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Author: Maria Galikowski
Publisher: Chinese University of Hong Kong Press
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
This book examines the complex relationship between art and politics in the People's Republic of China between 1949 and 1984. It focuses in particular on three important facets of this relationship, namely, the organizational structure of China's art establishment, the ideological framework for directing creative activity, and the political movement as a key method for periodically ensuring that artists follow the current official line.
Author: Maria Galikowski
Publisher: Chinese University of Hong Kong Press
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
This book examines the complex relationship between art and politics in the People's Republic of China between 1949 and 1984. It focuses in particular on three important facets of this relationship, namely, the organizational structure of China's art establishment, the ideological framework for directing creative activity, and the political movement as a key method for periodically ensuring that artists follow the current official line.
Author: Julia Frances Andrews
Publisher: Univ of California Press
ISBN: 9780520079816
Category : Art
Languages : en
Pages : 600
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Book Description
"That Julia Andrews has reached sources that are so sensitive and difficult with such success is remarkable. The book is unquestionably a brilliant job, well-written, understandable, and of enormous scholarly value."--Joan Lebold Cohen, author of The New Chinese Painting
Author: Yan Geng
Publisher: Springer
ISBN: 3658208252
Category : Art
Languages : en
Pages : 234
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Book Description
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
Author: Maria B. Galikowski
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Arnold Chang
Publisher: Routledge
ISBN: 1000238059
Category : Political Science
Languages : en
Pages : 130
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Book Description
The relationship between politics and art in any society should not be seen simply as one of cause and effect. Political and artistic issues are linked to one another through a complex network of interactions and associations. In the People's Republic of China, where all aspects of society are directly related to politics, and where the creation of art is in itself considered a political act, this relationship is more clearly defined than elsewhere, though no less complicated. In China, the government plays a direct and active role in overseeing the nation's artistic production, and in determining the criteria for critical judgment. This study is divided into three sections. Chapter 1 outlines the major statements of artistic policy and the theoretical structure upon which the. policies are based. Chapter 2 deals with the effect of the artistic policies upon artists, and the reactions of painters to the political demands placed upon them. The third chapter will focus on the experiences of three such artists, Kuan Shan-yueh, Li K'o-jan and Ch'ien Sung-yen. All three specialize in landscape, a genre that has been especially problematic, and all three incorporate both Western techniques and traditional Chinese methods of drawing.
Author: Shuyu Kong
Publisher: Taylor & Francis
ISBN: 1040029531
Category : Art
Languages : en
Pages : 342
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Book Description
This edited volume will be the first book examining the art history of China’s socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifting the frame of interpretation from socialist realism to socialist modernity, this study reveals the plurality of the historical process of developing modernity in China, the autonomy of artistic agency, and the complexity of an art world conditioned, yet not completely confined, by its surrounding political and ideological apparatus. The unexpected global exchanges examined by many of the authors in this study and the divergent approaches, topics, and genres they present add new sources and insights to this research field, revealing an art history that is heterogeneous, pluralistic, and multi-layered. The book will be of interest to scholars working in art history, art and politics, and Chinese studies.
Author: Amy Jane Barnes
Publisher: Routledge
ISBN: 1317093011
Category : Art
Languages : en
Pages : 264
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Book Description
The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.
Author: Ni Jun
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
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Book Description
Author: Bonnie S. Mcdougall
Publisher: Univ of California Press
ISBN: 0520415078
Category :
Languages : en
Pages : 360
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Book Description
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 0520075560
Category : Art, Chinese
Languages : en
Pages : 451
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Book Description
"Sullivan presents a wealth of material that has never before appeared in a Western language. I expect it will be the standard book on twentieth-century Chinese art for the foreseeable future."--Julia F. Andrews, author of Painters and Politics in the People's Republic of China "A most sympathetic and useful guide to twentieth-century Chinese art. Long the leading scholar on the subject, Professor Sullivan has presented a lucid account of a most dramatic chapter in Chinese art in a complex interplay of aesthetics, politics, cultural, and social history."--Wen C. Fong, Princeton University "So much of China's art in the twentieth century has to do with artistic (and political) ideas from the West that is is appropriate that one of its first comprehensive histories should be written by a Western scholar--especially one who has known personally many of China's leading artistic figures of the last fifty years. Not only does Professor Sullivan tell the complex story of twentieth century China art with lucidity and style, his learned text is also illuminated with witty anecdotes and incisive observations that can only come from an indsider."--Johnson Chang (Chang Tson-zung), Director, Hanart Tz Gallery, Hong Kong
