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Author: Eliza E. Rathbone
Publisher: Third Millennium Information Ltd
ISBN: 9781903942086
Category : Art
Languages : en
Pages : 166
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Book Description
The Phillips Collection, in Washington, D.C., was the first museum of modern art in the United States and today stands as a legacy to its founder and creator, Duncan Phillips.
Author: Eliza E. Rathbone
Publisher: Third Millennium Information Ltd
ISBN: 9781903942086
Category : Art
Languages : en
Pages : 166
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Book Description
The Phillips Collection, in Washington, D.C., was the first museum of modern art in the United States and today stands as a legacy to its founder and creator, Duncan Phillips.
Author: Keith Haring
Publisher: Princeton University Press
ISBN: 0691209855
Category : Art
Languages : en
Pages : 168
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Book Description
"Essential quotations from renowned artist and pop icon Keith Haring"--
Author: Jean-Michel Basquiat
Publisher: Princeton University Press
ISBN: 0691192839
Category : Art
Languages : en
Pages : 144
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Book Description
A collection of essential quotations and other writings from artist and icon Jean-Michel Basquiat One of the most important artists of the late twentieth century, Jean-Michel Basquiat explored the interplay of words and images throughout his career as a celebrated painter with an instantly recognizable style. In his paintings, notebooks, and interviews, he showed himself to be a powerful and creative writer and speaker as well as image-maker. Basquiat-isms is a collection of essential quotations from this godfather of urban culture. In these brief, compelling, and memorable selections, taken from his interviews as well as his visual and written works, Basquiat writes and speaks about culture, his artistic persona, the art world, artistic influence, race, urban life, and many other subjects. Concise, direct, forceful, poetic, and enigmatic, Basquiat’s words, like his art, continue to resonate. Select quotations from the book: "I cross out words so you will see them more; the fact that they are obscured makes you want to read them." "I think there are a lot of people that are neglected in art, I don’t know if it’s because of who made the paintings or what, but, um . . . black people are never really portrayed realistically or I mean not even portrayed in modern art." "Since I was 17, I thought I might be a star." "The more I paint the more I like everything." "I think I make art for myself, but ultimately I think I make it for the world."
Author: Ai Weiwei
Publisher: Princeton University Press
ISBN: 0691157669
Category : Art
Languages : en
Pages : 150
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Book Description
This collection of quotes demonstrates the elegant simplicity of Ai Weiwei's thoughts on key aspects of his art, politics, and life. A master at communicating powerful ideas in astonishingly few words, Ai Weiwei is known for his innovative use of social media to disseminate his views. The book is organized into six categories: freedom of expression; art and activism; government, power, and moral choices; the digital world; history, the historical moment, and the future; and personal reflections. Together, these quotes span some of the most revealing moments of Ai Weiwei's eventful career-from his risky investigation into student deaths in the 2008 Sichuan earthquake to his arbitrary arrest in 2011-providing a window into the mind of one of the world's most electrifying and courageous contemporary artists. Ai Weiwei is one of China's most influential and inspiring figures. Artist, architect, curator, and activist, he has been an outspoken critic of the Chinese government's stance on human rights and democracy.
Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
ISBN: 9780300102307
Category : Art
Languages : en
Pages : 476
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Book Description
02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
Author: Kate Palmer Albers
Publisher: Univ of California Press
ISBN: 0520285271
Category : Art
Languages : en
Pages : 224
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Book Description
The compulsion to dwell on historyÑon how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made publicÑhas been at the heart of artistsÕ engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. L�, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being met squarely with its own inadequacy. Photography is seen as a fundamentally ambiguous medium that can be evocative of the historical past while at the same time limited in the stories it can convey. Rather than proclaiming definitively what photography is, the work discussed here posits photographs as objects always held in suspension, perpetually oscillating in their ability to tell history. Yet this ultimately leads to a new kind of knowledge production: uncertainty is not a dead end but a generative space for the viewerÕs engagement with the construction of history.
Author: Hal Foster
Publisher: Princeton University Press
ISBN: 0691160988
Category : Art
Languages : en
Pages : 346
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Book Description
Who branded painting in the Pop age more brazenly than Richard Hamilton, Roy Lichtenstein, Andy Warhol, Gerhard Richter, and Ed Ruscha? And who probed the Pop revolution in image and identity more intensely than they? This book presents an interpretation of Pop art through the work of these Pop Five.
Author: Luke Smythe
Publisher: Taylor & Francis
ISBN: 1000625214
Category : Art
Languages : en
Pages : 225
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Book Description
This book reevaluates the art of Gerhard Richter (b. 1932) in relation to his efforts to achieve belonging in the face of West Germany’s increasing individualism between the 1960s and the 1990s. Richter fled East Germany in 1961 to escape the constraints of socialist collectivism. His varied and extensive output in the West attests to his greater freedom under capitalism, but also to his struggles with belonging in a highly individualised society, a problem he was far from alone in facing. The dynamic of increasing individualism has been closely examined by sociologists, but has yet to be employed as a framework for understanding broader trends in recent German art history. Rather than critique this development from a socialist perspective or experiment with new communal structures like a number of his colleagues, Richter sought and found security in traditional modes of bourgeois collectivity, like the family, religion, painting and the democratic capitalist state. The book will be of interest to scholars working in art history as well as German history, culture and politics.
Author: Seif El Rashidi
Publisher: American University in Cairo Press
ISBN: 1617979023
Category : Art
Languages : en
Pages : 371
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Book Description
"An expansive and captivating history of an often overlooked traditional art"—Egyptian Streets In the crowded center of Historic Cairo lies a covered market lined with wonderful textiles sewn by hand in brilliant colors and intricate patterns. This is the Street of the Tentmakers, the home of the Egyptian appliqué art known as khayamiya. The Tentmakers of Cairo brings together the stories of the tentmakers and their extraordinary tents—from the huge tent pavilions, or suradeq, of the streets of Egypt, to the souvenirs of the First World War and textile artworks celebrated by quilters around the world. It traces the origins and aesthetics of the khayamiya textiles that enlivened the ceremonial tents of the Fatimid, Mamluk, and Ottoman dynasties, exploring the ways in which they challenged conventions under new patrons and technologies, inspired the paper cut-outs of Henri Matisse, and continue to preserve a legacy of skilled handcraft in an age of relentless mass production. Drawing on historical literature, interviews with tentmakers, and analysis of khayamiya from around the world, the authors reveal the stories of this unique and spectacular Egyptian textile art.
Author: Daniel Arsham
Publisher: Princeton University Press
ISBN: 0691217505
Category : ART
Languages : en
Pages : 152
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Book Description
The work of renowned contemporary artist Daniel Arsham blurs the lines between art, architecture, archeology, and design. In his distinctive style, he takes ancient art works and objects from twentieth-century pop culture and casts sculptures of them in geological materials such as quartz or volcanic ash, colliding past, present, and future in haunted yet playful visions that prompt viewers to question their everyday surroundings. Gathered from interviews and other sources, Arsham-isms is a collection of lively, thought-provoking, and memorable quotations from this exciting young creative talent on a wide range of subjects-including art, architecture, film, design, pop culture, the art world, and what it means to be a globally recognized artist today.
