criminological theory. Its approach is as relevant to professional burglary as to episodic delinquency or white collar crime. Braithwaite argues that some societies have higher crime rates than others because of their different processes of shaming wrongdoing. Shaming can be counterproductive, making crime problems worse. But when shaming is done within a cultural context of respect for the offender, it can be an extraordinarily powerful, efficient and just form of social control. Braithwaite identifies the social conditions for such successful shaming. If his theory is right, radically different criminal justice policies are needed - a shift away from punitive social control toward greater emphasis on moralizing social control. This book will be of interest not only to criminologists and sociologists, but to those in law, public administration and politics who are concerned with social policy and social issues.
Author: Glenn D. Walters
Publisher: SAGE
ISBN: 1412996082
Category : Law
Languages : en
Pages : 289
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Book Description
Referencing clinical case studies throughout, this book encourages students to critically examine crime-related constructs such as psychopathy, antisocial personality disorder and criminal lifestyle, and to explore evidence-based interventions that could prevent further crime.
Author: Michael Finkel
Publisher: Simon and Schuster
ISBN: 1471186253
Category : Biography & Autobiography
Languages : en
Pages : 213
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Book Description
The true story of the world’s most prolific art thief, who accumulated a collection worth over $1.4 billion. A spellbinding portrait of obsession and flawed genius, from the bestselling author of The Stranger in the Wood. For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than 200 heists over nearly ten years - in museums and cathedrals all over Europe - Breitwieser, along with his girlfriend who worked as his lookout, stole more than 300 objects, until it all fell apart in spectacular fashion. In The Art Thief, Michael Finkel brings us into Breitwieser’s strange and fascinating world. Unlike most thieves, he never stole for money, keeping all his treasures in his home, where he could admire them to his heart’s content. Possessed of a remarkable appreciation for art and an innate ability to assess practically any security system, Breitwieser managed to pull off a breathtakingly number of audacious thefts. Yet these strange talents bred a growing disregard for risk and an addict’s need to score, leading Breitwieser to ignore his girlfriend’s pleas to stop - until one final act of hubris brought everything crashing down. This is a riveting story of art, crime, and an insatiable hunger to possess beauty at any cost. As a real page-turner that seems almost unbelievable in its twists and turns, The Art Thief explores the true story of the art collector who went to extreme lengths to expand his personal collection – and the thrill of the heist that kept him going.
Author: Richard Van Herzeele
Publisher: Gompel&Svacina
ISBN: 9463715134
Category : Art
Languages : en
Pages : 290
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Book Description
The role of private actors in policing has become a topic in both research and policy, as police forces face budgetary and expertise-related constraints. These challenges are evident in art crime policing, where a lack of prioritisation often means limited resources are allocated for a crime that requires significant expertise to tackle. Cooperating with private actors has been mooted as a solution to this deficit, but empirical research to support this suggestion is scarce. This book helps fill this gap by examining the interaction between specialist art crime police units and private actors in Belgium, the United Kingdom, and France. Its central questions are whether cooperation already exists in art crime policing, and why, or not. It was found that while limits to police capacity are an important driver for private outreach, several other factors also significantly affect cooperation. This book is relevant for policy, practice, and research, as it examines a hitherto less discussed topic which is nonetheless urgent as art crime shows little signs of abating.
