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Author: Stefan Koldehoff
Publisher: Seven Stories Press
ISBN: 1644213265
Category : Art
Languages : en
Pages : 0
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Book Description
Here are stories of high-stakes, brazen art crimes from around the world with new insights on ongoing cases by two journalists counted among the most 100 influential people in the art business. "True crime fans and aficionados of culture will appreciate this dive into the dark side of the art world." —Publishers Weekly The art world is one of the most secretive—and largely unregulated—of global businesses, and the list of its crimes run long and deep. The extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. By turns thrilling, disturbing, and unbelievable, the cases explored in this book include "artnapping"—stealing art to collect a ransom—tax fraud, forgery, money laundering, and illegal excavations. The book includes coverage of: The 1911 theft of the Mona Lisa from the Louvre A 2017 sensational case of a 220 lb Canadian gold coin from Berlin's Bode Museum The Isabella Stewart Gardner Museum heist A section on the thriving market for Mondigliani forgaries The ill-gotten art collection of former First Lady of the Philippines, Imelda Marcos Art stolen by the Nazis during WWII, and the enduring business of forgeries of Hitler's own paintings President Donald Trump's practice of using his charitable fund to buy art, including a portrait of himself True crime and art history lovers will devour this thoroughly researched and fascinating book.
Author: Stefan Koldehoff
Publisher: Seven Stories Press
ISBN: 1644213265
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Here are stories of high-stakes, brazen art crimes from around the world with new insights on ongoing cases by two journalists counted among the most 100 influential people in the art business. "True crime fans and aficionados of culture will appreciate this dive into the dark side of the art world." —Publishers Weekly The art world is one of the most secretive—and largely unregulated—of global businesses, and the list of its crimes run long and deep. The extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. By turns thrilling, disturbing, and unbelievable, the cases explored in this book include "artnapping"—stealing art to collect a ransom—tax fraud, forgery, money laundering, and illegal excavations. The book includes coverage of: The 1911 theft of the Mona Lisa from the Louvre A 2017 sensational case of a 220 lb Canadian gold coin from Berlin's Bode Museum The Isabella Stewart Gardner Museum heist A section on the thriving market for Mondigliani forgaries The ill-gotten art collection of former First Lady of the Philippines, Imelda Marcos Art stolen by the Nazis during WWII, and the enduring business of forgeries of Hitler's own paintings President Donald Trump's practice of using his charitable fund to buy art, including a portrait of himself True crime and art history lovers will devour this thoroughly researched and fascinating book.
Author: Noah Charney
Publisher: Bloomsbury Publishing USA
ISBN: 0313366365
Category : Social Science
Languages : en
Pages : 288
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Book Description
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security. Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.
Author: Saskia Hufnagel
Publisher: Springer
ISBN: 1137544058
Category : Social Science
Languages : en
Pages : 909
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Book Description
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
Author: Erin L. Thompson
Publisher: W. W. Norton & Company
ISBN: 0393867684
Category : History
Languages : en
Pages : 288
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Book Description
A leading expert on the past, present, and future of public monuments in America. An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? Which ones should stay up and which should come down? Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues. She lays bare the turbulent history of American monuments and its abundant ironies, from the enslaved man who helped make the statue of Freedom that tops the United States Capitol, to the fervent Klansman fired from sculpting the world’s largest Confederate monument—who went on to carve Mount Rushmore. And she explores the surprising motivations behind contemporary flashpoints, including the toppling of a statue of Columbus at the Minnesota State Capitol, the question of who should be represented on the Women’s Rights Pioneers Monument in Central Park, and the decision by a museum of African American culture to display a Confederate monument removed from a public park. Written with great verve and informed by a keen sense of American history, Smashing Statues gives readers the context they need to consider the fundamental questions for rebuilding not only our public landscape but our nation as a whole: Whose voices must be heard, and whose pain must remain private?
Author: Noah Charney
Publisher: Springer
ISBN: 1137407573
Category : Social Science
Languages : en
Pages : 388
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Book Description
Since the Second World War, art crime has shifted from a relatively innocuous, often ideological crime, into a major international problem, considered by some to be the third-highest grossing criminal trade worldwide. This rich volume features essays on art crime by the most respected and knowledgeable experts in this interdisciplinary subject.
Author: Naomi Oosterman
Publisher: Springer Nature
ISBN: 3030848566
Category : Law
Languages : en
Pages : 284
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Book Description
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Author: Jonathan Paul Eburne
Publisher: Cornell University Press
ISBN: 9780801446740
Category : Art
Languages : en
Pages : 348
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Book Description
Corpses mark surrealism's path through the twentieth century, providing material evidence of the violence in modern life. Though the shifting group of poets, artists, and critics who made up the surrealist movement were witness to total war, revolutionary violence, and mass killing, it was the tawdry reality of everyday crime that fascinated them. Jonathan P. Eburne shows us how this focus reveals the relationship between aesthetics and politics in the thought and artwork of the surrealists and establishes their movement as a useful platform for addressing the contemporary problem of violence, both individual and political. In a book strikingly illustrated with surrealist artworks and their sometimes gruesome source material, Eburne addresses key individual works by both better-known surrealist writers and artists (including André Breton, Louis Aragon, Aimé Césaire, Jacques Lacan, Georges Bataille, Max Ernst, and Salvador Dalí) and lesser-known figures (such as René Crevel, Simone Breton, Leonora Carrington, Benjamin Péret, and Jules Monnerot). For Eburne "the art of crime" denotes an array of cultural production including sensationalist journalism, detective mysteries, police blotters, crime scene photos, and documents of medical and legal opinion as well as the roman noir, in particular the first crime novel of the American Chester Himes. The surrealists collected and scrutinized such materials, using them as the inspiration for the outpouring of political tracts, pamphlets, and artworks through which they sought to expose the forms of violence perpetrated in the name of the state, its courts, and respectable bourgeois values. Concluding with the surrealists' quarrel with the existentialists and their bitter condemnation of France's anticolonial wars, Surrealism and the Art of Crime establishes surrealism as a vital element in the intellectual, political, and artistic history of the twentieth century.
Author: Gwenn Seemel
Publisher: Lulu.com
ISBN: 1387682504
Category :
Languages : en
Pages : 132
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Book Description
Author: Joe Day
Publisher: Routledge
ISBN: 1135040842
Category : Architecture
Languages : en
Pages : 321
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Book Description
America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment. Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight. Now that criminal and creative transgression are America’s defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design.
Author: Stefano Manacorda
Publisher: Springer Science & Business Media
ISBN: 1441979468
Category : Social Science
Languages : en
Pages : 446
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Book Description
The theft, trafficking, and falsification of cultural property and cultural heritage objects are crimes of a particularly complex nature, which often have international ramifications and significant economic consequences. Organized criminal groups of various types and origins are involved in these illegal acts. The book Crime in the Art and Antiquities World has contributions both from researchers specializing in the illegal trafficking of art, and representatives of international institutions involved with prevention and detection of cultural property-related crimes, such as Interpol and UNESCO. This work is a unique and useful reference for scholars and private and public bodies alike. This innovative volume also includes an Appendix of the existing legal texts, i.e. international treaties, conventions, and resolutions, which have not previously been available in a single volume. As anyone who has undertaken research or study relating to the protection of cultural heritage discovers one of the frustrations encountered is the absence of ready access to the multi- various international instruments which exist in the field. Since the end of the Second World War these instruments have proliferated, first in response to increasing recognition of the need for concerted multinational action to give better protection to cultural property during armed conflict as well as ensuring the repatriation of cultural property looted during such conflict. Thus the international community agreed in 1954 upon a Convention for the Protection of Cultural Property in the Event of Armed Conflict. That Convention, typically referred to as the Hague Convention of 1954, is now to be found reproduced in the Appendix to this book (Appendix I) together with 25 other important and diverse documents that we believe represent a core of the essential international sources of reference in this subject area. In presenting these documents in one place we hope that readers will now experience less frustration while having the benefit of supplementing their understanding and interpretation of the various instruments by referring to individual chapters in the book dealing with a particular issue or topic. For example, Chapter 9 by Mathew Bogdanos provides some specific and at times rather depressing descriptions of the application in the field of the Hague Convention 1954, and its Protocols (Appendices II and III), to the armed conflict in Iraq. Reference may also be had to the resolution of the UN Security Council in May 2003 (Appendix VI) urging Member States to take appropriate steps to facilitate the safe return of looted Iraqi cultural property taken from the Iraq National Museum, the National Library and other locations in Iraq. Despite such pleas the international antiquities market seems to have continued to trade such looted property in a largely unfettered manner, as demonstrated by Neil Brodie in Chapter 7. Fittingly, as referred to in the Preface to this book, the last document contained in the Appendix (Appendix 26) is the “Charter of Courmayeur”, formulated at a ground breaking international workshop on the protection of cultural property conducted by the International Scientific and Professional Advisory Council (ISPAC) to the United Nations Crime Prevention and Criminal Justice Program in Courmayeur, Italy, in June 1992. The Charter makes mention of many of the instruments contained in the Appendix while also foreshadowing many of the developments which have taken place in the ensuing two decades designed to combat illicit trafficking in cultural property through international collaboration and action in the arena of crime prevention and criminal justice.
