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Author: Steven N. Orso
Publisher:
ISBN:
Category : History
Languages : en
Pages : 242
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Book Description
When King Philp IV of Spain died on September 17, 1665, he had ruled the Spanish empire for more than 44 years. In keeping with Habsburg tradition, following the entombment the Court undertook royal exequies, or funerary honours, intended to commemorate the deceased and to reassure his subjects that the monarchy would continue in an orderly fashion. These observances took place in a church adorned with a majestic ensemble of temporary decorations that had been designed especially for the occasion.
Author: Steven N. Orso
Publisher:
ISBN:
Category : History
Languages : en
Pages : 242
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Book Description
When King Philp IV of Spain died on September 17, 1665, he had ruled the Spanish empire for more than 44 years. In keeping with Habsburg tradition, following the entombment the Court undertook royal exequies, or funerary honours, intended to commemorate the deceased and to reassure his subjects that the monarchy would continue in an orderly fashion. These observances took place in a church adorned with a majestic ensemble of temporary decorations that had been designed especially for the occasion.
Author: Hugh Redwald Trevor-Roper
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
"The relationship between artists and their patrons has always been a complex and fascinating one. In the case of the Habsburg rules of the sixteenth and seventh centuries, this is especially true, not only because those rulers are themselves of intrinsic interest, but because the artists whom they encouraged or employed - Durer, Titian, El Grego, Rubens - were among the greatest of all times. In Princes and Artists Professor Trevor-Roper explores the relationship between art and patronage through the careers of the Emperor Charles V (1500-58), his son Philip II of Spain (1527-98), the Emperor Rudolf II (1552-1612) and 'the arch-dukes" - Albert and Isabella - who ruled the southern Netherlands from 1598 to 1633. In the context of their personal lives, their several courts, their political activities, and the ideological conflicts of the era, art played an immensely important role - partly as propaganda, partly for the sheer aesthetic pleasure it gave. The author argues that the distinctive characteristics of patronage in this period, which spanned the transition from the High Renaissance to the Baroque in art, from the Reformation to the Counter-Reformation in ideology, are to be explained by the 'world picture' of the age: "Art symbolised a whole view of life, of which politics were a part, and which the court had a duty to advertise and sustain." -- Book jacket.
Author: Braden Frieder
Publisher: Penn State Press
ISBN: 0271090758
Category : History
Languages : en
Pages : 258
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Book Description
Chivalry and the Perfect Prince is a survey of the ceremonial armor crafted for the Spanish Habsburg monarchs of the sixteenth century. It examines notable tournaments and pageantry held at the courts of Charles V and Philip II, and the artworks associated with them. Braden Frieder guides the reader through these tournaments, jousting, and other knightly exercises as part of a larger aristocratic culture that included arms and armor, paintings, tapestries, medals, and sculptures with chivalric themes. Frieder presents Habsburg tournaments in their proper historical context as an extension of imperial politics, drawing comparisons with popular chivalric literature of the period. Frieder’s study utilizes extensive primary source material and contemporary documents, many appearing for the first time in English. Included in this book are eighty-one illustrations of fine art and armor from the sixteenth century, the crescendo of the armorer's art in Europe. For the first time in print, these artworks are treated collectively, as integral parts of aristocratic life and culture during the Renaissance.
Author: Elisabeth Geevers
Publisher: Taylor & Francis
ISBN: 1000909360
Category : History
Languages : en
Pages : 265
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Book Description
Providing a novel research methodology for students and scholars with an interest in dynasties, at all levels, this book explores the Spanish Habsburg dynasty that ruled the Spanish monarchy between c. 1515 and 1700. Instead of focusing on the reigns of successive kings, the book focuses on the Habsburgs as a family group that was constructed in various ways: as a community of heirs, a genealogical narrative, a community of the dead and a ruling family group. These constructions reflect the fact that dynasties do not only exist in the present, as kings, queens or governors, but also in the past, in genealogies, and in the future, as a group of hypothetical heirs. This book analyses how dynasties were ‘made’ by the people belonging to them. It uses a social institutionalist framework to analyse how family dynamics gave rise to practices and roles. The kings of Spain only had limited power to control the construction of their dynasty, since births and deaths, processes of dynastic centralisation, pressure from subjects, relatives’ individual agency, rivalry among relatives and the institutionalisation of roles limited their power. Including several genealogical tables to support students new to the Spanish Habsburgs, this book is essential reading for all students of early modern Europe and the history of monarchy. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Elizabeth C. Tingle
Publisher: Routledge
ISBN: 1317147499
Category : History
Languages : en
Pages : 233
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Book Description
In recent years, the rituals and beliefs associated with the end of life and the commemoration of the dead have increasingly been identified as of critical importance in understanding the social and cultural impact of the Reformation. The associated processes of dying, death and burial inevitably generated heightened emotion and a strong concern for religious propriety: the ways in which funerary customs were accepted, rejected, modified and contested can therefore grant us a powerful insight into the religious and social mindset of individuals, communities, Churches and even nation states in the post-reformation period. This collection provides an historiographical overview of recent work on dying, death and burial in Reformation and Counter-Reformation Europe and draws together ten essays from historians, literary scholars, musicologists and others working at the cutting edge of research in this area. As well as an interdisciplinary perspective, it also offers a broad geographical and confessional context, ranging across Catholic and Protestant Europe, from Scotland, England and the Holy Roman Empire to France, Spain and Ireland. The essays update and augment the body of literature on dying, death and disposal with recent case studies, pointing to future directions in the field. The volume is organised so that its contents move dynamically across the rites of passage, from dying to death, burial and the afterlife. The importance of spiritual care and preparation of the dying is one theme that emerges from this work, extending our knowledge of Catholic ars moriendi into Protestant Britain. Mourning and commemoration; the fate of the soul and its post-mortem management; the political uses of the dead and their resting places, emerge as further prominent themes in this new research. Providing contrasts and comparisons across different European regions and across Catholic and Protestant regions, the collection contributes to and extends the existing literature on this important historiographical theme.
Author: Noelia García Pérez
Publisher: LSU Press
ISBN: 0807176885
Category : History
Languages : en
Pages : 429
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Book Description
Edited by art historian Noelia García Pérez, this first-ever collection of essays on Juana of Austria, the younger daughter of Holy Roman Emperor Charles V and sister to Philip II of Spain, offers an interdisciplinary study of the Habsburg princess that addresses her political, religious, and artistic dimensions. The volume’s contextual framework shows her sharing agency with other women of her dynastic family who governed in the sixteenth century and developed an outstanding reputation for promoting artists and works of art. The Making of Juana of Austria demonstrates how Juana’s role as a leading patron of the arts offered her a means of creating her own image, which she then promulgated through the objects she collected and her crowning architectural endeavor, the Monastery-Palace of the Descalzas Reales. Drawing on early modern literature, archival documents, and artworks, the essays in this volume delineate a new portrait of Juana of Austria. Contributors not only highlight her multiple facets—princess of Portugal, regent of Castile, and the only female Jesuit in history—but also show her as a discerning art patron and collector who pursued an active role of patronage, through which she constructed her own art collection and used it to articulate a visual statement of her lineage, power, and religious convictions. Her role as an art promoter culminated with the foundation of the Descalzas Reales and the works of art she collected and displayed within its walls. The Making of Juana of Austria offers a new perspective on female rule and patronage, exploring the achievements of a crucial figure in the history of art, court, and gender in early modern Europe.
Author: Kelly Mass
Publisher: Efalon Acies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 37
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Book Description
Francisco José de Goya y Lucientes, a prominent figure in the realm of Spanish artistry, distinguished himself as a painter and printmaker. His legacy solidifies him as a pivotal force in the late eighteenth and early nineteenth-century Spanish art scene, earning him recognition as the foremost Spanish painter of his era. Hailing from Fuendetodos, Aragon, Goya's artistic journey commenced under the tutelage of José Luzán y Martinez at the tender age of 14. His pursuit of mastery led him to the vibrant artistic hub of Madrid, where he further honed his skills under the guidance of Anton Raphael Mengs. In 1773, Goya entered into matrimony with Josefa Bayeu, a union marked by a tapestry of joys and sorrows, as the couple navigated the complexities of numerous pregnancies, with only one offspring, a resilient son, reaching adulthood. The turning point in Goya's career materialized in 1786 when he ascended to the prestigious role of court painter to the Spanish Crown. This marked a phase where his artistic palette mirrored the opulence of the Spanish aristocracy and royalty. His canvas came alive with portraits that captured the essence of his subjects, while Rococo-style tapestry cartoons adorned the royal palace, a testament to his multifaceted artistic prowess. Goya's oeuvre seamlessly blended the influences of both the 19th and 20th centuries, encapsulating the zeitgeist of contemporary historical tumult. Positioned as the bridge between the Old Masters and the dawn of modern artistry, Goya's work resonates with a timeless allure, echoing the complexities of the human experience against the backdrop of societal shifts.
Author: Garlick
Publisher: BRILL
ISBN: 9004649204
Category : History
Languages : en
Pages : 264
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Book Description
Death is the one subject about which our culture is still reticent. Consequently many ceremonies about death are not examined in an open, enquiring and direct way. The state funeral, that large, public, ritualized statement about death is accepted in our society, while its deeper significances remain unexamined because it is seen as something of an historical curiosity, a survival from an earlier age associated with the traditions of that society. This well-illustrated study of a number of state funerals - of the Medicis and the Habsburgs in the Renaissance, of the Duke of Albemarle in the seventeenth century, of the Duke of Wellington and Abraham Lincoln in the nineteenth century, and of President Kennedy and Diana, Princess of Wales in the twentieth century - and the mythical structures and traditions they represent, examines two aspects in particular: the strongly political undertones of the public statements, and the theatrical elements of the public ritual.
Author: J. N. Hillgarth
Publisher: University of Michigan Press
ISBN: 9780472110926
Category : History
Languages : en
Pages : 614
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Book Description
Spanish national character imposed and exposed
Author: Hilaire Kallendorf
Publisher: BRILL
ISBN: 9004360379
Category : Social Science
Languages : en
Pages : 698
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Book Description
A Companion to the Spanish Renaissance makes a renewed case for the inclusion of Spain within broader European Renaissance movements. Its introduction, “A Renaissance for the ‘Spanish Renaissance’?” will be sure to incite polemic across a broad spectrum of academic fields. This interdisciplinary volume combines micro- with macro-history to offer a snapshot of the best new work being done in this area. With essays on politics and government, family and daily life, religion, nobles and court culture, birth and death, intellectual currents, ethnic groups, the plastic arts, literature, popular culture, law courts, women, literacy, libraries, civic ritual, illness, money, notions of community, philosophy and law, science, colonial empire, and historiography, it offers breath-taking scope without sacrificing attention to detail. Destined to become the standard go-to resource for non-specialists, this book also contains an extensive bibliography aimed at the serious researcher. Contributors are: Beatriz de Alba-Koch, Edward Behrend-Martínez, Cristian Berco, Harald E. Braun, Susan Byrne, Bernardo Canteñs, Frederick A. de Armas, William Eamon, Stephanie Fink, Enrique García Santo-Tomás, J.A. Garrido Ardila, Marya T. Green-Mercado, Elizabeth Teresa Howe, Hilaire Kallendorf, Henry Kamen, Elizabeth A. Lehfeldt, Michael J. Levin, Ruth MacKay, Fabien Montcher, Ignacio Navarrete, Jeffrey Schrader, Lía Schwartz, Elizabeth Ashcroft Terry, and Elvira Vilches.
