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Author: Susan Noyes Platt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Susan Noyes Platt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
Get Book
Book Description
Author: Susan Noyes Platt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Author: Robert Shulman
Publisher: UNC Press Books
ISBN: 9780807848531
Category : History
Languages : en
Pages : 358
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Book Description
During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out
Author:
Publisher: Penn State Press
ISBN: 9780271047164
Category : Art
Languages : en
Pages : 394
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Book Description
Author: Matthew Baigell
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
Author: Helen Langa
Publisher: Univ of California Press
ISBN: 9780520231559
Category : Art
Languages : en
Pages : 364
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Book Description
Publisher Description
Author: Edward Lucie-Smith
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Discusses the art of the 1930s and the social and political movements which influenced it.
Author: Allison Rudnick
Publisher: Metropolitan Museum of Art
ISBN: 1588397696
Category : Art
Languages : en
Pages : 211
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Book Description
American art in the 1930s—intertwined with the political, social, and economic tumult of an era not so unlike our own—engaged with the public amid global upheaval. This publication examines the search for artistic identity in the United States from the stock market crash of 1929 that began the Great Depression to the closure of the Works Progress Administration in 1943 with a focus on the unprecedented dissemination of art and ideas brought about by new technology and government programs. During this time of civil, economic, and social unrest, artists transmitted political ideas and propaganda through a wide range of media, including paintings and sculptures, but also journals, prints, textiles, postcards, and other objects that would have been widely collected, experienced, or encountered. Insightful essays discuss but go beyond the era’s best-known creators, such as Thomas Hart Benton, Walker Evans, Marsden Hartley, and Georgia O’Keeffe, to highlight artists who have received little scholarly attention, including women and artists of color as well as designers and illustrators. Emphasizing the contributions of the Black Popular Front and Leftist movements while acknowledging competing visions of the country through the lenses of race, gender, and class, Art for the Millions is a timely look at art in the United States made by and for its people.
Author: Jody Patterson
Publisher: Yale University Press
ISBN: 0300241399
Category : Art
Languages : en
Pages : 265
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Book Description
A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.
Author: Christopher S. Wood
Publisher:
ISBN: 9781890951153
Category : Art
Languages : en
Pages : 485
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Book Description
The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world." "The idea of this volume is to bring the drama of this methodological and political encounter to the attention of Anglo-American art historians."--BOOK JACKET.
