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Author: Jeff Andrews
Publisher: Arena books
ISBN: 1911593366
Category : Art
Languages : en
Pages : 166
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Book Description
A critique of abstract modern art from a constructive common sense perspective.
Author: Jeff Andrews
Publisher: Arena books
ISBN: 1911593366
Category : Art
Languages : en
Pages : 166
Get Book Here
Book Description
A critique of abstract modern art from a constructive common sense perspective.
Author: Jeff Andrews
Publisher: Arena Books Limited
ISBN: 9781911593355
Category : Art
Languages : en
Pages : 164
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Book Description
A critique of abstract modern art from a constructive common sense perspective.
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
ISBN: 9780836280050
Category : Antiques & Collectibles
Languages : en
Pages : 222
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Book Description
Cutting through the fog of jargon and theories that can make art seem hopelessly remote, The Annotated Mona Lisa demystifies art history. It's a brisk, clearly stated survey, from cave painting to conceptual art, that doesn't talk down to its reader and doesn't assume a prior art education. Dynamic design, page-length essays, frequent sidebars, and abundant illustrations make this compendium a browser's delight. 300 illustrations, one third in color.
Author: Bernardo Strozzi
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
Author: John Baldessari
Publisher: JRP Ringier
ISBN: 9783037645185
Category : Conceptual art
Languages : en
Pages : 312
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Book Description
As ludic and non-authoritarian as John Baldessari's art, this new monograph on the "father of Conceptual art" is dedicated to his practice as an artist and a teacher, and the many ways in which both practices intertwine in his life.Having been trained as an arts educator, John Baldessari is today renowned for his work as much as for his innovative post studio class at CalArts, Los Angeles, where he has formed many generations of artists and participated in shaping the West Coast art scene.Visually organized in alphabetical order, Learning to Read from John Baldessari -- which accompanies a retrospective of his work at Museo Jumex, Mexico City, a comprehensive essay on the artist's approaches to art making and teaching, a biography of the artist as a teacher, artworks reproduced thematically, and many stories and anecdotes told by former students such as Liz Craft, Ed Henderson, Matt Mullican, Tony Oursler, David Salle, about their years at CalArts, and the uniqueness and serious playfulness of their formation.Emphasizing Baldessari's works in which language, task making, and learning processes are tackled, this publication highlights what the artist describes as the central function of art making: to communicate in a way that people can understand.Published with Museo Jumex, Mexico City.Accompanies the exhibition, Learning to Read from John Baldessari at Museo Jumex, Mexico City (11 November 2017 - 08 April 2018).
Author: Chicago Art Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Edward J. Sullivan
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
The drawings and watercolors handsomely illustrated in this volume provide a comprehensive overview of Fernando Botero's work in this media, which has seldom been reproduced. An introductory essay by Prof. Edward J. Sullivan of New York University, and biographical notes complete the catalogue and provide a framework for these superb but less well-known works by Botero. With consummate technical ability, this important twentieth century artist has revived the use of ancient materials: sanguine, charcoal, sepia pencil, wash and ink. Most of his drawings are executed on paper, sometimes on canvas, with great attention paid to the quality of the support. Botero uses a variety of drawing techniques. Some pieces are preparatory drawings for entire compositions - usually quick sketches of a drawing or sculpture - but the majority are independent works of art that rarely, if ever, repeat a composition the artist has executed in oils. Botero draws with affection. Each stroke of the pen or brush is applied with the knowledge that it will create another small but important part of the rich world populated by sensuous figures that has evolved throughout the years in the imagination of the artist. These drawings compel us to confront Botero's art and personality even more directly than in his paintings. In examining them with care, we are privileged to receive a glimpse into the creative mind and fertile imagination of this master. Looking at his drawings we can almost follow the genesis of the artist's ideas. It is as if we were seated at his side in intimate dialogue with him, watching his hand create the simulacra of his inner imagination.
Author: Toledo Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 17
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Book Description
Author: Helen Birch
Publisher: Quarto Publishing Group USA
ISBN: 0711251339
Category : Art
Languages : en
Pages : 211
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Book Description
Petite in size but packed with inspiration, Just Draw Botanicals presents 90 beautiful, contemporary botanical artworks in a range of media and styles. Each spread includes a stunning work of art paired with a discussion of the artist’s approach to creating it, including the techniques employed. At the bottom of the page, find tips on the tools, materials and methods used to make the piece. A hyper-realistic blackberry, a watercolour sketch of a bunch of mint in a glass, a detailed scratchboard study of three pussy willow twigs, a tribal-style pattern inspired by different leaf shapes, an abstract image-transfer print of a milkweed plant… the techniques and subjects covered are diverse. With these and more artworks – created in a variety of media, including watercolour, coloured pencils, oil, pen and ink, mixed media and pencil – explore: Shape, form and light Harmonious colours Contrasting elements Fine detail Capturing movement Cropped compositions Using negative space Anatomical accuracy A visual index is included at the front of the book so you can easily skip to a style or colour palette that interests you. At the back of the book, find an overview of materials and tips for using them; a list of further resources, including books and websites; and two additional indexes, one by artist name and the other by subject. Whether you are an artist looking for fresh ideas for creating botanical art or simply enjoy looking at nature-inspired images, this portable volume is a rich resource.
Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
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Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
