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Author: Christian Schlatter
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ISBN:
Category :
Languages : fr
Pages : 0
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Author: Christian Schlatter
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Christian Schlatter
Publisher:
ISBN:
Category :
Languages : en
Pages : 598
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Author: Christian Schlatter
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 620
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Author: Christian Schlatter
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511179
Category : Design
Languages : en
Pages : 628
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This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
Author: Daniel Buren
Publisher: Routledge
ISBN: 100016117X
Category : Political Science
Languages : en
Pages : 426
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Für diesen Band wurden Texte von Daniel Buren ausgewählt, die seine künstlerische wie theoretische Arbeit seit 1967 besonders anschaulich dokumentieren. Vor allem die Schriften, die bereits einen festen Platz in der kunstgeschichtlichen Literatur einnehmen, wurden ausnahmslos aufgenommen. Für eine detaillierte Auseinandersetzung mit allen Formen der Textproduktion Bürens - vor allem den zahlreichen Werkbeschreibungen und Interviews - verweisen wir auf die dreibändige Schriftenausgabe Daniel Buren. Les Ecrits (1965-1990), die 1991 vom Musée d’art contemporain de Bordeaux herausgegeben wurde. Die Texte erscheinen in chronologischer Reihenfolge. Texts by Daniel Buren were selected for this volume, his artistic and theoretical work Documented particularly clearly since 1967. In front all the fonts that already have a permanent place in the occupy literature on art history recorded without exception. For a detailed discussion with all forms of text production Bürens - especially the numerous work descriptions and interviews - we refer to the three-volume. Written edition by Daniel Buren. Les Ecrits (1965-1990), the 1991 of the Musée d’art contemporain de Bordeaux was issued. The texts appear in chronological order.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 201
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Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Gerald Janecek
Publisher: Northwestern University Press
ISBN: 0810139030
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
Innovative poets such as Vsevolod Nekrasov, Lev Rubinstein, and Dmitry Prigov are among the most prominent literary figures of Russia in the 1980s and 1990s, yet they are virtually unknown outside Russia. The same is true of the numerous active Russian performance art groups, especially the pioneering Collective Actions group led by the brilliantly inventive Andrei Monastyrsky. Everything Has Already Been Written strives to make Moscow Conceptualism more accessible, to break the language barrier and to foster understanding among an international readership by thoroughly discussing a broad range of specific works and theories. Janecek’s study is the first comprehensive analysis of Moscow Conceptualist poetry and theory, vital for an understanding of Russian culture in the post‐Conceptualist era.
Author: Ann Goldstein
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Reconsidering the Object of Artexamines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many crucial, ground-breaking works that have not been seen within their proper historical context, if they have been individually seen at all. By 1969 such artists as Michael Asher, John Baldessari, Marcel Broodthaers, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others had begun to create works using a variety of media that sought to reevaluate certain fundamental premises about the formal, material, and contextual definitions of art. This first comprehensive overview of Conceptual art in English documents the work of fifty-five artists, work that marked a significant rupture with traditional forms and concepts of painting, sculpture, photography, and film. Also included are essays that elucidate the significant aesthetic issues that gave rise, in both America and Europe, to the highly individual, but related, modes of Conceptual art. Lucy Lippard (art historian) writes on the broader sociopolitical milieu in which this work was made; Stephen Melville (Professor of Art History, Ohio State University) probes the theoretical and philosophical underpinnings of Conceptual art; and Jeff Wall (artist) discusses the relationship between Conceptual art and photography. Anne Rorimer and Ann Goldstein (curators of the exhibition the book accompanies) respectively take up the role of language in this work, and discuss each of the artists. Copublished with the Museum of Contemporary Art, Los Angeles
