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Author: Nandita Saikia
Publisher: .
ISBN:
Category : Law
Languages : en
Pages : 177
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Book Description
This work examines how the Indian Copyright Act, 1957, as amended in 2012, interacts with art (other than films and sound recordings), and, in particular, with Indian art. The first part of this text comprises a feminist and post-colonial reading of the Indian copyright statute while later parts focus on interpreting the provisions of the statute in relation to art.
Author: Nandita Saikia
Publisher: .
ISBN:
Category : Law
Languages : en
Pages : 177
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Book Description
This work examines how the Indian Copyright Act, 1957, as amended in 2012, interacts with art (other than films and sound recordings), and, in particular, with Indian art. The first part of this text comprises a feminist and post-colonial reading of the Indian copyright statute while later parts focus on interpreting the provisions of the statute in relation to art.
Author: Enrico Bonadio
Publisher: Cambridge University Press
ISBN: 9781108482332
Category : Law
Languages : en
Pages : 348
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Book Description
In recent years, the number of conflicts related to the misuse of street art and graffiti has been on the rise around the world. Some cases involve claims of misappropriation related to corporate advertising campaigns, while others entail the destruction or 'surgical' removal of street art from the walls on which they were created. In this work, Enrico Bonadio brings together a group of experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. Chapter authors shed light not only on the legal tools available in thirteen key jurisdictions for street and graffiti artists to object to unauthorized exploitations and unwanted treatments of their works, but also offer policy and sociological insights designed to spur further debate on whether and to what extent the street art and graffiti subcultures can benefit from copyright and moral rights protection.
Author: Arul George Scaria
Publisher: Cambridge University Press
ISBN: 1107065437
Category : Law
Languages : en
Pages : 339
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Book Description
This book studies the social, cultural, historical, legal and economic dimensions of copyright piracy in India.
Author: Simon Stokes
Publisher:
ISBN: 9781903987407
Category : Copyright
Languages : en
Pages : 0
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Book Description
This new and revised third edition takes stock of over 10 years' experience of Artist's Resale Right (ARR), also called droit de suite, in the UK. As well as offering updated guidance, it also includes a commentary on recent European and international developments and the impact of Brexit on ARR in the UK. ARR gives artists and their heirs a royalty on re-sales of their art works. This intellectual property right, which forms part of Copyright Law, is originally of French origin and was first introduced into UK law in 2006 to implement the 2001 EU Directive on ARR. ARR remains a right with a strong European focus-it is not currently implemented in a number of significant art markets outside the EU. Nevertheless the establishment in 2006 of an ARR regime in the UK (the second largest global art market), along with EU harmonization of the right, have been influential in encouraging states such as the USA, China, and Switzerland to consider its adoption. This book, first published in 2006, continues to be the only UK text dedicated to examining the background to the Directive, UK ARR and its implementation in the UK. The practical guidance offered is essential to all those with an interest in the operation of the right in the UK-artists, collecting societies/CMOs, art dealers, auction houses, art galleries, collectors, and their legal advisers. The work includes a copy of the ARR Directive and the consolidated UK Artist's Resale Right Regulations. [Subject: Copyright Law, Artist's Resale Rights, European Law, British Law]
Author: World Intellectual Property Organization
Publisher: WIPO
ISBN: 928052531X
Category : Law
Languages : en
Pages : 60
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Book Description
This Guide provides general information about intellectual property (IP) and cultural interests. It identifies the main IP challenges faced by festival organizers and outlines some practical elements of an effective IP management strategy, following a step-by-step approach.
Author: Hai-Jew, Shalin
Publisher: IGI Global
ISBN:
Category : Art
Languages : en
Pages : 321
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Book Description
In the dynamic realm of generative artificial Intelligence (AI), the fusion of human creativity and machine intelligence has created a vibrant ecosystem of collaborative artmaking. However, this transformative process brings forth a myriad of concerns, ranging from ethical considerations and the need for originality to navigating the legal complexities surrounding intellectual property. As more and more online communities appear around the use of AI to aid in the creation of images, there arises a pressing need for a comprehensive guide that not only dissects the intricacies of artmaking with generative AI tools but also offers practical solutions to the evolving dilemmas faced by artists, researchers, and technologists. Making Art With Generative AI Tools emerges as an exploration of the challenges posed by this intersection of human expression and artificial intelligence. Artists engaging with generative AI find themselves grappling with issues of authenticity, social toxicity, and the commercial viability of their creations. From avoiding stereotypical visuals to ensuring proper crediting, the realm of generative AI is rife with these complexities. Furthermore, the blurred lines between human and machine authorship necessitate a deeper exploration of how these innovative tools impact creativity, representation, and the very fabric of the art world.
Author: DAS, JATINDRA KUMAR
Publisher: PHI Learning Pvt. Ltd.
ISBN: 8194800218
Category : Law
Languages : en
Pages : 728
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Book Description
The book attempts to critically analyse the cases on the law of copyright as well as statutory provisions of law of copyright. When the first edition of the book was published in 2015, there was no readable and dependable book for the general reader interested to be acquainted with the changing features of the law of copyright immediate after the enactment of the Copyright (Amendment) Act 2012. Since the publication of this book, the Finance Act 2017 has introduced Appellate Board in place of Copyright Board as well as the Supreme Court and High Courts in India have also delivered a large number of judicial decisions on the law of copyright. In this edition the author has surveyed all such Courts decisions and analysed them and inserted them in appropriate places of the book and also examined the impact of the Appellate Board. It presents not only the provisions of the Copyright Act 1957 in the form of a normative, but points out the changes made thereon by formal amendments as well as conflicts of law which have been settled by judicial interpretations. The book is divided into ten chapters. Chapter 1 is introductory, while Chapters 2 and 3 discuss the origin and development of law of copyright at international as well as national level. The most important debatable issue in copyright law is “works in which copyright subsists”, and the Chapter 4 is devoted to this aspect. Chapter 5 explores various issues relating to author of work, owner of copyright and recognised rights of copyright owner. The terms of copyright, licensing of copyright, international copyright and registration of copyright are the subject matter of Chapter 6, while rights of broadcasting organisation and of performers (neighbouring rights) are the subject matter of Chapter 7. Internet is the greatest communication medium of the contemporary era, and there is an inherent link between law of copyright and internet. Therefore, Chapter 8 is devoted to discuss various issues relating to “protection of copyright in internet.” While Chapter 9 demonstrates the law relating to infringement of copyright and defences of copyright liability. Chapter 10, the concluding chapter, discusses the enforcement of copyright in India in detail. Though the book is designed for the undergraduate and postgraduate students of Law, it will be equally beneficial for the researchers, academicians, jurists, lawyers, judges as well as members of civil society. TARGET AUDIENCE • Undergraduate and postgraduate students of Law. • Researchers, Academicians, Jurists, Lawyers, Judges as well as members of Civil Society.
Author: Mira T. Sundara Rajan
Publisher: Oxford University Press
ISBN: 0199749973
Category : Law
Languages : en
Pages : 572
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Book Description
The doctrine of moral rights is based on the idea that authors have a special bond with their own creative work. At present, the legal status of moral rights demands clarification and assessment as never before, particularly as the international expansion of moral rights occurs in the new environment of digital technology. Just as the survival of copyright law depends on its capacity to adapt effectively to the new technological environment, a new approach to moral rights is imperative. Moral Rights: Principles, Practice and New Technology is the first work to comprehensively address the role and challenges of moral rights in an environment of digital technology The problem is addressed from both practical and theoretical channels, and examples drawn from the legislation and practice of key jurisdictions around the world. The book concludes with a consideration of how the concept of moral rights can contribute to the re-organization of copyright law in a digital context.
Author: Upendra Nath Mitra
Publisher:
ISBN:
Category : Limitation of actions
Languages : en
Pages : 840
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Book Description
Author: Enrico Bonadio
Publisher:
ISBN: 1108673317
Category : Law
Languages : en
Pages : 352
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Book Description
Bonadio brings together experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. This book sheds light on the legal tools available for artists and offers policy and sociological insights to spur further debate. It will appeal to legal scholars and law practitioners around the world.
