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Author: Boris Ignatʹevich Arvatov
Publisher: Pluto Press (UK)
ISBN: 9780745337364
Category : Art
Languages : en
Pages : 0
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Book Description
Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution duringthe period. Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionaryhorizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for thedevolution of artistic skills directly into the relations of production and the factory. Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside theconventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive socialturn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.
Author: Boris Ignatʹevich Arvatov
Publisher: Pluto Press (UK)
ISBN: 9780745337364
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution duringthe period. Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionaryhorizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for thedevolution of artistic skills directly into the relations of production and the factory. Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside theconventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive socialturn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.
Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1315467631
Category : Music
Languages : en
Pages : 359
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Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
Author: Karen van den Berg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
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Book Description
Much evidence suggests that a fundamental reordering of artistic production and a transformation of the art field are about to take place. Heated debates have been sparked over new forms of work, public subsidies, and the expanding impact of the creative industries. Independent education programs, self-organized urban planning, artistic practices in the outer field of scientific research, and similar initiatives have unfolded over the last few years. This publication addresses this wide field, focusing on theoretical reflections and exemplary insights into alternative artistic working models. The anthology assembles expert studies and artist interviews, in order to reflect on new forms of practices that have been established beyond the exhibition-gallery nexus and hegemonic market activity. These strategies in particular are investigated concerning their self-images, organizational structures, networks, and economies, and the potential for usurpation.
Author: Lucy Fischer
Publisher: Rutgers University Press
ISBN: 0813572800
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
How is the look of a film achieved? In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization. The craft’s purpose is to produce an overall pictorial “vision” for films, and in 1924 a group of designers formed the Cinemagundi Club—their skills encompassed set design, painting, decoration, construction, and budgeting. A few years later, in recognition of their contributions to filmmaking, the first Academy Awards for art direction were given, a clear indication of just how essential the oversight of production design had become to the so-called majors. The original essays presented in Art Direction and Production Design trace the trajectory from Thomas Edison’s primitive studio, the Black Maria, to the growth of the Hollywood “studio system,” to the influence of sound, to a discussion of the “auteur theory,” and to contemporary Hollywood in which computer-generated imagery has become common. By 2000, the Society of Motion Picture Art Directors became the Art Directors Guild, emphasizing the significance of the contributions of art direction and production design to filmmaking. Art Direction and Production Design is a volume in the Behind the Silver Screen series—other titles in the series include Acting, Animation, Cinematography, Directing, Editing and Special/Visual Effects, Producers, Screenwriting, and Sound.
Author: Pierre Bourdieu
Publisher: Columbia University Press
ISBN: 9780231082877
Category : Art
Languages : en
Pages : 342
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Book Description
Analysis of art, literature and aesthetics
Author: Maruska Svasek
Publisher:
ISBN: 9781783714742
Category : Art and anthropology
Languages : en
Pages : 264
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Book Description
An introduction to anthropological perspectives on art that links the production of art to political and cultural processes.
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
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Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Author: Janet Wolff
Publisher: Palgrave
ISBN: 9780333271476
Category : Arts and society
Languages : en
Pages : 196
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Book Description
Author: Ward Preston
Publisher:
ISBN: 9781879505186
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
A wealth of information from Preston's experiences in the film industry.
Author: Olga Goriunova
Publisher: Routledge
ISBN: 0415893100
Category : Art
Languages : en
Pages : 178
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Book Description
In this book, Goriunova offers a critical analysis of the processes that produce digital culture. In order to understand these processes, the author introduces the concept of the art platform, a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Goriunova provides a new means of understanding the development of cultural forms on the Internet, placing the phenomenon of participatory and social networks in a conceptual and historical perspective, and offering powerful tools for researching cultural phenomena overlooked by other approaches.
