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Author: William Stevenson Smith
Publisher: Yale University Press
ISBN: 9780300077476
Category : Art
Languages : en
Pages : 326
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Book Description
A survey of Egyptian art and architecture is enhanced by revised text, an updated bibliography, and over four hundred illustrations.
Author: William Stevenson Smith
Publisher: Yale University Press
ISBN: 9780300077476
Category : Art
Languages : en
Pages : 326
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Book Description
A survey of Egyptian art and architecture is enhanced by revised text, an updated bibliography, and over four hundred illustrations.
Author: Ezra Ivanov
Publisher: DTTV PUBLICATIONS
ISBN:
Category : History
Languages : en
Pages : 154
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Book Description
Ancient Egyptian art and architecture are fascinating, beautiful, and complex. I've always been fascinated by the pyramids of Egypt and how they were built. They are incredible feats of engineering—but also religious centers where worshipers would go to pray and make offerings to their gods. In addition to temples, there were also tombs for royalty (known as mastabas) and commoners (known as shaft tombs), which were all made with an eye toward eternal life. Ancient Egyptian gods and goddesses were important in Egyptian culture. They were often represented in art or architecture and played an integral role in daily life. Though the god Osiris was known to be king of the dead, he did not hold the same power as other gods such as Ra or Hathor (a cow-headed goddess). The priesthoods of these deities generally ruled over specific cities or professions; for example, priests at a temple dedicated to Amun would preside over all matters related to agriculture. Such temples were built throughout Egypt's history; one example is Deir el-Bahari (meaning "monastery of the northern valley"), which served as both a royal mortuary temple and monastery for Nefertari during her lifetime. Many structures built during this period reflect traditional architectural practices: thick columns made from stone support large roof beams made from wood; outer walls are covered with painted plaster decorated with scenes depicting daily life—for example, artists working on wall paintings inside temples such as this one often described themselves taking part in those very activities! You may have heard that pyramids were built as tombs for pharaohs, but there's more to it. The pharaohs were buried in the Valley of the Kings, part of the Great Pyramids complex. The pyramids are made up of stone blocks of limestone, built with ramps rather than cranes or scaffolding so that workers could move them into place. In terms of shape, they're somewhere between a cube and a cone; this helps keep them stable during construction and makes them look good from afar! Temples were the most important buildings in ancient Egypt. They were places of worship and learning, government, and justice. The temple was the most important place for any Egyptian because it was where people could connect with their gods and get guidance on how to lead a good life.
Author: Georges Perrot
Publisher: A. C. ARMSTRONG AND SON
ISBN:
Category : History
Languages : en
Pages : 292
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Book Description
The successful interpretation of the ancient writings of Egypt, Chaldæa, and Persia, which has distinguished our times, makes it necessary that the history of antiquity should be rewritten. Documents that for thousands of years lay hidden beneath the soil, and inscriptions which, like those of Egypt and Persia, long offered themselves to the gaze of man merely to excite his impotent curiosity, have now been deciphered and made to render up their secrets for the guidance of the historian. By the help of those strings of hieroglyphs and of cuneiform characters, illustrated by paintings and sculptured reliefs, we are enabled to separate the truth from the falsehood, the chaff from the wheat, in the narratives of the Greek writers who busied themselves with those nations of Africa and Asia which preceded their own in the ways of civilization. Day by day, as new monuments have been discovered and more certain methods of reading their inscriptions elaborated, we have added to the knowledge left us by Herodotus and Diodorus Siculus, to our acquaintance with those empires on the Euphrates and the Nile which were already in old age when the Greeks were yet struggling to emerge from their primitive barbarism. Even in the cases of Greece and Rome, whose histories are supplied in their main lines by their classic writers, the study of hitherto neglected writings discloses many new and curious details. The energetic search for ancient inscriptions, and the scrupulous and ingenious interpretation of their meaning, which we have witnessed and are witnessing, have revealed to us many interesting facts of which no trace is to be found in Thucydides or Xenophon, in Livy or Tacitus; enabling us to enrich with more than one feature the picture of private and public life which they have handed down to us. In the effort to embrace the life of ancient times as a whole, many attempts have been made to fix the exact place in it occupied by art, but those attempts have never been absolutely successful, because the comprehension of works of art, of plastic creations in the widest significance of that word, demands an amount of special knowledge which the great majority of historians are without; art has a method and language of its own, which obliges those who wish to learn it thoroughly to cultivate their taste by frequenting the principal museums of Europe, by visiting distant regions at the cost of considerable trouble and expense, by perpetual reference to the great collections of engravings, photographs, and other reproductions which considerations of space and cost prevent the savant from possessing at home. More than one learned author has never visited Italy or Greece, or has found no time to examine their museums, each of which contains but a small portion of the accumulated remains of antique art. Some connoisseurs do not even live in a capital, but dwell far from those public libraries, which often contain valuable collections, and sometimes—when they are not packed away in cellars or at the binder's—allow them to be studied by the curious.[2] The study of art, difficult enough in itself, is thus rendered still more arduous by the obstacles which are thrown in its way. The difficulty of obtaining materials for self-improvement in this direction affords the true explanation of the absence, in modern histories of antiquity, of those laborious researches which have led to such great results since Winckelmann founded the science of archæology as we know it. To be continue in this ebook...
Author: Melinda K. Hartwig
Publisher: John Wiley & Sons
ISBN: 1118325095
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Author: Christina Riggs
Publisher: OUP Oxford
ISBN: 0191505250
Category : Art
Languages : en
Pages : 153
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Book Description
From Berlin to Boston, and St Petersburg to Sydney, ancient Egyptian art fills the galleries of some of the world's greatest museums, while the architecture of Egyptian temples and pyramids has attracted tourists to Egypt for centuries. But what did Egyptian art and architecture mean to the people who first made and used it - and why has it had such an enduring appeal? In this Very Short Introduction, Christina Riggs explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries with its impressive pyramids, eerie mummies, and distinctive visual style, Riggs considers the relationship between ancient Egypt and the modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Giulio Magli
Publisher: Cambridge University Press
ISBN: 1107245028
Category : Social Science
Languages : en
Pages : 285
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Book Description
This book examines the interplay between astronomy and dynastic power in the course of ancient Egyptian history, focusing on the fundamental role of astronomy in the creation of the pyramids and the monumental temple and burial complexes. Bringing to bear the analytical tools of archaeoastronomy, a set of techniques and methods that enable modern scholars to better understand the thought, religion and science of early civilizations, Giulio Magli provides in-depth analyses of the pyramid complexes at Giza, Abusir, Saqqara and Dahshur, as well as of the Early Dynastic necropolis at Abydos and the magnificent new Kingdom Theban temples. Using a variety of data retrieved from study of the sky and measurements of the buildings, he reconstructs the visual, symbolic and spiritual world of the ancient Egyptians and thereby establishes an intimate relationship among celestial cycles, topography and architecture. He also shows how they were deployed in the ideology of the pharaoh's power in the course of Egyptian history.
Author: Edward Bell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 284
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Book Description
Author: William Stevenson Smith
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 506
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Book Description
The civilization of Ancient Egypt extended from the fourth millennium BC to the conquest of Alexander. The Egyptians in their tombs recreated life for the dead in a naturalistic way, often against the background of the landscape in which they lived. They also left revealing portraits ranging from the civil servants of the kings to the kings and queens themselves who built the pyramids at Giza and Saqqara; the tombs at Thebes, including the treasure-filled burial-place of Tut-ankh-amon; the temples of Luxor and Karnak and the palaces of Akhenaten at Tell el Amarna and of Amenhotep III at Thebes.
Author: Dieter Arnold
Publisher: I. B. Tauris
ISBN:
Category : Architecture
Languages : en
Pages : 292
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Book Description
With more than 600 entries and 350 plans, diagrams and photographs and maps, this guide provides a comprehensive introduction to ancient Egyptian monuments that is an essential companion for every visitor to the ancient sites along the Nile.
Author: Bill Manley
Publisher: Thames & Hudson
ISBN: 0500774099
Category : Art
Languages : en
Pages : 420
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Book Description
An insightful volume delving into the enduringly compelling art of ancient Egypt, from a new historical perspective The art and architecture of Egypt during the age of the pharaohs continue to capture the imagination of the modern world. Among the great creative achievements of ancient Egypt are a set of constant forms: archetypes in art and architecture in which the origins of concepts such as authority, divinity, beauty, and meaning are readily discernible. Whether adapted to fine, delicate jewelry or colossal statues, these forms maintain a human face—with human ideas and emotions. These artistic templates, and the ideas they articulated, were refined and reinvented through dozens of centuries, until scenes first created for the earliest kings, around 3000 BCE, were eventually used to represent Roman emperors and the last officials of pre-Christian Egypt. Bill Manley’s account of the art of ancient Egypt draws on the finest works through more than 3,000 years and places celebrated masterpieces, from the Narmer palette to Tutankhamun’s gold mask, in their original contexts in the tombs, temples, and palaces of the pharaohs and their citizens.
