Art and Text in Ancient Greek Culture PDF Download
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Author: Simon Goldhill
Publisher:
ISBN: 9780521411851
Category : Art
Languages : en
Pages : 341
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Book Description
Specifically commissioned essays discussing how the ancient Greek art and literature were viewed by others in antiquity.
Author: Simon Goldhill
Publisher:
ISBN: 9780521411851
Category : Art
Languages : en
Pages : 341
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Book Description
Specifically commissioned essays discussing how the ancient Greek art and literature were viewed by others in antiquity.
Author: Jas Elsner
Publisher: CUP Archive
ISBN: 9780521430302
Category : Art
Languages : en
Pages : 416
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Book Description
This is a collection of specially commissioned essays exploring the interface between words and images in the Roman world.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Tom Phillips
Publisher: Oxford University Press
ISBN: 0198794460
Category : Art
Languages : en
Pages : 294
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Book Description
What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place in contemporary critical writings.
Author: J. J. Pollitt
Publisher:
ISBN: 9780300015973
Category : Art criticism
Languages : en
Pages : 282
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Book Description
Author: David Konstan
Publisher:
ISBN: 019992726X
Category : Art
Languages : en
Pages : 281
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Book Description
What makes something beautiful? In this engaging, elegant study, David Konstan turns to ancient Greece to address the nature of beauty.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 9780892366958
Category : Architecture
Languages : en
Pages : 148
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Book Description
They reflected - and projected - essential cultural values, whether they were intended for religious sanctuaries for aristocratic drinking parties, civic squares or tombs."--BOOK JACKET.
Author: Ian Dennis Jenkins
Publisher: British museum Press
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museum's outstanding collection of Greek sculpture - including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower - and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.
Author: Edith Hall
Publisher: W. W. Norton & Company
ISBN: 0393244121
Category : History
Languages : en
Pages : 295
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Book Description
"Wonderful…a thoughtful discussion of what made [the Greeks] so important, in their own time and in ours." —Natalie Haynes, Independent The ancient Greeks invented democracy, theater, rational science, and philosophy. They built the Parthenon and the Library of Alexandria. Yet this accomplished people never formed a single unified social or political identity. In Introducing the Ancient Greeks, acclaimed classics scholar Edith Hall offers a bold synthesis of the full 2,000 years of Hellenic history to show how the ancient Greeks were the right people, at the right time, to take up the baton of human progress. Hall portrays a uniquely rebellious, inquisitive, individualistic people whose ideas and creations continue to enthrall thinkers centuries after the Greek world was conquered by Rome. These are the Greeks as you’ve never seen them before.
Author: Karel Thein
Publisher: Routledge
ISBN: 1000457419
Category : History
Languages : en
Pages : 373
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Book Description
This volume takes a fresh look at ekphrasis as a textual practice closely connected to our embodied imagination and its verbal dimension; it offers the first detailed study of a large family of ancient ecphrastic shields, often studied separately, but never as an ensemble with its own development. The main objective consists of establishing a theoretical and historical framework that is applied to a series of famous ecphrastic shields starting with the Homeric shield of Achilles. The latter is reinterpreted as a paradigmatic "thing" whose echoing down the centuries is reinforced by the fundamental connection between ekphrasis and artefacts as its primary objects. The book demonstrates that although the ancient sources do not limit ekphrasis to artificial creations, the latter are most efficient in bringing out the intimate affinity between artefacts and vivid mental images as two kind of entities that lack a natural scale and are rightly understood as ontologically unstable. Ecphrastic Shields in Graeco-Roman Literature: The World’s Forge should be read by those interested in ancient culture, art and philosophy, but also by those fascinated by the broader issue of imagination and by the interplay between the natural and the artificial.
