Author: Susan Langdon
Publisher: Cambridge University Press
ISBN: 0521513219
Category : Art
Languages : en
Pages : 0
Book Description
"Susan Langdon is associate professor of Greek art and archaeology at the University of Missouri."--BOOK JACKET.
Art and Identity in Dark Age Greece, 1100-700 BC
Author: Susan Langdon
Publisher: Cambridge University Press
ISBN: 0521513219
Category : Art
Languages : en
Pages : 0
Book Description
"Susan Langdon is associate professor of Greek art and archaeology at the University of Missouri."--BOOK JACKET.
Publisher: Cambridge University Press
ISBN: 0521513219
Category : Art
Languages : en
Pages : 0
Book Description
"Susan Langdon is associate professor of Greek art and archaeology at the University of Missouri."--BOOK JACKET.
Art and Identity in Dark Age Greece, 1100--700 B.C.E.
Author: Susan Helen Langdon
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A History of Greek Art
Author: Mark D. Stansbury-O'Donnell
Publisher: John Wiley & Sons
ISBN: 1444350153
Category : Art
Languages : en
Pages : 434
Book Description
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
Publisher: John Wiley & Sons
ISBN: 1444350153
Category : Art
Languages : en
Pages : 434
Book Description
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
The Art and Archaeology of Ancient Greece
Author: Judith M. Barringer
Publisher: Cambridge University Press
ISBN: 1139991744
Category : Art
Languages : en
Pages : 821
Book Description
This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
Publisher: Cambridge University Press
ISBN: 1139991744
Category : Art
Languages : en
Pages : 821
Book Description
This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
Case Studies
Author: Giulio Colesanti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110428636
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
The book is the second volume of a series of studies dealing with the Submerged literature in ancient Greek culture (s. vol. 1: G. Colesanti, M. Giordano, eds., Submerged Literature in Ancient Greek Culture. An Introduction, Berlin-Boston, de Gruyter, 2014). It is a peculiar starting point of the research in the field of Greek culture, since it casts a light on many case studies so far not yet analyzed as literary products subjected to the process of submersion: e.g. oracles, philosophy, phlyax play, epigrams, Aesopic fables, periplus, sacred texts, mysteries, medical treatises, dance, music. Therefore the book investigates the complex and manifold dynamics of ‘emergence’ and ‘submersion’ in ancient Greek literary culture, dealing especially with matters as the interaction between orality and literacy, the authorship, the cultural transmission, the folklore. Moreover, the book offers the reader new stimulating approaches in order to reconstruct the wide frame which contained the overall cultural processes, including the literary products subjected to the submersion, in a chronological span going from Greek archaic age to the Imperial age.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110428636
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
The book is the second volume of a series of studies dealing with the Submerged literature in ancient Greek culture (s. vol. 1: G. Colesanti, M. Giordano, eds., Submerged Literature in Ancient Greek Culture. An Introduction, Berlin-Boston, de Gruyter, 2014). It is a peculiar starting point of the research in the field of Greek culture, since it casts a light on many case studies so far not yet analyzed as literary products subjected to the process of submersion: e.g. oracles, philosophy, phlyax play, epigrams, Aesopic fables, periplus, sacred texts, mysteries, medical treatises, dance, music. Therefore the book investigates the complex and manifold dynamics of ‘emergence’ and ‘submersion’ in ancient Greek literary culture, dealing especially with matters as the interaction between orality and literacy, the authorship, the cultural transmission, the folklore. Moreover, the book offers the reader new stimulating approaches in order to reconstruct the wide frame which contained the overall cultural processes, including the literary products subjected to the submersion, in a chronological span going from Greek archaic age to the Imperial age.
Tradition
Author: Jane Fejfer
Publisher: Museum Tusculanum Press
ISBN: 8763542587
Category : History
Languages : en
Pages : 498
Book Description
Ordet tradition kan tillægges mange betydninger, og som begreb har det en lang historie bag sig i den vestlige kultur. Selve ordet stammer fra det latinske tradere, at overlevere, og er et vigtigt begreb, når man forsøger at tolke det antikke menneskes sociale relationer ud fra arkæologiske fund. Forandring kan ikke forklares uden man kender til og er bevidst om den materielle kultur set over en længere tidsperiode. Derfor søger arkæologer ved hjælp af longue durée-perspektivet at spore vedvarende forandringer i det arkæologiske materiale. Dette rigt illustrerede værk fører læseren fra det forhistoriske Santorini til senantikkens Rom, fra detaljerede tekstilbeskrivelser til prædikantlister hugget i sten, for at undersøge, hvordan tradition har spillet en rolle i overleveringen af kultur. Hver af bogens bidragydere undersøger et specifikt aspekt af traditionens afgørende rolle i forståelsen af, hvordan identitet skabes og bevares i antikkens verden. Kultiske ritualer, brugen af magiske objekter og symboler, offerfund i græske helligdomme, begravelsesportrætter og jernalderens keramik er blandt de mange elementer, der bliver beskrevet. Tradition viser, hvordan kultur er iboende i os alle, og hvordan handlinger og objekter spiller en afgørende rolle i kulturel kontinuitet og forandring. Med sin grundige tværfaglige tilgang til emnet tilfører Tradition ny viden til forståelsen af den klassiske og antikke verden. Bidragydere: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kam-pen/Arja Karivieri/Jens Krasilnikoff/Eva Mortensen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer er lektor i klassisk arkæologi på Københavns Universitet Mette Moltesen er tidligere museumsinspektør ved Ny Carlsberg Glyptotek. Annette Rathje er lektor emerita i klassisk arkæologi ved Københavns Universitet. Tradition – from the Latin tradere, literally to hand over or hand down – has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue durée of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world. Contributors: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kampen/Arja Karivieri/Jens Krasilnikoff/Eva Morten-sen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer is associate professor of classical archaeology at the University of Copenhagen. Mette Moltesen is former curator of Ancient Sculp-ture at Ny Carlsberg Glyptotek in Copenhagen. Annette Rathje is associate professor emerita of classical archaeology at the University of Copenhagen.
Publisher: Museum Tusculanum Press
ISBN: 8763542587
Category : History
Languages : en
Pages : 498
Book Description
Ordet tradition kan tillægges mange betydninger, og som begreb har det en lang historie bag sig i den vestlige kultur. Selve ordet stammer fra det latinske tradere, at overlevere, og er et vigtigt begreb, når man forsøger at tolke det antikke menneskes sociale relationer ud fra arkæologiske fund. Forandring kan ikke forklares uden man kender til og er bevidst om den materielle kultur set over en længere tidsperiode. Derfor søger arkæologer ved hjælp af longue durée-perspektivet at spore vedvarende forandringer i det arkæologiske materiale. Dette rigt illustrerede værk fører læseren fra det forhistoriske Santorini til senantikkens Rom, fra detaljerede tekstilbeskrivelser til prædikantlister hugget i sten, for at undersøge, hvordan tradition har spillet en rolle i overleveringen af kultur. Hver af bogens bidragydere undersøger et specifikt aspekt af traditionens afgørende rolle i forståelsen af, hvordan identitet skabes og bevares i antikkens verden. Kultiske ritualer, brugen af magiske objekter og symboler, offerfund i græske helligdomme, begravelsesportrætter og jernalderens keramik er blandt de mange elementer, der bliver beskrevet. Tradition viser, hvordan kultur er iboende i os alle, og hvordan handlinger og objekter spiller en afgørende rolle i kulturel kontinuitet og forandring. Med sin grundige tværfaglige tilgang til emnet tilfører Tradition ny viden til forståelsen af den klassiske og antikke verden. Bidragydere: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kam-pen/Arja Karivieri/Jens Krasilnikoff/Eva Mortensen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer er lektor i klassisk arkæologi på Københavns Universitet Mette Moltesen er tidligere museumsinspektør ved Ny Carlsberg Glyptotek. Annette Rathje er lektor emerita i klassisk arkæologi ved Københavns Universitet. Tradition – from the Latin tradere, literally to hand over or hand down – has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue durée of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world. Contributors: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kampen/Arja Karivieri/Jens Krasilnikoff/Eva Morten-sen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer is associate professor of classical archaeology at the University of Copenhagen. Mette Moltesen is former curator of Ancient Sculp-ture at Ny Carlsberg Glyptotek in Copenhagen. Annette Rathje is associate professor emerita of classical archaeology at the University of Copenhagen.
Archaeology of Greece and Rome
Author: John Bintliff
Publisher: Edinburgh University Press
ISBN: 1474417108
Category : Social Science
Languages : en
Pages : 472
Book Description
Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical archaeologists, historians and linguists. In acknowledgement of his immense academic achievement, this collection of essays by a range of international scholars reflects his wide-ranging research interests: Greek prehistory, the Greek Iron Age and Archaic era, Greek texts and Archaeology, Classical Art History, societies on the fringes of the Greek and Roman world, and Regional Field Survey. Not only do they celebrate his achievements but they also represent new avenues of research which will have a broad appeal.
Publisher: Edinburgh University Press
ISBN: 1474417108
Category : Social Science
Languages : en
Pages : 472
Book Description
Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical archaeologists, historians and linguists. In acknowledgement of his immense academic achievement, this collection of essays by a range of international scholars reflects his wide-ranging research interests: Greek prehistory, the Greek Iron Age and Archaic era, Greek texts and Archaeology, Classical Art History, societies on the fringes of the Greek and Roman world, and Regional Field Survey. Not only do they celebrate his achievements but they also represent new avenues of research which will have a broad appeal.
A Homeric Catalogue of Shapes
Author: Charlayn von Solms
Publisher: Bloomsbury Publishing
ISBN: 1350039594
Category : Art
Languages : en
Pages : 241
Book Description
In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their 'author' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer's artistry.
Publisher: Bloomsbury Publishing
ISBN: 1350039594
Category : Art
Languages : en
Pages : 241
Book Description
In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their 'author' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer's artistry.
Greek Sculpture
Author: Mark D. Fullerton
Publisher: John Wiley & Sons
ISBN: 1119115310
Category : Literary Criticism
Languages : en
Pages : 609
Book Description
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered
Publisher: John Wiley & Sons
ISBN: 1119115310
Category : Literary Criticism
Languages : en
Pages : 609
Book Description
Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered
The Treatment of the War Dead in Archaic Athens
Author: Cezary Kucewicz
Publisher: Bloomsbury Publishing
ISBN: 1350151556
Category : History
Languages : en
Pages : 296
Book Description
Exploring the representations of the war dead in early Greek mythology, particularly the Homeric poems and the Epic Cycle, alongside iconographic images on black-figure pottery and the evidence of funerary monuments adorning the graves of early Athenian elites, this book provides much-needed insight into the customs associated with the war dead in Archaic Athens. It is demonstrated that this period had remarkably little in common with the much-celebrated institutions of the Classical era, standing in fact much closer to the hierarchical ideals enshrined in the epics of Homer and early mythology. While the public burial of the war dead in Classical Athens has traditionally been a subject of much scholarly interest, and the origins of the procedures described by Thucydides as patrios nomos are still a matter of some debate, far less attention has been devoted to the Athenian war dead of the preceding era. This book aims to redress the imbalance in modern scholarship and put the spotlight on the Athenian war dead of the Archaic period. In addition, the book deepens our understanding of the processes which led to the establishment of first public burials and the Classical customs of patrios nomos, shedding significant light on the military, cultural and social history of Archaic Athens. Challenging previous assumptions and bringing new material to the table, the book proposes a number of new ways to investigate a period where many 'ancestral customs' were thought to have their roots.
Publisher: Bloomsbury Publishing
ISBN: 1350151556
Category : History
Languages : en
Pages : 296
Book Description
Exploring the representations of the war dead in early Greek mythology, particularly the Homeric poems and the Epic Cycle, alongside iconographic images on black-figure pottery and the evidence of funerary monuments adorning the graves of early Athenian elites, this book provides much-needed insight into the customs associated with the war dead in Archaic Athens. It is demonstrated that this period had remarkably little in common with the much-celebrated institutions of the Classical era, standing in fact much closer to the hierarchical ideals enshrined in the epics of Homer and early mythology. While the public burial of the war dead in Classical Athens has traditionally been a subject of much scholarly interest, and the origins of the procedures described by Thucydides as patrios nomos are still a matter of some debate, far less attention has been devoted to the Athenian war dead of the preceding era. This book aims to redress the imbalance in modern scholarship and put the spotlight on the Athenian war dead of the Archaic period. In addition, the book deepens our understanding of the processes which led to the establishment of first public burials and the Classical customs of patrios nomos, shedding significant light on the military, cultural and social history of Archaic Athens. Challenging previous assumptions and bringing new material to the table, the book proposes a number of new ways to investigate a period where many 'ancestral customs' were thought to have their roots.